Oscar's International Race - Pt 2: Random Stats and Key Trivia

Now that we have the whole list of 93 films vying for the Oscar for Best International Feature Film, it's time for a collection of trivia regarding this particular vintage...

LONGEST FILM
The Painted Bird (Czech Republic) is just 11 minutes shy of three hours. Lots of films are that long but given that this movie has been referred to as 'the child rape Holocaust movie' three hours sounds utterly punishing. Naturally then, it's split audiences between 'masterpiece' and 'unwatchable' camps. Runners up: Domain (Portugal) and Truth or Justice (Estonia) are just a little bit shorter, both about two hours and 45 minutes long.

SHORTEST FILM
Poisonous Roses (Egypt) is just 70 minutes long. It's reportedly a mood piece about life in lower-class Cairo that primarily focuses on the relationship of a sister and brother. Runners up: The light documentary When Tomatoes Met Wagner (Greece) is just two minutes longer than that one. Belgium's Our Mothers, Belarus's Debut, Lithuania's Bridges of Time, Albania's The Delegation, and Montenegro's Neverending Past are the other really short titles, all clocking in at 80 minutes or less.

Movie stars, languages, and gayness are after the jump...

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Horror Actressing: Maribel Verdú in "Pan's Labyrinth"

by Jason Adams

As long as there have been haunted houses there have been housekeepers keeping them, and the role of the housekeeper in a horror film is a tried and true one that film-makers can and have spun off a dozen different ways. There's the strange and sapphic Mrs. Danvers (Judith Anderson) in Rebecca; there's the seemingly good-natured but with a hell of a secret Mrs. Mills (Fionnula Flanagan) in The Others; and there's the bluntly unfriendly type typified by Mrs. Dudley (Rosalie Crutchley) in The Haunting who gets to speak the immortal line, "In the night. In the dark."

Guillermo Del Toro, would of course be familiar with all these tropes, which is why I think his spin on the role with the great Maribel Verdú in Pan's Labyrinth is so fascinating...

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Oscar's International Race Pt 1 - The Female Directors

The Academy has officially announced list of 93 contenders -- an all time record --  for this year's Best International Feature Film Oscar (submission chart here). So let's dive in! 

Last year's sole female nominee for Best International Feature, Nadine Labaki (Capernaum) is in front of the camera this time for Lebanon's new submission "1982"

by Nathaniel R

We've been tracking the just renamed foreign-language film race for so long that we love to dig in to stats a bit. You may recall that last year 20 of the 87 pictures were directed or co-directed by women. This year 28 of the 93 contenders are -- that's 30% of the list which is easily an all-time record! Here's another promising note for the future in regards to gender parity: female directors made only 2 of the nominated foreign-language films in the first quarter century of this category but things opened in the 1980s with four nominees from female directors, there were four again in the 1990s, and then seven in the 2000s. Though the 2010s have only seen five thus far, the trend is still promising; in the past four consecutive years one of the nominees has come from a female auteur:

2015 Mustang (France) by Deniz Gamze Ergüven
2016 Toni Erdmann (Germany) by Maren Ade
2017 On Body and Soul (Hungary) by Idilko Enyedi
2018 Capernaum (Lebanon) by Nadine Labaki

Will the trend continue this year? Here are the 29 women who will be trying to make that happen.

The 29 Women Competing in the Best International Feature Race
* means they co-directed their film

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Podcast: Judy's Pain & Glory

with Murtada Elfadl & Nathaniel R

 

Index (58 minutes)
00:01 Pain and Glory - Pedro Almodóvar's career, the moment we fell for the picture, and Antonio Banderas tender dazzling homage/star turn.
14:50 Oscar's Best International Feature competition. How they vote, movies we love, and what might get nominated.
27:27 Renée Zellweger as 'The World's Greatest Entertainer' in Judy. The performance and the film.
43:11 The Best Actress Race: Scarlett, Cynthia, Renee, Alfre, and more...

Related Reading/Listening
Murtada's Pain & Glory Review
Nathaniel's episodes of Las Culturistas
Foreign Submissions you can stream right now

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Pain and Glory, Judy

Remembering "Ed Wood" on its 25th

Ed Wood opened nationwide on this very day, 25 years ago. 

by Anna

There’s an admirable irony in that a biopic on the worst director of all time ended up being one of the best-reviewed movies of 1994. The added fact that it ended up being largely ignored by mainstream audiences at the time seems almost fitting. As the second of Burton and Depp’s repeat collaborations, it further set the precedent for all their future collaborations exploring the odd man (in every sense of the term) amid everyday life. But instead of the Frankenstein pastiche that defined their previous film, this one is about someone who has endless stories to tell… even though he doesn’t have the talent to tell them.

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