Beauty vs Beast: Bad Romance

Howdy, everybody - Jason from MNPP here with a brand new round of "Beauty vs Beast" for you on this first Monday of June. Coming up on this first Friday of June a movie called My Cousin Rachel is coming out (you can watch the trailer right here) that stars Rachel Weisz and Sam Claflin and is adapted from the 1951 book by Daphne du Maurier (who also wrote The Birds and Rebecca). The book was already turned into a movie once in 1952 with  Richard Burton and Olivia de Havilland (which I have never seen; have you?) - anyway it's one of my favorite genres, the overheated gothic romance, brimming with lace and poisons, and I can't wait.

So in the spirit of such things this week we're tackling one of the greatest of all when it comes to these stories - Charlotte Brontë's Jane Eyre. There are a couple of film adaptations but let's go with the most recent, Cary Fukunaga's 2011 film starring Mia Wasikowska and Michael Fassbender, since I found it a grand adaptation.

PREVIOUSLY We spent last week trapped in that damn cryogenic container so we've got to skip back two weeks to our last competition, which pit the Ellen Ripley of Ridley Scott's Alien against the Ellen Ripley of James Cameron's Aliens. And it was the bigger badder bitchier (her words not mine!) version of the latter who stomped away with 67% of your votes. Said markgordonuk:

"Alien is my favourite movie but the Aliens performance is something else, the looks and glances, the fear, the physicality, the line readings, the no bull attitude, I could go on, such an Iconic performance, everyone knows who Ripley is."

The Furniture: The Cluttered, Musty Madness of King George

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail.

by Daniel Walber 

Play adaptations are frequently criticized for not being “cinematic” enough. It’s as perennial a complaint as it is a silly one. Many of the best play adaptations don’t abandon their more theatrical elements, they use cinema’s unique capabilities as an especially potent additive. 

The Madness of King George is a great example, a film that juxtaposes the visual freedom of on-location shooting with the precision of period sets. Adapted by Alan Bennett from his own play and directed by Nicholas Hytner, it chronicles the Regency Crisis of 1788. King George III (Nigel Hawthorne), perhaps as a result of porphyria, lost his grip on reality. The Prince of Wales (Rupert Everett) petitioned Parliament to have his father removed from power, and to have himself declared regent. It very nearly worked.

Click to read more ...

Back to 'Broad City'

Let’s take a short break from film news and reviews and check in with TV. After a long wait the funniest show on TV is coming back. Which one is that you might ask? Why Broad City of course. Ilana (Ilana Glazer) and Abbi (Abbi Jacobson) are back after being away for than a year. And how our world have changed since they’ve been gone. However they seem to have remained as funny as ever. This time they will find themselves entangled with RuPaul, Jane Curtain, Steve Buscemi and Wanda Sykes. They will leave their beloved New York to gun-loving Florida. And Abbi’s nemesis Bevers is somewhat unrecognizable! We are beyond delighted at the prospect of a few hours on our couch with these hilarious women. You will be too after checking the trailer.

Broad City returns on August 23rd. In the meantime tell us what is your favorite moment from the previous three seasons.

Noomi Rapace x7

Chris here. Have you been wondering where Noomi Rapace has been hiding? Well, she's been busy getting cloned for her upcoming Netflix film Seven Sisters. (Just kidding, obviously, but just imagine the gifts we could receive if we started cloning actress!)

Rapace stars as septuplets in a world where siblings are outlawed. Raised by father figure Willem Dafoe, each woman is named for the day of the week that they get to go out into the real world, all assuming the identity of one Karen Settman. As if this doesn't sound looney tunes enough, Glenn Close shows up as the bureaucratic villain for maximum camp nefariousness. When Monday doesn't return home, it's up to the rest of the week sisters to find out what happened to her. And you thought your Mondays were the worst!

Seven Sisters will arrive on stateside Netflix sometime at the end of the year (though it opens elsewhere this summer), and I'm already a little giddy for its sci-fi silliness and what looks like Rapace having a good time. In your sci-fi dystopia, what one day of the week would you choose to leave the house?

Review: "Wonder Woman"

by Chris Feil

The absurdly long wait for Wonder Woman to arrive on the big screen is officially over with the arrival of Patty Jenkins’s stellar adaptation. Gal Gadot may have been the all-too-brief bright spot of last year’s Batman v Superman, but in her own story she emerges as a hero for the ages.

While this is yet another superhero origin story, Wonder Woman’s conviction keeps its more common beats alive. Gadot’s Diana is raised to be a warrior among the Amazons, with a strong sense of true justice, under the watchful eye of her mother Hippolyta (Connie Nielsen) and trainer Antiope (Robin Wright). On the otherwordly arrival of earthly spy pilot Steve Trainor (Chris Pine), Diana sets out for a righteous battle with destiny on the World War I front.

Click to read more ...