Movie News in 4 Questions and a Video

by Murtada

Today's movie news offered questions and head scratchers more than usual. So I’ll present you with the questions and maybe you can help me with the answers. Or just join in the bewilderment:

• Why would David Fincher want to direct the sequel to World War Z? Obviously Pitt is a favorite of his but a sequel, really? Is this related to the fact that HBO passed on the two series he was developing for the past couple of years?

• How will Margot Robbie play 4 foot 9 trapeze artist  Lillian Leitzel in Queen of the Air? Will they employ the inverse of whatever they did to make Meryl Streep taller in Julie and Julia (2009)?

• Do we care about the feud between The Rock and Vin Diesel? And doesn’t “candy ass” sound like a euphemism for something?

• What was the extent of Tony Kushner’s involvement in the script for Fences? It was always known that they were working from an August Wilson penned screenplay that both Kushner and Denzel Washington worked on polishing.

• And finally, if you've googled "Who is Awkwafina?" after the news broke out about the cast for Ocean's 8, here's a clue:

 Take it away, dear readers!

HFPA Donates Half a Million Dollars to Renovate Historic Egyptian Theater, Site of First Movie Premiere

by Daniel Crooke

While known most casually as the Cool Mom of awards ceremonies – here, you and your friends can drink as much champagne as you want but make sure you do it under my roof, in front of my cameras – the Hollywood Foreign Press Association accomplishes much more every year than pulling off Oscar season’s liveliest, sloppiest party. At their annual Grants Banquet last week, the HFPA awarded over two million dollars worth of grants to non-profit arts organizations, higher education fellowships, professional trainings, and other film-centric or adjacent projects and spaces.

To Angelino cinephiles, film history buffs, and fans of landmark cultural sites, one additional grant announcement might spark some interest: a $500,000 grant to renovate and restore the legendary movie palace, the Egyptian Theater. Home to reams of Golden Age Hollywood lore and, contemporarily, the encyclopedic repertory organization American Cinematheque – the recipients of the grant, and masterminds of the theater’s first major renovation in 1996 – the Egyptian has held a special place in the past, present, and future of Hollywood film culture since its construction in 1922 by film exhibition (and cultural appropriation) impresario Sid Grauman. While Grauman’s Chinese Theater would go on to secure higher iconography in the pantheon of movie palaces and cemented handprints, the Egyptian arguably influenced the practices of the Hollywood hype machine more integrally and with more longevity; after all, it hosted the first ever movie premiere in history, for Allan Dwan's Robin Hood starring Douglas Fairbanks.

Which is all to say, where we see movies matters. Whether it’s a packed AMC with the comfiest seats and strongest air conditioning, a local independent theater with roots in the community, or a trusted repertory house with a taste-expanding slate, the environment in which we watch has the capacity to add a special new flavor to your filmgoing experience.

Do you have a favorite theater around where you live that makes you feel warm and fuzzy when the lights dim? Personally, The Neon in Dayton, Ohio makes me as bubbly inside as one of their homemade Italian sodas.

Best Shot/Best Costume: "Les Girls"

For this week's episode of our cinematography series Hit Me With Your Best Shot we wanted a slight curveball as a way to celebrate the release of the Costume Design documentary Women He's Undressed. It's now available to rent on iTunes or purchase on other digital platforms. (Jose's interview with the director here). The film is about the legendary Orry-Kelly, who designed a truckload of classic Hollywood features and stars, and won three Oscars in the 1950s for An American in Paris, Les Girls  and Some Like It Hot.  So those playing "Best Shot" this week could choose any of those three. I watched Les Girls since it gets the least attention and they even use its image for the documentary's poster (left).

Les Girls  (George Cukor, 1957) is not well remembered today but curiously it reminds us yet again that mainstream Hollywood in the 50s and 60s paid a lot of attention to foreign auteurs and absorbed (or ripped off - you be the judge) their styles and conceits. The semi-musical (a few dance numbers mainly) concerns a libel lawsuit involving a former showbiz act "Barry Nichols and Les Girls" and in the courtroom we hear three different versions of the group's break up in Paris. In each of the stories Barry Nichols (Gene Kelly) gets mixed up romantically with a different girl (America's Mitzi Gaynor, Britain's Kay Kendall, and Finland's Taina Elg) and their musical act eventually implodes. It's clearly modelled on Akira Kurosawa's Rashômon (1950) which had taken an Honorary Oscar from the Academy earlier that decade.

Taina Elg quits dancing in Les Girls (1957)

So let's choose a best shot and a best costume after the jump. Happily my three favorite shots come from each of the film's three acts...

