Over & Overs: Twister (1996)

In Over & Overs we ask Team Experience to share movies that they've seen countless times and tell us why.

by Tony Ruggio

As a kid growing up in Texas, with family in Oklahoma and Nebraska, I had a morbid fascination with tornadoes and the would-be thrill of storm chasing. My fascination was outweighed only by the sheer fear of death. The possibility of finding yourself at the mercy of mother nature was all too real in Tornado Alley, at least for a nine year-old. In the summer of 1996 in air-conditioned theaters an entire country (and myself) learned about the Fujita scale, from itty-bitty F1 tornadoes to mile-wide F5 monsters. Twister was a multiplex phenomenon and the first disaster film in decades to strike hot at the box office. With mixed reviews and Independence Day casting a big shadow, it was then somewhat forgotten...until cable came to the rescue. 

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Robert Forster (1941-2019)

Photographed by © Hama Sanders

As you have undoubtedly heard by now the Oscar-nominated Robert Forster (of Jackie Brown fame) passed away last Friday of brain cancer at 78 years of age. This news came as quite a shock to us here at TFE, which is part of why we haven't mentioned it...

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The Look of "Joker"

by Cláudio Alves

In 1989, Tim Burton envisioned Gotham City as an Expressionistic nightmare, something necessarily unreal. Three years later, Batman Returns showed a different sort of urban reverie, one tainted by quasi fascistic imagery, an appropriate dark meaning for a darker film than its predecessor. Joel Schumacher's sequels would see Gotham go through another transfiguration, from a gloomy nightmare into a candy-colored hallucination. This process of growing artificiality would end when Christopher Nolan revitalized Batman for a 21st-century audience.

Nolan's trilogy shows us a Gotham that's a foreigner's idea of an American metropolis and one can almost chart, throughout the films, how the city goes from being a dream of Chicago to New York City 2.0. Todd Phillips' Joker perpetuates this configuration of Gotham as DC Comics' version of Manhattan, but he isn't looking to the real contemporary city for inspiration. The film is set in a New York of yore, a fantasy built from nostalgia and the cinematic legacy of New Hollywood's urban dramas. Gotham is never just a city, rather the idea of one…

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2019 Critics Choice Documentary Award Nominations

By Glenn Dunks

they shall not grow old

We do a good job here covering documentaries. Especially since I have a 9 to 5-Monday to Friday day job. But we cover, I want to say, somewhere between 50 and 80 films a year in Doc Corner. I only say this to preface the news of the 2019 Critics Choice Documentary Awards because my gosh there are still just so many we do not or can not (or will not) get to. There are an estimated 300+ docs released every year. That is, to put it mildly, quite a lot.

Which brings us to their nominees for 2019. The list features many that we have already covered, more that we plan to upon their theatrical release or as we get deeper into the season, and even some that we do not want to review. Leading the pack with six nominations are Apollo 11, The Biggest Little Farm (more good news this week for Parasite distributor NEON) and Peter Jackson’s They Shall Not Grow Old (which some would consider a 2018 release).

Read on the see the nominations (AND NOW UPDATED WITH WINNERS) in full...

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32 films competing for nominations in Best Animated Feature

by Nathaniel R

Frozen 2 is clearly hoping to be the first animated franchise to win the Animated Feature category twice.

The Oscar race is officially on for Best Animated Feature. 32 films are planning to compete, which is easily a record as there are usually closer to 22 or so, so we'll definitely have 5 nominees again this year. But the question is which. We've divvied the 32 films up into types to make this easier to process...

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