Chicago, Phoenix, and Boston online critics agree...

by Nathaniel R

We've reached the portion of film critics awards season where the groupthink is really kicking in despite a plethora of options avaiable to voters. I don't blame the critics groups so much as the process. Critics groups tend to be a lot more interesting if they all vote in a room together on winners (where they can discuss) than they do when they name nominations and do simple vote counts... you're bound to end up less adventurous with the second system. There is shockingly little variation in the winners from Chicago, Boston (Online) and Phoenix. The three latest groups to announce have the exact same winners for Picture (Banshees) Director (EEAAO), Actress (Blanchett), Supporting Actor (Ke Huy Quan), Screenplay (Banshees), Score (Babylon), and Animated Feature (Pinocchio). There is no single category in which all three groups have a different winner....

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Oscar Volley: Who will take the fifth slot in Best Actress?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nick Taylor and Eurocheese...  

NICK: We’ve arrived at the most crowded acting category of year, which doesn’t necessarily mean this category will be difficult to predict. If you look at the fifteen women in Nathaniel’s Best Actress predictions -- I think Lesley Manville should be higher for Mrs. Harris Goes to Paris -- you can see that the fifth slot is going to be a bloodbath. It makes it even harder to narrow things down when so many of the turns are fantastic. The sheer amount of chaos offered from the this category in the past couple years makes it hard for me to feel comfortable with setting anything in stone even as we reach the end of the year. 

I wanna honor the messiness of the category, from year to year, and spice up how we order this volley. Euro, of all the leading actresses from 2022 with minimal-to-no Oscar buzz, who would you rank among the very best?

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Oscar Volley: Fresh nominees or familiar names for Best Original Score?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Juan Carlos Ojano and Mark Brinkerhoff... 

CARLOS: I've learned my lesson about the Original score category. It defaults to usual suspects. On the one hand, their loyalty to certain composers gives the opportunity for films to be nominated even when they're not Best Picture nominees. They don't even have to be Best Picture-adjacent (Parallel Mothers, Isle of Dogs, Passengers). On the other the hand this category can be a lazy checklist of familiar names in the way other categories are a lazy checklist of Best Picture heavyweights. Are you feeling the same way?

MARK: Yes. Often times the  familiar “in the club” composers get shortlisted. Considering The Fablemans is positioned to score overall and considering his own track record, we can surely reserve one spot for John Williams...

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Best International Film Reviews: China, India, and Japan

by Cláudio Alves

For many, this year's Best International Film race will forever be remembered with an added asterisk, a reminder that the outcome would have been different had India submitted RRR instead of Last Film Show. This is not a commentary on artistic quality, merely award prognostication. The action blockbuster keeps racking up honors, while the country's official submission remains under-discussed. If neither succeeds, it will continue a sad Oscar trend. As one of the world's leading film industries, it's notable how little India has factored in these awards' history, indicating AMPAS' biases as well as India's own sometimes surprising submission choices.

While considering India's fate, let's also peruse the titles selected by Asia's other major film-producing nations… 

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Interview: The stars of "Girl Picture" on their international breakout

by Nathaniel R

Linnea, Ammu, and Eleonora the stars of "GIRL PICTURE"

The Academy will release the names of 15 finalists for Best International Feature Film on December 21st. One film we hope to see on that list if Finland's absolutely wonderful Girl Picture. But even if the Academy passes it by (they've often been a little indifferent to films about teenagers) we're certain it will stand the test of the time as one of the best youth films of the 2020s. We urge you all to see it if you haven't yet as it's readily available for rental on various platforms. We've been singing its praises to everyone who would listen since Sundance nearly a year ago when it won the World Cinema Audience Award.

Ben interviewed the director Alli this summer when the movie was released Recently as a kind of sequel, I sat down with the three leading actresses who bring this great movie and their characters so much emotion, humor, and authenticity...

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