Grace and Frankie 5-6: "The Fall" and "The Earthquake"

We're almost halfway through Grace and Frankie, so here's Manuel recapping episodes 5 & 6 of this Odd Couple  actressexual Netflix offering.

The show keeps toying with playing the "Old Lady" card but these two broads are so spry and full of life (so much physical comedy!)

After gently suggesting Grace should dive right into the dating pool by activating an online dating profile, Frankie and Brianna get stoned and urge Grace to drive them for some FroYo where an ill-placed yogurt spill causes Grace to fall, break her hip and need surgery. It’s a thin plot but it’s surprising the amount of pathos the show garners from focusing on Grace’s mortality. Chalk it up to Jane Fonda who even when bed-ridden manages to imbue her character with a winnowing sense of sadness and anxiety. Of no help is Frankie who keeps reminding everyone who’ll hear her how hip surgeries are wont to be awry especially at their age.

Frankie: Dr Paul wants you to suck on this. You have to suck on the inhalation nozzle, and move the balls. Don't worry, I made a sex joke about that and he laughed.

Of course, as with almost all of these early episodes, the storyline is designed to a) showcase Fonda and Tomlin’s talent by b) creating a situation wherein Grace and Frankie realize they’re in the same boat and goshdarnit they might as well make peace with the fact that they’re “stuck with each other.” That said, in a nice callback to episode 4, it turns out that everything we saw was all a split-second Grace hallucination (she actually doesn’t fall as Frankie - surprise! - catches her before she does) most likely fueled by her guilt of having jilted Frankie at the funeral.

lots more after the jump

Best Jane Moment

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Red Carpet: Cannes Begins!

A New Season of "Red Carpet Lineup" Begins...

NATHANIEL: Bonjour Jose. You're back on red carpet duty by popular request. I dared to post about the Met Gala without a conversation to go with it and I heard it from the readers.

JOSE: I'm moved but if they saw what I'm wearing now they wouldn't ask for me.

NATHANIEL: Always blame it on Laundry Day.

Before we begin proper can I just say that one thing I find exceptionally annoying about Cannes is when stars don't pose alone but only with groups. This seems to happen most with the Jury who are joined at the hip like they will be judged as a team in this maxi-challenge. And tonight Deneuve, the great lady of French cinema, stuck with her director Emmanuelle Bercot (whose opening night film Standing Tall has received warm notices) and the cast despite a rather becoming two-looks-in-one dress.

JOSE: She wants others to bask in her light, maybe? I do love her double gown. Two Face in a couture Batman

NATHANIEL: Opening Night always brings out the A listers so we have some of Oscar's favorite gown-wearers to discuss after the jump Natalie, Naomi, Lupita, and Our Juli...

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HBO’s LGBT History: The Beginning

Manuel here kicking off a mini-series of sorts focusing on HBO's decades-old commitment to telling quality LGBT stories. I spent much of this spring recapping Looking here at The Film Experience and as polarizing as many (both here and elsewhere) found the show, it remained the sole American television show centered on the gay male experience to air last year. As we all know, shortly after the season 2 finale, HBO understandably pulled the plug; the show garnered a mere 0.298 million viewers for that episode, a mere pittance when compared to their Westeros-set hit, but also nearly half of what Lena Dunham’s show metered that same evening. And so, to fill the void and build up to a very gay-friendly upcoming HBO film roster (Queen Latifah’s Bessie, that rumored Matt Bomer/Montgomery Clift biopic, the Looking wrap-up film), we’re diving headfirst into a crafting an oral LGBT history of the network that gave us Patrick, Richie, Kevin, Agustin, and Dom, but which had clearly paved the way for such a show with a long storied list of LGBT stories even before it became the ratings giant it is now.

To say HBO, as a cable provider, as a television network, and as an independent film producer, has changed the media landscape is perhaps a bit of an understatement. Its long-running tagline, “It’s not TV, it’s HBO” spoke to the core of what has made HBO such an institution. Despite various attempts at replicating its successes, HBO remains staunchly and idiosyncratically itself. Netflix and Amazon may be sniping at its heels but with a bucket load of Emmys, a gigantic and zeitgesty fantasy series on hand, and its new streaming service (anyone sign up for HBO Now, yet?), the cable giant is showing no signs of aging.

[Angels in America and Your Requested Participation after the jump...]

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New To (Some of) You: Still Alice, Futuro Beach, Beloved Sisters

Thanks to everyone who answered last week's open question about DVD coverage. We won't fuss too much about switching things up but we will do a little more than we are doing for the second and third wave audiences.

NEW DVD / BLURAY
This is your weekly reminder that Julianne Moore is now an Oscar winner! The film that finally did the job (in conjunction, of course, with goodwill from a dozen undeniable acting triumphs in her past) was Still Alice, a minimalist drama about a linguistics professor suffering from early on set Alzheimers which is now out on DVD and BluRay for you stragglers. Who still hasn't seen it? You owe it to Julie so, rectify.  For those that did see it two questions:

1. Which scene do you think cemented Julianne's Oscar traction or even her win?
2. If it's different, what scene or moment do you still think about?

Also recommended: Germany's most recent Oscar submission Beloved Sisters didn't win much press or Oscar traction despite an actual theatrical release in the December glut but it will satisfy those of you that love a good costume drama and don't mind a long running time. It's about two sisters whose mother hopes for them to marry rich but they both fall in love with the same penniless poet. Perhaps they'll share him? Here's the complete review if you missed it.

Also new though good luck finding someone who recommends them: Mortdecai (Johnny Depp + Gwyneth Paltrow + moustaches?), Blackhat (Michael's review), The Cobbler (the scathing reviews were something of a surprise since writer/director Thomas McCarthy is usually beloved), and Taylor Lautner in Tracers (though I'm never going near one of those again post-Abduction) 

Two recommended Instant Watches after the jump...

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"Because I'm a Nurse"

We didn't get a proper theme week celebration off the ground for National Nurse's Week but it comes to an end today. Here's Andrew Kendall, who can't let the moment pass without shining a light on his favorite movie nurse. - Editor

Sure, The English Patient is really the story of the (not English), László Almásy, Hungarian explorer, but Binoche’s Hana is central to the story. She opens and closes the film, after all. After its wordless desert prelude the film really opens with her on duty towards the end of World War II.

Her first nursely duty, giving a kiss to an ill soldier, is perhaps not very auspicious. It’s a sweet moment, though...

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