Cinematography - the guild nominations

by Nathaniel R

EMPIRE OF LIGHT

One of our favourite guild awards each year is the American Society of Cinematographers. This is not, primarily for their main category but the "spotlight" category which gives us a peek at which films far outside the main Oscar conversation they actually watched and thought about from a craft standpoint. More guilds should have awards like this. Their nominees are after the jump...

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Cinema Audio Society nominees. How are they as a precursor?

by Nathaniel R

THE BATMAN

In the mad rush of guild announcements last week (all over but for the ACE Eddie awards which will curiously be announced after the Oscar nominations this year) we missed this one: The Cinema Audio Society. While Top Gun Maverick has long been marked the frontrunner for the Best Sound nomination it has formidable competition in the sound spectacle department. Nominees, comments, superhero split, and Oscar stats after the jump...

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The Power of the Underdog: Dolly de Leon and the Filipino of 2022

by Juan Carlos Ojano

WARNING: This article contains mild spoilers on Triangle of Sadness.

2022 has been a year unlike any other for the Philippines. The past year brought an unprecedented amount of Filipino actors to the international film scene. Leading the pack is Dolly de Leon as yacht cleaner Abigail in the Palme d’Or-winning satire Triangle of Sadness. As Abigail, de Leon showed the feisty resolve of an underdog waiting to be unleashed after a disruption in the social order. Together with other films this year discussing class divide like The Menu and Glass Onion, Triangle of Sadness struck a chord with audiences. With a slew of critics’ groups mentions, Dolly de Leon has enters the current Oscar nomination voting period strong: An LAFCA win, a Golden Globe nomination (a first for a Filipina), and a longlist mention at the BAFTAs. Any attention is much needed given a crowded Supporting Actress field.

But De Leon is not the only Filipino actor who enjoyed the spotlight this past year... 

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Split Decision: "The Whale"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer & Eric Blume on The Whale

ABE:  Eric, I distinctly remember last year when I mentioned that my favorite movie was CODA that you wanted to start a series where you just kept telling me how bad it was. Well, fortunately or unfortunately, I hear you detest my favorite movie of 2022 just as much, so now you get that chance! I was recently a guest on The Rolling Tape podcast where we had five panelists discussing The Whale and expected someone to be in the "hate it" camp, but it turns out we all loved it. For me, the experience of seeing it in a completely packed press and industry screening at the Toronto International Film Festival back in September was an astounding one, and I left feeling entirely impressed with pretty much everything about it. I soon read about the issues some people had with it, but rather than guess what rubbed you the wrong way, I'll invite you to say your piece before I get to defending my top film of the year.

ERIC:  Abe!  It's a good thing we genuinely like each other enough to dive into this all in good fun.  It's not my fault you like badly-written films! 

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ICYMI - Eligibility for the 95th Oscars (and two noticeable absences)

We usually share the official "reminder" list for Academy voters but it's been so busy we forgot. Apologies. If you'd like to look it up it's here. 301 films are eligible for Best Picture this year. This list is a handy guide each year to clear up any doubts that remain about what actually got released in theaters, and in which calendar year (given that many films don't "qualify" until the year after their festival bows, this year that's the case for Benediction, The Cursed, and Pleasure, among others, which all first premiered in 2021). All of this becomes harder and harder to track each year with theatrical releases barely advertised and in theaters for increasingly short durations.

The biggest area of curiousity for us, is seeing which of the annual submissions for Best International Feature Film are eligible outside of that race and which were released but didn't submit for general eligibility...

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