Click to read more ...

Oceans 8. Links 16

• Variety we now have seven of the names for the Oceans Eight gender flipped movie: Blanchett, Bullock, Hathaway, Bonham Carter, Kaling, and two musicians who moonlight as actors Rihanna and Awkwafina 
• NYFF the 54th annual festival has released the main slate titles - Opening Night: The 13th (Ava Duvernay); Centerpiece: 20th Century Women (Mike Mills); Closing Night: The Lost City of Z (James Gray); plus their usual array of buzzy titles from other festivals only this time there are a lot of female leads (which is a huge change) including Aquarius, Toni Erdmann, Personal Shopper, and an Isabelle Huppert double in L'Avenir and Elle.
• Pajiba debates Suicide Squad's interpretation of Harley Quinn
• Variety a new lawsuit about Out of Africa's profits. That's timely! (People forget that it was a giant hit at the time)
• Deadline David O. Russell pitching a TV series with Robert De Niro & Julianne Moore. What the what now?

 

• Variety FX executive on Peak TV, Netflix and when the "Peak TV" bubble will burst
• Vulture Matt Zoller Seitz on the problems with serial-dramas on TV right now -- the model is shifting yet again
• Pride Source Meryl Streep talks her discomfort being imitated (!), Florence Foster Jenkins, sequels, and her connections to the LGBT community 
• IndieWire Greta Gerwig writing another screen version of Little Women - we get one every generation it seems
• /Film a Ghostbusters sequel with the ladies seems unlikely as the film will record a theatrical loss due to that ginormous budget
• Comics Alliance breaks down the Luke Cage trailer
• i09 Black Manta will be the villain in Aquaman 

Off Screen
• Playbill Tony Danza names his favorite stage performances. Somewhat surprising but cool list featuring Mare Winningham, Mark Rylance, Faith Prince and more...
• GQ "Stop trying to get perfect abs." Love this -  Define your personality instead.  
• The Adequate Man "Steve Martin is My Body Icon" on looking like the same exact person for ages 

Today's Must Read
Todd VanDerWerff has a gorgeous personal essay up on Vox called "Hamilton isn't perfect. But it's *perfect." I couldn't write for a month after I saw it". That's a mouthful but cozy up and be moved. It's on seeing Hamilton, the power of who is telling your story, and Todd's birth parents. 

Judy by the Numbers: "Judgment at Nuremberg"

Apologies, gentle Judy fans. While I intended to bring you the usual dose of morning Garland sunshine, I failed in meeting either the requirement for sunshine or the morning deadline. In this case, however, that’s probably for the best. Considering the subject of this film, it is probably better that you have a cup of coffee and a bite to eat before you sit down to watch it. This week, I’m breaking with tradition slightly. While Judy Garland does not sing any numbers in Judgment at Nuremberg, this is a performance and a movie that must be seen.

The Movie: Judgment at Nuremberg (UA, 1961)
The Writer: Abby Mann (screenplay)
The Cast: Maximilian Schell, Burt Lancaster, Spencer Tracy, Marlene Dietrich, Richard Widmark, Judy Garland, directed by Stanley Kramer

The Story: When Stanley Kramer decided to adapt Abby Mann’s dramatization of the Nuremberg trials, Judy Garland was not his first choice for Irene Hoffman, the woman accused of miscegenation under Nazi law. However, after seeing Garland in concert, Kramer was impressed by her emotional range, and agreed to take a risk on the star who hadn’t made a film in over half a decade.

The risk paid off. Judy Garland’s performance, though only 18 minutes long, remains one of the most devastating of the film. While Irene is only one example of the many ways unjust laws persecuted and destroyed lives in Nazi Germany, Judy’s short performance elevates Irene from symbol to human being. Framed in closeup, Judy plays Irene’s grief in many keys: dignified mourning, frustrated confusion, disdain, defensiveness, fear, until it builds to a crescendo of anger and and injustice that almost renders her speechless.

This would be Judy’s only foray into “legitimate” drama (as opposed to the musicals and melodramas of her past), and it stands as a testament to her what might have been. Judy would receive her second and final Academy Award nomination for this performance (losing this time to Rita Moreno in West Side Story). But while Judy’s career in films was waning, her star was about to rise on a new medium: television.

Select Previous Highlights:  
“Zing Went the Strings of My Heart” (1938), "Over the Rainbow" (1939), "For Me and My Gal" (1942), "The Trolley Song" (1944), "On the Atchison Topeka and the Santa Fe" (1946), "I Don't Care" (1949), "Get Happy" (1950), "The Man That Got Away" (1954)