Tribeca: Trine Dyrholm makes a great "Nico 1988"

by Jason Adams

Although I might have been hallucinating by the time, given the sheer length and purposeful boredom of the experience, I'm pretty sure there's a portion of Andy Warhol's four-hour double-projector experimental film Chelsea Girls where the Velvet Underground singer Nico just sits and cuts her bangs for twenty straight minutes on camera. It felt like twenty straight minutes, anyway. And that was my introduction to her. Catherine Deneuve heroin chic - too cool for anybody, herself included.

That's the baggage one drags into a bio-pic about the singer, and that's what Susanna Nicchiarelli's film called Nico, 1988 insists on clipping away like those bangs. It's right there in the title - this is 1988, twenty-two years after Underground, after Andy, and this is a fully fifty-year-old woman with dark brown hair and a debilitating drug habit who does not give a shit...

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Beauty Break: April Foolish Costume Design Predictions

by Nathaniel R

Fantastic Beasts won Colleen Atwood her 4th Oscar. Will its sequel give her her 13th nomination?

The original Mary Poppins lost the Costume Design competition. Could Sandy Powell win it for the sequel?

Even if the year's Costume Design prospects weren't so tantalizing we'd be salivating because we love the artform. After a relatively weak previous season, this category has the opportunity to come roaring back for 2018 in a big way. Consider that all four of the Academy's favorite working costume designers (with 43 nominations and 13 wins between them) might be back this year...

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Blueprints: "What Ever Happened to Baby Jane?"

This week on Blueprints, Jorge writes a letter to daddy.

Any screenwriting book, seminar, or four-year degree will tell you that screenwriting is all about showing, not telling. It should feel more like describing a house in a Craiglist ad than writing a novel. The script is being written so it can be shot, not read. However, just like any other “rule” in cinema, it’s made to be broken. In fact, those who break rules can sometimes transcend them.

What Ever Happened to Baby Jane?, the 1962 grand guignol classic, is best remembered for the bombastic performances of the two leads, and the drama that took place between them behind the scenes. But reading the script, it’s apparent that the story is charged with remarkable meaning, intention, and impulse. Often hidden in the lines that the audience is never going to read...

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Tribeca 2018: Mary Elizabeth Winstead stuns in "All About Nina"

by Jason Adams

If you hear a sliver of Margo Channing's famous warning echoing across All About Nina you should know it's not just because the title's a riff on that Bette Davis classic. It is indeed going to be a bumpy night, a series of them actually, for Nina (Mary Elizabeth Winstead) and for everybody that comes into contact with her. Although there are interstitial daylight-breaks, Nina's life revolves around nights and the things that bump them. She's a comedian, and we know well by now how those lives are structured. Bump, bump, POW. Fasten them seat-belts, baby...

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April Foolish Predictions: Let's talk Cinematography!

by Nathaniel R

We didn't forget about the April Foolish Predictions. They just got all tangled up with Tribeca screenings, Cannes news, Avengers mania, and everything else going on in April. So herewith another prediction batch. First charts are now up for all of the visual categories, barring Costume Design which will get its own post tomorrow just because. 

Cinematography is always one of the most exciting contests as there are so many genuinely gifted DPs out there doing great work over and over again but only one Oscar to hand out each year. At the moment I'm wondering about the futures of these four DPs in particular...

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