SXSW: "X & Y"

Abe Fried-Tanzer reporting from SXSW

X & Y's stars Mikael Persbrandt and director Anna Odell

If you’ve ever wondered what the Scandinavian version of a Charlie Kaufman movie would look like, here’s your answer. The Oscar-winning writer of such imaginative explorations of inner machinations within the movie business as Being John Malkovich and Adaptation and director of Synecdoche New York. The latter serves as the best comparison for this film, featuring a copy of New York City built inside a warehouse designed to have life truly imitate art, or rather the other way around, for his new play. Synecdoche is broader and more tinted with science fiction than this film, but those who have seen it will see an immediate parallel...

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SXSW: Elle Fanning has "Teen Spirit"

Abe Fried-Tanzer reporting from SXSW

It feels like every other movie these days is directed by a famous actor. There are a handful of them at SXSW this year, including Olivia Wilde’s Booksmart (reviewed) and Logan Marshall-Green’s Adopt a Highway starring Ethan Hawke. Both of those make sense given the type of films those actors have starred in, which match up decently with what they have made behind the camera. Max Minghella’s Teen Spirit, on the other hand, is a less expected debut.

Minghella is probably most recognizable from his starring role as the kindhearted Nick on The Handmaid’s Tale, and he also had a memorable part in The Social Network, among other things. His father was the late Oscar-winning Anthony Minghella (The English Patient). That piece of trivia makes the subject of Max’s first film even stranger since it doesn’t track with that kind of serious prestigious filmmaking either...

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[Drum Roll] It's the Film Bitch Awards Medals Ceremony

It's the most painfully drawn-out nomination process followed by the swiftest awards ceremony of all. It involves your host Nathaniel slapping gold, silver, and bronze medals on the winners in the Film Bitch Awards chart! A Star is Born (10), The Favourite (9), and BlacKkKlansman (8) which all made the top ten list here, led the total medals count. It may surprise you to hear that Lady Gaga (5 for A Star is Born) and Rachel Weisz (4 between The Favourite / Disobedience) won the most medals for an individual performer,  since we didn't actually nominate either of them in the traditional 4 acting categories! But we have lots of "special" categories to reflect how we really experience the movies.  

Awards Pg 1: Picture, Director, Screenplay, Animated Feature
Awards Pg 2: The Four Traditional Acting Categories
Awards Pg 3: Visuals 
Awards Pg 4: Sound and Music
Awards Pg 5: Additional Acting Categories
Awards Pg 6: 'Characters of the Year' Prizes
Awards Pg 7: Best Individual Scenes (AND TRIVIA ABOUT THE AWARDS) 

AND WITH THAT, MY FRIENDS, FOLLOWING THE OSCAR WRAP-UP, THE FILM YEAR IS COMPLETE. ON TO 2019, ALREADY IN PROGRESS! We're currently at two festivals (SXSW and San Luis Obispo) and of course we've been discussing Avengers and Captain Marvel  and gems currently in theaters like Ash is Purest White, Transit, and more.

Aidy Bryant in "Shrill"

By Spencer Coile 

Aidy Bryant has been stealing scenes left and right for years now. From a brief stint on Girls, to a supporting role in The Big Sick, to her notable (and Emmy nominated) work on Saturday Night Live, Bryant has been diligently carving out a space for her voice to be heard. Fortunately for long-time fans, 2019 is the year where she has fully paid her dues and doesn't have to steal the scenes anymore since they're centered on her.  

Shrill, on Hulu today, is the adaptation of Lindy West’s memoir of the same name. Following timid journalist Annie (Bryant), the series explores what it means to be a plus-size woman living in a world that has excluded them from the cultural conversation...

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SLO Film Fest: Franchot & Fascism

by Nathaniel R

Walter Huston a fascist American president in "Gabriel Over the White House"

Those of us who live in big cities with dozens of theaters and access to films from around the world sometimes forget the need for communities of dedicated cinephiles elsewhere. Likeminded cinephiles are easy to find online and share obscure movie-watching with but IRL outside the biggest cities you often need a regional film festival to find them. Community, and not just of cinephiles, is what film festivals thrive on. The best regional festivals find ways to incorporate local groups and artists of multiple kinds. SLO Fest does that with local filmmakers of course and also local musicians like the Malibu Coast Silent Film Orchestra. But sometimes local groups sponsor specific festival selections.

For instance we were completely puzzled at the inclusion of a 1933 movie we'd never heard of in a festival that mostly centers around new films, docs, and discoveries, so of course we scheduled it. We arrived to Gabriel Over the White House completely curious. We knew only that Franchot Tone was in it (you know about our Franchot Tone problem. Ahem) and that is usually enough. And here's where the regional community feeling comes in...

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