The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Monday, December 16, 2019 at 5:56PM In today’s roundup of five regional critics awards Jennifer Lopez and Willem Dafoe emerge as the big winners with 3 Supporting wins each for their arguably leading roles. But no film is dominant in Best Picture with Once Upon a Time in Hollywood, Parasite, Marriage Story, 1917, and The Irishman all being cited.
Check out the latest roundup after the jump...
Monday, December 16, 2019 at 3:00PM by Jason Adams
Most folks first reference the voice, the Batman-needs-a-lozenge croak that Adelaide's underworld doppelganger Red speaks with, when praising Lupita Nyong'o's dual performance in Jordan Peele's Us, and for good reason -- she put a lot of work into it, meeting with people who've suffered from the very real neurological condition called spasmodic dysphonia that's brought about by trauma, and that work memorably shows. I made the Batman joke but only because it's very nearly already as iconic a choice as that one -- go find somebody and talk like Red at them and see how movie-savvy people will get it; the percentage won't be low.
You'd also get a lot of mileage talking about Lupita's physicality in the roles...
Monday, December 16, 2019 at 10:38AM 
Margot Robbie isn't the only actor with more than one performance in buzzy productions. 2019 has been a year full of actors with sterling bodies of work. There's also Scarlett Johansson, Laura Dern, Adam Driver, among many others. I'd like to shed light on the excellence of a star whose work is quite far from Oscar's presumed radar. I'm talking about a former heart-throb turned character actor who spent the year getting drunk with Willem Dafoe, facing the challenges of single-parenthood in outer space and casting aspersions at Timothée Chalamet's disproportionate genitalia.
That's right, we're here to sing the praises of the one and only Robert Pattinson. First, we have his adventures with a fuckbox, a mad scientist and a baby…
Sunday, December 15, 2019 at 11:42PM So, from here on out we'll be hitting our "Year in Review" lists which will include a few exciting box office deep dives on niche topics. So let's retire the regular box office charts of the weekend for 2019 with one last blowout of EVERYTHING still in wide release (there's just 13 films on that many screens at the moment and boy is the last of 'em unlucky). And, as per usual, their counterparts in limited release where the more interesting movies usually are. That said you'll notice the platform section of the chart is not yet complete. That's because those numbers rarely come in comprehensively or correctly before Monday evening so we'll update again then.
What did you see this weekend?
| Weekend Box Office December 13th-15h (ESTIMATES) 🔺 = new or expanding / ★ = recommended |
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| WIDE RELEASE (800+ screens) |
PLATFORM TITLES |
 |
 |
| 1 🔺 JUMANJI: THE NEXT LEVEL $60 *new* |
1 PARASITE $632k on 306 screens (cum. $20.3 PODCAST, CLASS, BONG, SAG CAST★ |
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| 2 FROZEN II $19.1 (cum. $366.5) REVIEW |
2 🔺 UNCUT GEMS $525k on 5 screens *new* REVIEW ★ |
Sunday, December 15, 2019 at 6:00PM Little Women was a hot commodity in the latest round of critics awards. The esteemed Boston Society of Film Critics and the relatively famous Chicago Film Critics Association and the actually very old Kansas City Film Critics have recently announced as have St Louis, Phoenix, and the AAFCA (African American Film Critics Association). Most of those groups found something to love in Greta Gerwig's period piece. Naturally the other usual suspects are accounted for again though The Irishman (which led with Parasite in early critics announcements) isn't particular beloved by today's roundup of associations and circles and societies winning no new Picture or Director prizes.
The winners and a few comments are after the jump...
