NYFF: "Toni Erdmann" is Astonishing

Here's Jason reporting from the NYFF on a Cannes favorite and Oscar hopeful

It's not often you hear an audience of movie critics gasp out loud at something on-screen, but Toni Erdmann, the new comedy of forced familial closeness from German director Maren Ade, has a comic moment so perfectly timed that it got the civilized cinema-set of New York City to jump out of their seats like this was an Evil Dead movie in 3D. You know you've got 'em hooked when you can conjure up such a response - Hitchcock called it playing the audience like a piano. The fact that it comes via a comic-beat here, and not via a cat jumping onto a final girl's shoulder or a shower stabbing, makes it all the more astonishing.

And make no mistake - Toni Erdmann is astonishing...

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Review: American Honey

By Steven Fenton

The song “American Honey” is about a woman aching for the free spirit she was in her youth, wishing she’d had the courage to flee her circumstances. Andrea Arnold’s American Honey considers what that woman’s life might have been had she left. The sensational Sasha Lane plays Star, a young woman who steps out of her life and into a tribe of disenfranchised, disenchanted, lost youth on an odyssey across the American South.

Star is struggling. She’s living with her boyfriend and raising his children, with no help or money. Then one day at Wal-Mart she watches a troop of wild teens turn the store into their own raucous dance party...

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Review: Pablo Larraín's "Neruda" and "Jackie"

Nathaniel R reporting from the NYFF/TIFF as these films played at both fests... 

Fortieth birthdays don't get much better than this. In August Chile's most celebrated filmmaker Pablo Larraín turned the big 4-0 just after his excellent new film Neruda opened in his home country. One month later Jackie, his first English language picture, joined Neruda on the international festival circuit to even more excitement. Both are likely and deserving Oscar nominees come January. Pretty good year.

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Say What? "Blade Runner 2049"

Chris here. Exactly one year out from release, we've now learned that Denis Villeneuve's upcoming Blade Runner sequel is officially titled Blade Runner 2049. Should 2049 likely be the time in which the sequel is set that keeps the followup quite accurate in the timeline considering 35 years will have passed between films. However, this still raises lingering questions about Harrison Ford's Deckard and aging - is the film backing off of Ridley Scott's confirmation of Deckard's replicant status. With Villeneuve and Ryan Gosling on the Oscar trail this season, we're hoping to get more hints in the coming months.

Adding to the mystery is our first set photo, with stars Ryan Gosling and Harrison Ford oddly keeping it cazh considering the original's chilly aesthetics.

Tell us in the comments: what are director, producer, and stars discussing? What's casting that loving glow in Gosling's eye for Villeneuve? What's Ford indicating about Scott?

George Sidney Centennial: Bye Bye Birdie

Our Centennial celebration of director George Sidney continues with Jose on Bye Bye Birdie

George Sidney’s adaptation of the Tony award winning musical Bye Bye Birdie continued showing his prowess when it came to making big, bold, Technicolor musicals. The plot imagines the frenzy surrounding the imminent departure of an Elvis-like superstar, who receives his draft notice, but decides to reward one of his biggest fans with one gift before leaving: a televised kiss. Though the plot’s depiction of how the media thrives on scandals surrounding celebrities was rather prescient (not to mention how it predicts how love and sex would become “prizes” on reality shows) its gender and racial politics have made it one of the most icky musicals of the era.

Its casting proved significant for two reasons: for the big part of Kim MacAfee, the director chose a complete unknown he discovered dancing in a Las Vegas casino. After being selected out of millions, just like Kim, Ann-Margret would go on to become one of the biggest stars of the decade.

In fact just a year after Birdie, Sidney cast her opposite the real life Elvis in Viva Las Vegas -- perhaps as a tribute to how he discovered her and also to Birdie?...

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