Doc Corner: 'Grace Jones: Bloodlight and Bami'

By Glenn Dunks

Documentaries about musicians can feel like a dime a dozen. It’s no wonder, too, since they’re such easy sells for festivals and home entertainment in a market that is over-saturated with exhibitors and distributors in need to properties that don’t require elaborate marketing campaigns -- just a hope and a prayer that they will ‘catch on’.

Grace Jones: Bloodlight and Bami is not exactly one of those films. It is unconventional as rock docs go in a whole host of ways, but it’s also a film that even its subject’s fans may struggle with. It eschews a typical birth-to-death narrative and instead focuses on Grace’s experiences in Jamaica and Paris recording her 2008 album Hurricane, recorded in garish lo-fi digital video, juxtaposed against richly filmed concert footage that echoes her 1982 One Man Show. It’s a documentary that leaves questions – like what exactly are “Bloodlight" and "Bami” (I had to look them up)? Why did it take so long to complete? 

 It drifts by for 115 minutes on its own sort of trippy wavelength which is, if you think about it, entirely appropriate for a documentary about Miss Grace Jones, one of the most enigmatic and exciting pop stars of the 20th century...

Click to read more ...

How to Wait for "How to Talk to Girls..."

by Chris Feil

It's been so long since the first much salivated over set photos of Nicole Kidman as a spiky haired punch in How to Talk to Girls at Parties, that she's had an entire awards run and career resurgence in the meantime! The John Cameron Mitchell adaptation of Neil Gaiman's short story got a quiet esponse when it debuted in last year's Cannes (outside the competition) and there hasn't been much news since. But now there's a trailer...

Click to read more ...

Streaming Roulette, April 2018

Can you believe it's April already! If only the weather here in NYC would commit to springtime (Sigh). A new month means new availabilty of streaming titles which means it's time for our streaming roulette. We spin (figuratively... it's really scrolling) and wherever the cursor lands we share that moment of the film. Do any of these screengrabs make you want to see the picture (or see it again)?

Drugstore Cowboy (1989) on Amazon Prime

Holy shit!

Holy shit is right. This is the first moment of a quadruple dissolve with a really strange comic tone. Gus Van Sant just can't help his inner cinema geek sometimes (See also Psycho, 1998). I don't remember this well (only saw it once) but was absolutely convinced at the time that Matt Dillon should have landed his first Oscar-nomination with ease. He had to make do with that year's Best Actor prize at the Independent Spirit Awards and wait another 17 years for the Oscar nomination (via Crash). Kelly Lynch is also excellent as his girlfriend (she had a brief heyday in the late 80s and early 90s but was never properly appreciated despite more than one strong performance).

Six more films after the jump starting with  Little Women (1994) on Netflix...

Click to read more ...

Stage Door: Broadway's Beach Vacations

by Dancin' Dan

It may be April, but New York City is once again covered in a blanket of snow in a winter that won't stop. But thankfully, Broadway is providing not one, but two beach vacations you can take for (slightly) less than a plane ticket to somewhere warm. Escape to Margaritaville and Spongebob Squarepants could not be more different on the surface (although both feature a volcanic explosion as an important plot point), but they do provide some pretty wonderful escapism for anyone longing for warmer climes...

Click to read more ...

Mixed Media: "A Fantastic Woman" Dreams an Awakening

by Ilich Mejía

Arguably the only drawback of watching a movie on the literal big screen is not being able to immediately rewind to catch a perfect moment again. Well, maybe you could if you were friends with the theater's staff, but some of us may have pissed off too many of those by asking them to turn the air conditioning up a few too many times. In Sebastián Lelio’s A Fantastic Woman, last year’s Oscar winner for Best Foreign Film, that perfect moment comes an hour into the film when its protagonist Marina (played by Daniela Vega, the trans actress that inspired the film) finds herself in a underground club hiding from the slew of problems the death of her partner has earned her. There, Lelio and his team use dance and music to have Marina confront the movie’s major themes of loss and acceptance in a way that shocks her as much as it moves the audience.

Shiny fringe and mild spoilers after the cut...

Click to read more ...