The Men in the High Castles

Jason Adams reviews Chappaquidick, new in theaters this Friday

"I am a collage of unaccounted for brushstrokes - I am all random." Those are among the last words spoken by Stockard Channing's character in Six Degrees of Separation as she flees another ritzy party, her sense of self in tatters. Who are we, just an assemblage of stories we tell ourselves, and others? Is there something in between the molecules, if you drill down deep enough, or does infinite digging render everything dug? When we get up and look at ourselves in the mirror in the morning, are our eyes showing us Fake News? The post-modern self is an existential crisis in overdrive, but at a certain point don't you have to just stop drilling and take stock of what you actually see? Where does the scrutinizing of facts end and the perversion of them begin? Who writes our histories?

On July 18th, 1969 in Chappaquiddick, Massachusetts, Ted Kennedy drove off a bridge and a 29-year-old woman named Mary Jo Kopechne died. What happened in the hours following that accident has been the subject of numerous books, not to mention many a feverish speculative daydream of right-leaning politicians and pundits. But it hasn't gotten the movie treatment until now with John Curran's Chappaquiddick, starring Jason Clarke as Kennedy and Kate Mara as Kopechne, out in theaters this Friday. Curran seeks to write that history...

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Come to "Show Business: The Road to Broadway" this Sunday!

by Nathaniel R

Hello all. A week or so ago I moderated a screening of Mean Girls (2004) for Show-Score's new Stage and Screen series with two members of the new stage musical's team (The Broadway version of Tina Fey's classic officially opens this Sunday).

I'm doing another Q&A so come! This Sunday at 1:00 PM I'll be speaking with director/producer Dori Berinstein about her documentary Show Business: The Road to Broadway (2007) which follows four musicals during the seminal 2003/2004 Broadway season: the blockbuster Wicked, the little scrappy show that could (and did) Avenue Q, Tony Kushner and Jeanine Tesori's brilliant Caroline or Change, and the troubled Boy George musical Taboo.  I saw all the big shows that year (a rare occurrence) and loved all four of the musicals this doc follows so that season remains special to my heart.

The movie has awesome rehearsal and backstage footage and all sorts of brilliant taking heads like Tony Kushner, Carol Channing, Alan Cumming and many more.

Idina and Kristin rehearsing Wicked in 2003.

When: Sunday, April 8 at 1:00 PM
Where: Peter Norton Symphony Space's Leonard Nimoy Thalia (2537 Broadway at 95th).

If you'd like to attend as my guest, please e-mail me and I'll arrange it. Would love to have some TFE readers there! Come support my stage fright AND see a fun movie that isn't streaming anywhere.

Soundtracking: "2001: A Space Odyssey"

Stanley Kubrick's space saga is 50 this week! Here's Chris on its iconic music...

bwaamm bwaaammm bwaamMMM...
BAH BAHHHH!!...

It’s as memorable a music cue as any in film history. Out of darkness, Stanley Kubrick opens his abract space opus 2001: A Space Odyssey to the stirrings of Richard Strauss’s Also sprach Zarathustra (the “Sunrise” movement specifically) with the sonic weight of impending creation. Or is it destruction?

Strauss’s composition carries throughout the final, creating an a link that ties its ambitious, fractured narrative together. By repeating the track, Kubrick shows how innovation, exploration, and even violence come from the same lifeforce, like a spiritual Big Bang. The music is a key to understand how the film explores human instincts against the nature of the universe: can they be both at odds while also being the same? The sheer force of the sound, the kind of music you feel deeper than your bones, is its own impenetrable force. For a movie that creates iconography out of a literal monolith, its biggest monolith might be its omnipresent orchestral sound.

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The Revenge of April Showers

Seán here, full of the joys of spring and delighted to be helming the reboot of a franchise we all love here at the Film Experience... April Showers! Kicking off the month is a healthy dose of heavy-handed homoerotic horror, A Nightmare on Elm Street 2: Freddy's Revenge - what else!

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Glenn Close and the next Best Actress competition

by Nathaniel R

Glenn Close is "The Wife"

Happy news to share or remind you of if you've already known (this is not a 'breaking news' specific post, just newsy). Sony Pictures Classic is NOT waiting until the dread last weekend of the year to release the new Glenn Close vehicle The Wife.  (Post Christmas releases in Los Angeles and New York rarely work for Oscar hopefuls but studios have been loathe to give them up, hoping that Oscar fever will rescue their commercial prospects despite not putting the effort in of releasing them before Christmas). The post Christmas pray-for-a-midnight-miracle attempt is what doomed Annette Bening's chances two years in a row for Best Actress nominations (20th Century Women and Film Stars Don't Die in Liverpool were released on December 28th and December 29th respectively in 2016 and 2017).

No, The Wife is trying the summer player / Best Actress momentum game (which works out more often than New Years Eve hopefuls). The film hits theaters in limited release on August 3rd and will platform from there. I think it's the best work she's done in a couple of decades so I'm hoping y'all like it too. Whether or not her perpetual "overdue" status paired with what we're assuming will be strong reviews (at least for her if not necessarily the film) will lead to a nomination or win will depend a lot on her as yet unknown competition; it's not the undeniable kind of ferocious big meaty star turn but more of a finely calibrated character study. But who will that competition be...

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