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Tuesday
May122015

Beauty Break: Will Karl Glusman Break Out at Cannes?

Cannes is as high profile as film festivals get so your first starring role in a buzzy feature could really make waves. Consider... Karl Glusman. He's the male star of Gaspar Noé's Love, the already buzzy sex film that gets a special screening at Cannes. He has a few credits in shorts and several on stage, plus voice work in a Starship Troopers film but he's still an unknown quantity. 2015 will be his first year in the movies proper so it could well start with a bang.

Gaspar Noé calls him

...the collest actor I have ever met. He is daring, joyful and intelligent. He has love scenes throughout the whole movie. He is the ultimate 3D baby maker."

Glusman photos (one NSFW) and videos after the jump...

Click to read more ...

Monday
May112015

Question of the Week: Assign Those "Inside Out" Emotions

Tomorrow night the Q&A series in which Nathaniel answers reader questions returns. But here's an appetizer you didn't order, courtesy of the chef, our Question of the Week. What does Carlos, who dreamt it up, win? He wins the choice of the next banner theme (to replace the food one up top). It has to be a theme that can be conveyed in small pics, otherwise it's hard to read in banner form. So let me know, Carlos.

CARLOS: Inside Out opening at Cannes makes me wonder: which performer or specific performance do you think excels at enacting each of the emotions (joy, fear, disgust, anger and sadness) featured in the movie?

NATHANIEL: What a fun question! But before I answer it with gendered actors show of hands -- were you irritated that they gendered these emotions on their computers over at Pixar? They did that with monsters too and why? There's no reason why pure emotions or monsters for that matter should have to read feminine or masculine.

Since the question hangs on pure expression of emotion, these are literally my purest answers in that I didn't censor myself and named the very first actor that came to mind.

My choice for "Joy" is Ewan McGregor because of how pure and transcendent and contagious his giddy romantic open-hearted smile is (in Moulin Rouge! especially). "Fear" I have to give to Drew Barrymore who made one of the most memorable opening scenes and characters out of only that in Scream. "Disgust" is Catherine Keener who always looks put out by everything (but truth be told I'd prefer her to take a year or two off now for some creative rejuvenation so this isn't the only thing she's giving).  

"Anger" is an emotion that's all too well represented in our macho cinema so let me come at this answer sideways with a surprise. Hear me out. I will take Heather Graham as Rollergirl in Boogie Nights from that scene in the back of a limo where they're trying to do an improv porn shoot and years of degradation finally busts some sort of dam in her and *stomp stomp stomp" byebye-prettyboy-face, sorry not sorry. It's still one of those chilling and exhilarating 'pure' emotions I've ever seen smeared across a movie screen. (It's actually my current banner on our Facebook page)

"Sadness"... that one is reserved for Michelle Pfeiffer since I always need her back on the screen and since the movie that made me fall for her was Ladyhawke (1985) where she literally has the line

I am sorrow."

...and I believed everything her face told me from that day forward.

 

Monday
May112015

Grace and Frankie S1:E3 "The Dinner"

Anne Marie here, taking over recap duties for an episode! In Episode 2, physical possessions were divvied up for the divorce (for now), so Episode 3 is when we focus on feelings and family. Grace and Frankie, suddenly devoid of social obligations and artistic inspiration, decide to combat their own sense of irrelevence by getting jobs. Grace returns to the beauty company she founded, now run by her daughter Brianna, only to discover that Brianna has steered the company in a new direction. 

Elsewhere, Frankie attempts to interview at an old folks home, but is mistaken for a potential client. For most of this epiosde, Grace & Frankie's storylines felt a bit too much like a B plot from Sutton Foster's age-and-cliche-obsessed show Younger on TVLand (is anybody else watching Younger?). But on the other hand, the episode does culminate in Grace having a meltdown in a supermarket and Frankie stealing a pack of cigarettes like a middle-aged Thelma & Louise.

Meanwhile, on our favorite Law & Order/The West Wing crossover fanfiction, Jed Bartlett & Jack McCoy Robert & Sol are enjoying the honeymoon phase of their incipient relationship...

Click to read more ...

Monday
May112015

Beauty vs Beast: Daddy vs Mommy

Jason from MNPP hoping your hangover from partying hard into the wee hours of Mother's Day is not too harsh. I know how it goes - when your Mom demands more shots, ya gotta do more shots. And speaking of Motherhood! As Nathaniel just told you last week this month's Supporting Actress Smackdown belongs to the year 1979, and when they get to that on May 31st a really big piece of that puzzle will be Meryl Streep's performance in Kramer vs Kramer, which brought her her first Oscar. Kramer vs Kramer... Beauty vs Beast... it's a natural fit! Consider this an appetizer to the Smackdown main course...

Whose team are you on?

PREVIOUSLY  Last week we also took on the breaking of familial bonds, albeit in a galaxy a bit further away than our own, when we pitted Luke Skywalker against his helmeted Papa Darth. Well you're all a bunch of evil Empire lovers becauve Vader strutted off (imagine John Williams' marching music here) with just under 70% of the vote Said Steven:

"The Dark Side is strong with this one."

Monday
May112015

Portman's Career is Revving Up

Manuel here to talk about everyone's favorite black swan and share some casting news. Oh, it’s also Bike to Work Week and so here’s Natalie Portman on a bike to get your Monday started.

She’ll probably need it as she’s clearly gearing (see what I did there?) for a busy 2015. Not only is her directorial debut A Tale of Love and Darkness premiering at Cannes (albeit as a special screening selection) but her much-delayed film Jane Got a Gun will finally be released this coming September, but she’s also in Malick’s Knight of Cups (and presumably in Weightless) though it’s unclear when either of those films will be in front of us regular moviegoers.

And if these latest casting news pan out, she’ll be a busy gal soon (those of us who worries the Marvel Cinematic Universe and/or motherhood would keep Natalie away from us for too long had nothing to worry):

First up, she’s apparently signed on to play Supreme Court Justice Ruth Bader Ginsburg in On the Basis of Sex, which Marielle Heller is in talks to direct. Those of us who haven’t yet seen Diary of a Teenage Girl (read Michael's review from Sundance) are dying to see it and we’re happy Heller and Portman are in talks to work together. Also, it’s about time RBG gets the big-screen treatment, no?

Portman is also in talks to star in Annihilation, a film adaptation of Jeff VanderMeer’s twisty sci-fi novel which centers on four female explorers in an unknown place known as Area X. And, true to her career so far, Portman is probably drawn to this film given who’s behind the camera: Ex-Machina’s Alex Garland (which I've yet to see but I am dying to if only so I can listen to the latest TFE podcast!)

Two promising projects with two promising directorial upstarts alongside many directorial and producing gigs. Are you ready for a Portmanful 2015? Have you read Annihilation and do you have any thoughts on who should join the all-female cast in its film adaptation?