tweet 16

Jennifer Lawrence and David O. Russell walk past a 45 Years poster. "That should've been you," he whispers.

— Matthew Eng (@Eng_Matthew) December 3, 2015

It's funny because it's true! ftr JLaw is really good in Joy but toward the end of the movie she does kind of have to play hardened wiser 40something and... sigh... I wish this didn't bother me but I can never make that leap with her.

Anyway... a collection of recent tweets of note or amusement or truth starring Jennifer Lawrence (again), Tom Hardy, Melanie Lynskey, Carol and more presented without further ado after the jump...

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LAFCA Winners (Plus: NYFCO Madness)

 With today's announcement of the Los Angeles Film Critics Associations winner the die is set for critics awards. People can argue until pigs fly about whether and how and to what extend critics awards affect Oscar voters but here is a fairly universal consensus among people in the know: these things only matter to the extent they convince voters to attend that particular screening or put that specific screener on top of their to-watch stack. And the two critics groups that voters hear most about and are thus most likely to be influenced by are the two most prestigious coastal giants, LAFCA and NYFCC (who already announced with Carol winning big).

Will Oscar voters take MAD MAX: FURY ROAD seriously or just think "action film"

LAFCA 2015 Winners
Film Spotlight (ru: Mad Max: Fury Road)
Director George Miller, Mad Max Fury Road (ru: Todd Haynes, Carol)
Actress Charlotte Rampling, 45 Years (ru: Saoirse Ronan, Brooklyn)
Actor Michael Fassbender, Steve Jobs (ru: Geza Rohrig, Son of Saul)
Supporting Actress - Alicia Vikander - Ex Machina (ru: Kristen Stewart, Clouds of Sils Maria)
Supporting Actor - Michael Shannon, 99 Homes (ru: Mark Rylance, Bridge of Spies) 

More and a very cool bit of trivia after the jump via Joe Reid...

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Boston Film Critics choose hometown heroes -- "Spotlight" for Best Picture

Every other year the BSFC chooses the future Oscar winner as their Best Picture. Look at the evidence: 2009 The Hurt Locker; 2010: The Social Network; 2011: The Artist; 2012: Zero Dark Thirty; 2014: 12 Years a Slave; 2015: Boyhood. Before that it's a little bumpier statistically since 2008 saw a tie between Slumdog Millionaire (the eventual Oscar winner and WALL•E, a much more deserving (and braver) choice. But it was only in 2006 with The Departed that they started lining up regularlyt. Before then Boston could often be counted on for more iconoclastic choices like Mulholland Drive, Out of Sight, Three Kings, Trainspotting, Bull Durham, Ran, etcetera. They've been handing out awards since 1980 when Raging Bull won their inaugural Best Picture award.

Here's what they chose this year...

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What did you see this weekend?

With only Krampus as a new wide release this weekend was a repeat of Thanksgiving weekend with The Hunger Games, The Good Dinosaur and Creed leading the way at the multiplex and Oscar hopefuls like Carol doing good business on a miniscule amount of screens. Spotlight and Brooklyn -- which are both looking lockish for Best Picture nominations -- continue to reap the benefits of great word-of-mouth audience response.

"Um, why am I in Krampus?" -Toni Collette to her agent, probably.

BOX OFFICE
(Dec 4th-6th)
01 Hunger Games 4 $18.6 (cum. $227)  Hunger Games & Oscar
02 Krampus $16 *new* 
03 Creed $15.5 (cum. $65.1) Review & Oscar Possibilities
04 Good Dinosaur $15.5 (cum $75.9) Review
05 Spectre  $5.4 (cum. $184.5)  Review
06 The Night Before   $4.9 (cum. $31.9) 
07 The Peanuts Movie  $3.5 (cum. $121.4)
08 Spotlight $2.9 (cum. $16.6) First Impression & SAG Ensemble Predix
09 Brooklyn $2.4 (cum. $11.2) Review, Saoirse & Best Actress
10 Secret in Their Eyes $1.9 (cum. $17.2) 

With BFCA's "Critic's Choice" ballots going out tomorrow and a handful of critics organizations voting this weekend, I've been struggling to catch up / wrap up but in truth I am always quite behind at this point. And I get distracted by my pets... like seeing Carol twice this weekend. Oops. By my count there are 27 titles that I had hoped to see that I still have to squeeze in during the busiest month of the year and of course the rewatches I'd hoped to do before drawing up the top ten list. If I get to half of this by Christmas it'll have to be considered an enormous success. The Glut! The Glut!

What did you see this weekend? Are you struggling to keep up?

Cotillard + Fassbender = Scorching Hot

Murtada here. Are you ready for some sexy stuff at the movies? Now playing in limited release is the latest big screen version of Macbeth from director Justin Kurzel. Reviews have been mixed but there’s no denying the heat created by the performances of Michael Fassbender and Marion Cotillard in the titular parts. The screen almost combusts whenever they are together; they make Shakespeare sexy. And not just because of their considerable beauty, but rather because of what they bring out in each other. Fassbender raises Cotillard’s intensity and she is so tenderly natural that he can’t help but match her.

Sometimes one wonders how actors arrive at on-screen chemistry? Maybe it’s about surprising each other. That’s what Fassbender told the National Board of review about one of their scenes together:

 I don’t like to talk too much, with either director or actor, before doing the scene. [ ] She just picks up the ball and she runs with it, like that scene—the scorpion scene. I put my hand underneath her dress; I didn’t tell her I was going to do that, and she took it and she went with it and then she kisses me and then pulls away. She’s got this sort of repulsion, and then she reengages, and she’s like, “I love this man, I feel him, he’s sick.” All these things are happening on her face. That’s when you realize you’re in the presence of somebody great.

Here’s part of that scene, however for the exact part Fassbender is talking about you'll have to go to the movies.

It looks like Cotillard, Fassbender and Kurzel had a good time creatively; they are reuniting for Assassin’s Creed which is currently shooting.