'On the Floor'

...Or, floored, rather. But we wanted to use a JLo song title. 

JLo walking the Versace fashion show to celebrate 20 years of THE DRESS that launched Google Images (no really) has to be among the most exciting Oscar campaign moments of recent years alongside events like David Lynch with that cow on the side of the road stumping for Laura Dern. 

Not that this is a literal Oscar campaign move but it might as well be, right? 

same energy? pic.twitter.com/AGWw8kWm4J

— Nathaniel Rogers (@nathanielr) September 20, 2019

News & Tidbits: France, Brad Pitt, Julie Andrews and more...

Deadline France will send contemporary police/citizens/gang tensions drama Les Miserables to the Oscars (sorry, Portrait of a Lady on Fire fans)
Latino Entertainment Journalists Association - In their first ever TV awards, Barry, When They See Us, Chernobyl, and Euphoria lead the nominations. Jimmy Smit (Lifetime Achievement) and Isabella Gomez (Breakout) will also be honored.
Indie Wire - Have you heard that Brad Pitt is “abstaining” from Oscar campaigning. In our long years of following the Oscar race this only works for mega-stars and those who have just given undeniable performances (like Mo’Nique in Precious). Everyone else has to play the game. 

After the jump Julie Andrews, Maggie Cheung, Downton Abbey, Kevin Spacey and more…

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Posterized: Promotions to Film for TV Casts

With Downton Abbey (2019) in theaters today and already threatening a sequel let's talk movie spin-offs of TV shows. TV shows have been adapted into feature films for as long as we can recall, but up until the 21st century it was more common for feature films to be adapted into TV shows.

Examples of TV series getting their own theatrical film outing with the original cast intact dates back to, we think, Dragnet (1954) and Batman The Movie (1966), both of which had one theatrical release during their TV runs. But it was fairly rare until recently and it has usually only happened after a television series has wrapped. A large part of this becoming more common obviously has to do with the narrowing gap between how audiences experience TV and film. On a less obvious and more theoretical level we suspect its due to the even newer cultural trend of immediate / perpetual nostalgia. It used to be that there had to be a bit of distance before the populace got collectively teary-eyed with longing but... no longer! 

Batman got a movie in the summer of 1966, even though it has just premiered on television in January of that same year.

You can now be wistful for things you experienced just the year or even a few months before and demand that they come back to you in the closest approximation possible. 

Let's look at some examples of this increasingly popular trend leading up to Downton Abbey (2019). How many of these spinoffs have you seen? The posters are after the jump...

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Over & Overs: The Hudsucker Proxy (1994)

by Mark Brinkerhoff

The Coen Brothers have no shortage of veritable classics on their résumé (Fargo, No Country for Old Men, Raising Arizona, etc.), but somewhat overlooked within their filmography are the quirky, sweet (read: non-violent, still absurdist) little diversions into optimism, vs. their patented nihilism. And so, sandwiched between the critical and commercial triumphs Barton Fink and Fargo, arrived The Hudsucker Proxy, the Coens’ mid-‘90s (25th anniversary, y’all!) ode to the zany, screwball comedies of Hollywood’s Golden Age.

They had me at "You know, for kids.”

I was one of the few who saw The Hudsucker Proxy in theaters—it bombed…hard—at the mall where I worked as a teen (at Subway in the food court, natch). In fact, it wasn’t by chance that I saw The Hudsucker Proxy; I actually sought it out, for reasons I can’t totally recall. But loved it I did, from the very first watch... 

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Review: Ad Astra

by Murtada Elfadl

The thing about having daddy issues is that you can never escape them. No matter how far you travel, even into space. In Ad Astra these issues drive Roy McBride (Brad Pitt), an astronaut sent on a mission across the solar system to find out the reason behind recent catastrophes,  including fires and plane crashes, taking place on Earth. The kicker here is that his astronaut father (Tommy Lee Jones), who went missing in another space expedition 29 years ago, might be connected to what’s happening. Not only does Roy have to confront the dangers awaiting him on his mission, he also has to deal with his feelings about his father and being abandoned by him.

The space odyssey element is surprising twist for writer director James Gray (The Immigrant, Two Lovers) but the father son imbroglio isn’t at all...

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