007/11 Links

Radar Daniel Craig offered $150 million to continue to play 007 twice more. That's rich but the James Bond franchise is worth billions
Billboard Barbra Streisand gets her eleventh #1 album with "Encore: Movie Partners Sing Broadway" further cementing her lead as the women with the most #1 albums (Madonna is a distant second). Her first #1 album was in 1964. Talk about staying power.
The Guardian Carrie Fisher on getting older and the new doc about her and her mother

Shadowplay isn't as taken with It Follows as most critics were
In Contention will Moonlight be another Oscar player for A24? I'm seeing this tomorrow. Can't wait.
Film Mixtape a lovely review of Little Men
Awards Daily five Oscar takeaways from Telluride Film Festival from Rooney Mara in Best Actress to Arrival's iffy prospects
AV Club Stanley Tucci not up for reprising his Devil Wears Prada role. Curious. That's exactly what he did in Burlesque.
Vulture knitwear as MVP of The Light Between Oceans 
Rachel Wagner surveys the rest of the animated films opening this year 

Finally
Congratulations to Taiwanese superstar Shu Qi who just married longtime rumored boyfriend actor/director Stephen Fung. You've seen Shu Qi in several movies no doubt (including recent critical darling The Assassin) but if Stephen Fung doesn't sound quite as familiar think back. The Hong Kong star was one half of the central romance in LGBT classic Bishonen (1998) as the jaded gigolo who falls for a beautiful young cop (played by Daniel Wu, currently starring on AMC's Into the Badlands). Shu Qi was also in that movie (if I recall correctly as Wu's unaware girlfriend?) so the pair go way back... though it should be noted that they have stated that their romance is only four years old. Fung recently directed and co-starred in the Tai Chi Hero movies.

Next up for the pair? Shu Qi's remake of My Best Friend's Wedding (in the Julia Roberts role of course) is making the rounds now and Stephen Fung's next directorial feature The Adventurers is in preproduction starring Andy Lau, Jean Reno, and you guessed it... Shu Qi

The Furniture: Comedy by Design in Come Blow Your Horn

1963 is our "Year of the Month" for September. So we'll be celebrating its films randomly throughout the month. Here's Daniel Walber...

Once upon a time, there were two production design categories at the Oscars. From 1945 through 1956, and again from 1959 through 1966, color films and black and white films competed separately. The Academy nominated ten films every year after 1950, creating a whole lot more room for variety.

This especially benefited comedy, a genre that has since fallen out of favor with Oscar. And while Come Blow Your Horn might not be the funniest of the 1960s, it is certainly one of the most deserving nominees of the era. Adapted by Norman Lear from a Neil Simon play, this Frank Sinatra vehicle stages most of its antics in one of cinema’s most luxurious apartments, the work of art directors Roland Anderson (Breakfast at Tiffany’s) and Hal Pereira (Vertigo) and set decorators Sam Comer (Rear Window) and James W. Payne (The Sting).

Sinatra plays Alan Baker, a salesman for his family’s plastic fruit business. His boss and father, Harry (Lee J. Cobb), is perpetually enraged by his son’s libertine Manhattan lifestyle. Harry and his wife Sophie, played by Yiddish theater legend Molly Picon, live a quiet life in Yonkers with their much younger son, Buddy (Tony Bill). But when Buddy runs away from home to live large with Alan, all hell breaks loose.

Alan's apartment in question is a spotless and opulent apotheosis of mid-century design. The open living room makes the place seem enormous...

Click to read more ...

"Colossal Spectacle!"

Happy Labor Day, all! To mark this occassion I will be working very hard today because I have much to accomplish before I leave for TIFF, the best film festival on the planet, according to me, for its ease, it's breadth, and the quality of its movies. Any big plans today, whether or not its Labor Day where you live?

On this day in history as it relates to the movies...

1916 One hundred years ago today the other über famous and influential D.W. Griffith epic, the one its OK to care about, opened. Intolerance, sometimes subtitled "love's struggle throughout the ages," was three and a half hours long and prominently advertised its then insane budget of $2,000,000. Wouldn't it be funny if today's movies were all "we cost $300,000,000 to make" (and all you get is a glossy commercial for merchandise / sequels)" on the posters? The epic stretched from Ancient Babylon through the Christ story and on to 1914 in its quartered parallel storylines to paint a morality story for audiences. The sick cosmic joke in retrospect was not that Griffith was apologizing for his own racist intolerance in The Birth of a Nation but offering a rebuke to people who he felt were intolerant to him because of that picture.

SIGH (Dir. Nathaniel R, running time ∞)

Other debuts on September 5th
Outlaw Jesse James who has been played by a gazillion actors, Old Hollywood titan Darryl F Zanuck, the inimitable prolific auteur Werner Herzog, charmed and outspoken Rose McGowan, Reigning Oscar good luck charm Michael Keaton (Birdman, Spotlight), Dan Gilroy's sick gripping Nightcrawler with Jake Gyllenhaal, 60s sex goddess and Myra Breckenridge herself Raquel Welch, Jack Kerouac's On the Road is published, Disney's pre-Mickey Mouse character Oswald the Lucky Rabbit premieres in his first short, one time Bond George Lazenby, and Black Book/Game of Thrones sensation Carice Van Houten.

And we'll close out our birthdays in history list with the iconic Freddie Mercury (remind me again why the Queen frontman STILL doesn't have a biopic?). This music video was chosen because it felt like something D.W. Griffith would approve of in all its "subtlety" and largesse...

Happy birthday / anniversary to all!

Podcast: Smackdown Reflections and Film Critics on Acting

Nathaniel talks to Sheila O'Malley, one of the best film critics on acting, as they reflect on recent Smackdown adventures, the chaos of acting careers, and the problems with "best" designations.

Index (43 minutes)
00:01 Acting training, Geraldine Page, and critics who "get" acting
06:45 Glenn Close and Robert Redford Reveries in The Natural
14:00 The quality of acting fields & self-selecting "Oscar movies"
20:45 Romancing the Stone and the "realm of fantasy" versus the "gritty" farm wife movies. Why do some movies hold up so well over time?
27:00 Peggy Ashcroft and Lindsay Crouse. Plus: making out with Ed Harris.
33:00 The rumors about Swing Shift and Jonathan Demme's original cut. Did we lose a masterpiece?
40:18 Sheila's connection to Gena Rowland's Honorary Oscar.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?  

P.S. Read more about Sheila's Gena Rowlands tribute here.

a conversation with Sheila O'Malley

Couple Goals