Shanté, Link, You Stay.

The Playlist shares what is supposedly the first poster for Silencio -- which makes it look like a lesbian drama -- but it looks incomplete since it's not regular poster size and even looks a little square for the European quad size. Or do my eyes deceive me?
Interview talks to Gal Gadot the new Wonder Woman, with photos by Chris Colls. Let's hope Gal has some screen charisma to go with the beauty since her body type is so teensy-tiny for that Amazon princess.
Vogue and Nicole Kidman are really getting along, huh? Now she's talking about Fashion and Film at the Met. Plus she this bit about her Galliano/Dior at the Oscars that one time...

Madonna came up to me at the after-party saying ‘Best dressed, best dressed!"

 

AV Club comic book artist Annie Wu has created a superhero for all of us "General Dread."  This is, in a word, awesome
Rope of Silicon Miles Ahead to close NYFF this year - will it generate any Oscar heat?
Buzz Feed looks at that controversial doc Open Secret which has had a rough road to theaters
Cosmopolitan gets on the set stories from 5 extras in Magic Mike XXL
Film Stage new trailer and poster for The Assassin starring Shu Qi and Chang Chen
Forbes wonders whether Terminator Genisys and Mad Max Fury Road have been labelled "flop" and "hit" respectively despite the same box office tally and budget. Interesting observations about media power and biases but this ignores a fundamental... when it comes to previous grosses from their own franchises there's no other way to label them. 

icymi
This story is a week old but I hadn't seen it and WTF?!? According to Variety, silent film genius FW Murnau's (Nosferatu, Sunrise) head was stolen from his grave early this month. Creepy!   

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Cast Them Queens!
RuPaul has announced the second RuPaul's Drag Race: All Stars season. He's even asked that people chime in on twitter with their dream lineups, so I did. Assuming they're only drawing from the three seasons that came after All Stars (though perhaps they'll go older than that) what would your picks be among these queens?  Will it be a coronation for Katya, Adore, Alaska Thunderf**k or someone else entirely? 

"Best Shots" and Plentiful Words on VMA Nominees

Presenting: a "very special" (ahem) edition of Hit Me With Your Best Shot in which Nathaniel climbs on a speeding train of thought for an impromptu journey into this year's celebrated music videos. Lots and lots more after the jump...

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1995: The Year Jane Austen Came to the Movies

Our look back at 1995 continues with Lynn Lee on an unexpected breakout...

Clueless turned 20 this week, but as the Internet has constantly reminded us, it hasn’t aged a day.  At once timeless ("a classic," as Cher would say) and delightfully dated, it’s a modern riff on a period piece – Jane Austen’s Emma – that's become something of a period piece itself. The latter aspect tends to draw attention away from the former, but I happened to see the movie again at a recent party and was reminded not just how perfectly it captures the ’90s, but also (1) how brilliantly it adapts Emma, and (2) how 1995 really was the breakout year for Jane Austen in film. 

Keep in mind that prior to 1995, the only film version of a Jane Austen novel was the 1940 B&W “Pride & Prejudice” starring Greer Garson and Laurence Olivier.  1995 changed all that...

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HBO’s LGBT History: Six Feet Under (2001-2005)

Manuel is working his way through all the LGBT-themed HBO productions...

Last week we talked about Cheryl Dunye’s Stranger Inside, a female prison drama that makes that Netflix series feel like a light-hearted romp. I highly recommend it; though, as with many of the films we’ve been looking at these past few weeks, it is not readily available for streaming (it is available on YouTube). This week, we pause on one of HBO’s greatest shows, Six Feet Under, which features one of the most fully realized gay male characters ever seen on television, David Fisher, played by Michael C. Hall.

Premiering as it did after The Sopranos and proving HBO’s swaggering arrival into prestige TV was no fluke, Alan Ball’s melancholy meditation on death, mental illness, and sexuality, nevertheless always felt, as David Fisher himself, like the dutiful, kinda gay, and oft-ignored middle child in HBO’s eyes; Six Feet Under thus lived (and died) in the shadow of its more popular and charismatic older brother.

That’s not a knock on David Chase’s drama but a reminder that Tony Soprano’s show was a gargantuan hit that’s since become the poster child for "HBO drama," if not for the entire “Golden Age of Television” writ-large. It both paved the way and reaped the benefits of the daring work showrunners like Tom Fontana (Oz), David Simon (The Wire), Daniel Knauf (Carnivale), Steven Soderbergh (K Street), and, of course, Ball himself, were producing during the early 2000s.

Ball’s series feels like an outlier among those early HBO dramas; Six Feet Under, more expertly than Ball’s Oscar-winning film, American Beauty and with more nuance than his later vampiric sudfest, True Blood, thrives on that much maligned genre which earns immediate scorn, melodrama. Indeed, with its focus on grief and mourning, the show constantly wears its teary-eyed heart on its sleeve, shamelessly tugging at its audience’s heartstrings. [More...] 

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Taye Diggs, Triple Threat.

Have you read this good profile of Taye Diggs in the New York Times?  It was written while he was in early rehearsals for Hedwig and the Angry Inch. I personally cannot wait to see his take on it. I've been as eager as he has to see him combine all his talents for one role.

As he states:

The role of Hedwig is ‘‘everything I’ve ever wished for,’’ he said. Then he turned, in what seems unusual for him, ferocious: ‘‘This is me telling myself, ‘O.K., bitch, put your money where your mouth is. You’ve been telling agents and your best friends — I told Idina — ‘I want a chance to show everybody everything. I can dance and I can sing, and everybody knows I can act'... They’re going to end up saying something good. ’Cause I’m not gonna mess up all three.’’

Taye Diggs is basically 1 of approximately 100 stars (at least) that would have been bigger stars if Hollywood still:

a) ...knew how to make musicals
b) ...made them regularly
c) ...cast them with actual triple threat talents.

A, B, and C don't actually seem like high hurdles to this here movie musical lover -- not given the extraordinarily deep acting talent pool out there and the treasure trove of instructional film school materials at home. By which I mean of course the complete filmographies of Busby Berkeley, Vincente Minnelli, Bob Fosse, Stanley Donen, and so on. One senses sometimes that today's young directors either never went to film school or didn't study the classics to learn some basic tools of the trade... at least not when it comes to the "dead" genres.