Your Daily Linkage

Huffington Post a live-blogged review of critical punching bag Pompeii
Pajiba on Lupita Nyong'o on Ellen. We already knew Ellen was a perfect talk show host but Lupita is a natural at talk show guesting as well
Gurus of Gold top threes in each category from the Gurus. Looks like I'm way off consensus on Adaped Screenplay and Editing
Slate Turns out "Chivo", cinematographer Emmanuel Lubezki, has an instagram feed and Slate is crazy besotted with it
Pop & Hiss P!nk added to performers list at the Oscars. We're guessing aerial acrobatics but they already had those really recently at an Oscars ceremony... like I think just two years ago, right?

NY Times Manohla Dargis delivers an impassioned ode to Jennifer Lawrence's huge career... and thinks she's going to win Sunday night
/Film reports on the Live Read of Quentin Tarantino's Pulp Fiction in LA. Lizzy Caplan did the Uma/Amanda parts and Joseph Gordon-Levitt did Vincent Vega and, yes, they got up and danced
NY Times honestly I take issue with this report that Oscar nominations didn't do much for the box office of the nominees. While I agree that the expanded Best Picture field has seriously diluted the marketing pull of "Best Picture!" a lot of these movies would not have done even half of what they did without Oscar buzz. I'm talking ALL of the non-star driven ones
Culture Monster was 2013 really a great year at the movies or does social media just exaggerate all the love?
Playbill oh dear. Lea Michele hasn't given up on starring on Funny Girl on Broadway just yet. Her #1 accomplice Ryan Murphy aims to help her
Keyframe have you seen the video essays on who deserves the Oscars. I thought Best Actress was fairly interesting 
In Contention talks to the sound team on All is Lost
Awards Daily talks to Steven Price about Gravity

Finally, in case you haven't heard The LEGO Movie will be getting a sequel 1190 days from now on May 26th, 2017. Everything will probably not still be awesome -- I loved the movie but it seems like the perfect one-off rather than anything sustainable --  but franchise culture, Lord Business, and the grosses demand it. 

9 Days Til Oscar. Should 9 Times Nominated "12 Years" Worry?

Steve McQueen's 12 Years a Slave, once the Oscar frontrunner and perhaps still, has nine nominations. As we move into the final days of voting (ballots are due on Tuesday the 25th), how many of its categories can it win? I'm thinking about 12 Years again today due to Harvey Weinstein's awful potshot at it over at Deadline where he suggested that Quentin Tarantino's Django Unchained was better at covering slavery.

I liked 12 Years A Slave, but Quentin covered a lot of that ground first, and dealt with violence, slavery and oppression, shining a light on the American holocaust, as he called it.

Oy!

I'll flesh out some of the following thoughts in the "final predictions" article a week from now but until then, let's discuss it's upcoming Oscar battles... 

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Red Carpet Lineup: All of Meryl Streep's Oscar Looks

a better photo of the Silkwood Oscar dressThis is the last Streep-centric post for this Oscar season (unless she does something crazy at the Oscars), promise!

I used to always make a point of saying that Meryl Streep gets nominated for 39% of her performances, having appeared in 46 features and being nominated 18 times. But in truth her record is better than that. Once you eliminate the performances that couldn't have been nominated her record is an even more incredible 53% (a good example is her leading role in Plenty released in 1985 since she was nominated for her leading role in Out of Africa and an actor may only have one nomination per category unlike behind-the-camera people who are allowed to double up). So, fact: as soon as she reports to work on each new film she is more likely to be nominated than not for whatever it is she is about to do.

Is this the best record ever? Among actors, yes (once you eliminate the people who only made a few films and died/quit). But, otherwise, nope. John Williams has the closest thing to infallibility since he's nominated for virtually everything he does but let's not get sidetracked. Let's look at Streep's past in gown form and her future in role form after the jump. 

All of Meryl's Oscar Nominated Looks 1978-2012
With thanks to Google Image Search and Simply Streep 

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Celebrating Black History Month: A brief tour of African-American animation

Tim here. With Black History Month still in full swing, I thought it would be worth spending some time diving into the history of African-American animation and reporting back to everyone with what I found, which turns out to be easier said than done. Despite a history of animation as an independent and avant-garde form welcoming any and all groups trapped without a voice in the mainstream reaching into the silent era, there has been shockingly little overlap between black cinema and animation down through the years. Which isn’t the same as saying that there’s none, and I am certain that there’s probably more than I was able to scrounge up over a couple of days of researching.

Pioneering animators Frank Braxton (L) and Floyd Norman (R)

By and large, though African-American animators have been associated primarily with big studios, beginning in the 1950s, when Frank Braxton signed up with Warner Bros. By the end of that decade, Floyd Norman had become the first African-American employee of the Walt Disney Company, and his association with that studio continued well into the 2000s (and may continue yet – he’s still actively working, with a credit on a non-Disney production as recent as last fall’s dire Free Birds). The first significant branching out happened in the ‘60s, when Norman left Disney after its namesake and founder died, to join forces with new artist Leo Sullivan to create Vignette Films, a studio focused on making short animated explorations of African-American history (of any of these films still exist, the internet doesn’t seem interested in sharing them).

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10 Days Til Oscar. Sigh and Think of Paul Newman.

Today's magic number is 10. I know you were hoping for a look back ten years to that long awaited 2003 Supporting Actress Smackdown but the lists of reasons that has been delayed multiple times are too boring and painful to share. I promise it's coming! (I'll try for the Saturday morning before the Oscars as a deep breath before the plunge.) Funny but true: I was working on it earlier today and thought "oh, I know. I'll post it on the 10th anniversary of that Oscar ceremony" But guess what date that turns out to be? February 29th. A leap year haha and the date doesn't exist this year. 

Paul Newman & Joanne Woodward in 1958 after the Oscars

I haven't managed to find a fun trivia note involving the number 10 that relates to this year's Oscars so please enjoy this photo of Paul Newman mocking his Oscar losses with a makeshift trophy (note that it says "Noscar" on it) alongside his wife's actual Oscar for Three Faces of Eve (1957). Paul, a perfect 10, was also nominated 10 times over the course of his career (once for Best Picture, 9 times for acting), finally winning the trophy on his 8th nomination which was coincidentally enough, the year after he had won the first of two Honorary acknowledgements (one a Jean Hersholt, the other a traditional Honorary Oscar). Before The Color of Money (1986) he had been locked up in a longstanding three way tie for "most nominated losing actor" with Peter O'Toole and Richard Burton; they all had 7 back then though Burton died a couple of years before Paul Newman finally won gold. Bette Davis is the only other actor with exactly 10 career nominations (unless you count that write-in situation) but we've already started discussing her.

For which of his pre-Oscar roles would you have given Newman the statue? Cat on a Hot Tin Roof (1958), The Hustler (1961), Hud (1963), Cool Hand Luke (1967), Rachel, Rachel (1968), Absence of Malice (1981) or The Verdict (1982)? 

If you need more Paul (and who doesn't) some more photos of Paul at the Oscars are after the jump...

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