Will Brazil finally return to Oscar's spotlight with "Invisible Life..."?

by Nathaniel R

Brazil has arguably had a rough go of it with the Oscars. Though they've been nominated four times they have yet to win, and at least a couple of their "misses" are pretty major. Lately they've also been beset by political problems at home which has extended into their arts. Note the shunning of the intimidatingly great Aquarius (2016) in its year due to the righteous politics of both the film and its creative team.

But perhaps this year's awards season will hold a happy ending to Brazil's 21 year Oscar drought? Their candidate this year is the Un Certain Regard winner at Cannes, The Invisible Life of Euricie Gusmao (based on the novel of the same name, pictured left) a 1950s period melodrama about two sisters. The film is directed by Karim Aïnouz (previously best known for Madame Sata and Futuro Beach) and co-stars the legendary Fernanda Montenegro (Central Station) who has some Oscar history herself...

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Oscar Trivia, Weekly: Double Oscar winners... How long does it take?

For today's utterly random weekly Oscar trivia, how about two-time acting winners? For the purposes of this list we're ignoring the rare third wins (that list only includes six people: Streep, Hepburn, Nicholson, Bergman, Brennan, and Day-Lewis) and focusing on the gaps between the first and second Oscar wins. What is most common for the double-dippers?

Marlon Brando's two wins...

ALL THE DOUBLE-WINNERS
+ GAPS BETWEEN OSCAR WINS 
FROM LONGEST TO SHORTEST

01
Helen Hayes (38 years: The Sin of Madelon Claudet to Airport)

02
Katharine Hepburn (34 years: Morning Glory to Guess Who's Coming to Dinner)

03 
Frances McDormand (21 years: Fargo to Three Billboards)...

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Doc Corner: 'Vision Portraits' and 'Raise Hell: The Life & Times of Molly Ivins'

By Glenn Dunks

Aware that people with vision impairments may likely read this review, I have included accessable captions underneath the images. In my day job I regularly have to work to accessibility guidelines and I think it's something we should all think about.

I’m not going to lie. There really isn’t all that much connecting the two films I’m going to talk about today other than they’re both being released around the same time and I wanted to give them some attention. And, truly, what are we even doing here if we can’t throw a wee bit of love to movies that would otherwise go completely under the radar?

Film poster for Vision Portraits showing Rodney Evans' face against colourful lights that are out of focus.I have no doubt that Raise Hell: The Life & Times of Molly Ivins will find an appreciative audience. She was, after all, a famous writer with dedicated fans right up to her death in 2007. I am less convinced that Rodney Evans’ delicate and partly autobiographic Vision Portraits would manage the same. It’s small, you see. Small in the sense that it doesn’t call attention to itself. Small in the sense that it tells its story with grace and humanism and allows its audience to depart with a mind full of contemplation. It is a morsel of a documentary (it is 78 minutes long), but one that should open its viewers to ideas that it would otherwise likely have little reason to consider.

Evans’ film is certainly the most interesting of the pair thematically and stylistically...

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Soundtracking: Juliet, Naked

by Chris Feil

Musical standom sometimes has more to do with defining ourselves than it does the music itself. Instead, the music is just the key that unlocks something within us and lays a foundation for obsession over an artist’s life and legacy. That obsession is fueled online, between warring factions of “teams” and Reddit board investigations of creative minutiae in search of greater meaning, no musician safe from the scrutiny. It’s almost entirely separate from the music that inspires the standom. That divide between musical obsession and connection is at the core of Juliet, Naked, a film as delightfully revisitable as an underrated album.

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What's on your cinematic mind?

Do tell in the comments. It's the quiet before the storm in terms of the (prestige) film year so where has your cinematic mind been drifting?