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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Sunday
Mar032013

Review: "Stoker" Disturbs. But To What End?

A slightly abridged version of this review was previously published in my weekly column @ Towleroad

Thirst > Stoker

A few years ago Park Chan-wook, the acclaimed genre fabulist from South Korea, made an award winning vampire film called Thirst. With the exception of the Swedish instant classic Let The Right One In, it's the best vampire film of the past 20 years. Second best might not seem like high praise but consider the volume of competition!  

In Thirst, a priest and reluctant vampire, infects a young girl with his addiction and she flips from moody troubled teen to lusty adult trouble-maker. Is she his impressionable victim or his soulmate apprentice? Or is she much harder to pin down? Having raved about Thirst when it was released (including a Best Actress nomination for Kim Ok-bin right here) and being a shameless Kidmaniac I walked into Stoker with high expectations. Despite the title's nod to Bram Stoker, I was not expecting an English language pseudo-remake of his earlier vampire feature. There are no literal vampires this time but the central power play relationship and overall bloodlust are like eerily similar echoes. Even the supernatural powers remain: India (Mia Wasikowska) even begins the film boasting of her preternatural hearing in voiceover while she hunts a defenseless animal in the tall grass. It's like a Terrence Malick sequence with brutality in place of spirituality. India's hearing is so acute she even catches spidery footsteps (So do we since Stoker shares with Thirst masterfully creepy and super detailed sound design.)  

A Stoker family dinner. Bloody steak.

"Don't disturb the family" is a stupid fun tagline for Stoker's ad campaign and poster since the warning is pointless. This family was disturbed long before you bought a ticket. [more...]

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Sunday
Mar032013

'Jack & The Beanstalk... on Steroids'

I can only imagine the pitch meetings for Jack the Giant Slayer...

The Royal Family, Their Trusted Ewan, and Jack the Farmboy

It's like 'Jack and the Beanstalk' on steroids. not one giant but hundreds, not a farm to save but an entire kingdom, not just treasure but a princess's heart to win. Oh, and minus the golden harp since harps are for sissies!"

Okay, yes, the harp does make a cameo appearance but the story has been greatly altered in an attempt to reach today's kids boys. Which is fine. Fairy tales are always morphing with the times and in this case why the hell not? There's a reason that Jack & The Beanstalk is a second tier fairy tale. [more...]

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Sunday
Mar032013

Saturday
Mar022013

All Hands on Link

IndieWire ABC may forge a miniseries out of Oscar nominated AIDS doc How to Survive a Plague
Hollywood who said it: The Pope or "Fifty Shades of Grey"?
MNPP ways not to die celebrates King Kong for his 80th anniversary 
The Advocate interesting take on Seth MacFarlane's Oscar night hosting gig, in which the author believes his entire performance was satire of sexism. I think that's an optimistic forgiving stretch but more power to you for enjoying the show so much! 

Clothes on Film the shoes in Stoker
Empire Emma Watson may play Cinderella
French Films about Trains points to 14 directors whose films are worth obsessing about in advance  
/Film Whoa. They're STILL trying to get Pride & Prejudice & Zombies made? You'd think Abraham Lincoln Vampire Hunter's fate and the free zombies on TV would have finally decapitated that project.
The Talks with Brian de Palma on violence in cinema and the staying power of Scarface
Unreality a pitch to Netflix. If you're going to revive beloved series, why not Firefly?
The Credits talked to Gavin Bocquet production designer for Jack the Giant Slayer about his work and the new visual fx demands of Production Design:

...if we were around during the Gone With The Wind time, you know the production designers job was more or less the same, you still had to create what you wanted to be the image, and then you broke it down into how you produced it. So the process is the same for the production designer, but the tools and the palette are a lot more variable in terms of what you can do, and also at times much more expensive. 

Weekend Must Watch
Brava to Chelsea Davison for this incredible mimicry job & spoof: here's "Lena Dunham" auditioning for Kathryn Bigelow's Zero Dark Thirty. So funny.

So... you know this silence is literally torturing me. And yes I do realize now that in this situation that choice of words might have been a little inappropriate. But, you know, it makes *me* feel like an asshole that I have to threaten to torture you every day. So... if you could just tell me I'd really appreciate it and we wouldn't have to keep doing this"

 

Saturday
Mar022013

Reader's Choice Factoids & Acting Oscar Trivia

I thought I was done posting about the 85th Academy Awards but here's one last takeaway post. See I realized we hadn't yet discussed YOUR votes and it is Reader Appreciation Month now (more to come). Plus one Best Actress Supremacy battle I think you'll like to ponder! 

Reader's Choice Stats Takeaway
Biggest Landslide: Anne Hathaway (Supporting Actress for Les Misérables) was the only Oscar winner to nab more than 50% of reader votes here. Though she was obviously the most polarizing actor, male or female, during Oscar season that didn't stop her from crushing her competition at the Oscars or here.
Poorest Showing: Denzel Washington's (Actor) return to form in Flight (seriously he's so good in that film) was, remarkably, in last place only 2% of the votes in his field. Yes even Jacki Weaver 4% and Alan Arkin 3% in the supporting categories won more of your love. What gives?  
Poorest Showing from an Oscar Winner: Though Christoph Waltz was also only third place in your ballots for Supporting Actor, Jennifer Lawrence actually had a weaker 3rd place showing - she took only 19% of your votes in Best Actress
Most Divisive Polling: Best Picture. Votes were all over the place with the winner (Argo) only managing 19% of the votes which was a very slim margin among the top four vote getters (readers also loved Amour, Lincoln and Zero Dark Thirty)
Agree to Disagree: Best Actress, always our marquee category here at The Film Experience, had the most votes of any of the polls and there was no agreement between Oscar, Nathaniel and The Film Experience readers: Oscar chose Lawrence; Nathaniel chose Riva; Readers chose Chastain. 

Ben Affleck's odd stats and Jennifer Lawrence vs. Joan Fontaine after the jump...

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