Box Office Playbook: Jessica vs. Jennifer

As if doing battle like Best Actress Gladiators both Jessica Chastain and Jennifer Lawrence are all over the nation's theaters. They'll be horns locked for the next 5 weeks in the media, I'll bet. JLaw was joking about beating JChas to the Oscar on SNL -- too gently? -- but it was Jessica who won the box office. And twice over. The last time I remember that happening was Leonardo DiCaprio at Christmas 2002 I think (Gangs of New York and Catch Me If You Can?)  [UPDATE: Sharp-eyed TFE Reader Brian Z actually reminds us that it happened in 2011 too... also with Jessica Chastain for The Help and The Debt]

On a related side note: I just know I'm going to start calling them Jessica Lawrence and Jennifer Chastain before long; name slippage is coming!

Box Office Top Ten
01 MAMA $28.1 *NEW* Jose likes the wig
02 ZERO DARK THIRTY  $17.6 (cum. $55.9) Top Ten List  
03 SILVER LININGS PLAYBOOK  $11.3 (cum. $55.3)  Beau's Review
04 GANGSTER SQUAD  $9.1 (cum $32.2) 
05 BROKEN CITY $9 *NEW* 
06 A HAUNTED HOUSE  $8.3  (cum. $29.9)
07 DJANGO UNCHAINED $8.2 (cum. $138.3) More on Django
08 LES MISERABLES $7.8 (cum $130.3) Top Ten List
09 THE HOBBIT $6.4  (cum $287.3)
10 THE LAST STAND $6.3 *NEW* 

In other movie/money news: Skyfall became only the 10th movie to break the $300 million barrier in the US box office this decade (Alice in Wonderland and The Hunger Games are the only non-sequels in that list... though both are franchisey in that remake or kick-off kind of way); Two very expensive movie gambles Life of Pi and Rise of the Guardians will inch over the $100 million mark in the next few days which must be a relief even if it doesn't quite spell "big profit!"; Chasing Ice, a nominee for Best Original Song, crossed the $1 million mark which is a big deal for documentaries; Sony Pictures Classics are still being really conservative with Amour -- it's only in 36 theaters despite 5 Oscar nominations last week though they grossed nearly ½ a million this weekend; And despite nobody caring about it or talking about it whatsoever Tom Cruise's latest actioner Jack Reacher crossed the $75 million mark this weekend... Oscar season always makes it easy to forget that a huge portion of the moviegoing public never even thinks about "Oscar Season".

WEIRD, RIGHT? 

Speaking of the public -- though the specific and not the general --  what did you see this weekend?

the three most popular movie musicals since Cabaret. Les Misérables is nearing their lofty box office heights

P.S. Les Misérables only needs a few more weeks of heat -- which Oscar season will surely provide -- to pass Mamma Mia! and become the third most popular movie musical of the modern era stateside (after Grease & Chicago). Of course the atrocious Mamma Mia! has the absurd distinction of being so popular around the globe (over ½ a billion) that it's actually the most successful modern musical if you include the entire world in your overview. Usually we prefer to be international but Mamma Mia!? Blargh!

"Get out of heeeeeerre"

A week later and I'm still giggling about this. And also SO FRUSTRATED THAT SAG IS NEXT SUNDAY INSTEAD OF TODAY.

Award Shows. I get The DTs. Don't judge.

This calls for a poll!

poll by twiigs.com

Raven Haired "Mama"

Jose here. By the time this weekend's over, Jessica Chastain will have finished taking over the world her latest movies in the first and second spots of the box office (help me out here, has this happened before?), which might not mean she's a money-making sensation (at least not yet) but will undoubtedly expose her brilliance to a broader audience. The Oscar nominated Zero Dark Thirty, whose commercial success is undoubtedly owed to the torture controversy, dropped to second place, while the horror movie Mama is set to open as number one with a figure in the mid-twenty millions

http://thefilmexperience.net/blog/2013/1/20/raven-haired-mama.html

The Guillermo del Toro-produced movie seems to be a good 'ole "mediocre January horror flick" but it's actually not half bad. I saw it earlier today and was shocked upon realizing I hadn't rolled my eyes a single time. The Chastainite in me wants to say the movie owes itself to her, but in reality, the direction and cinematography seem like a breath of fresh air compared to what this genre has given us lately. [More Chastain after the jump...]

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"The Hours" Discussion Pt. 2: Score, Performance, Re-Casting

previously... Joe Reid and Nick Davis discussed fidgety hand acting and ravenous kisses in The Hours for it's 10th anniversary. We rejoin them for the second half of their conversation. - Nathaniel R

JOE REID: OH that Phillip Glass score. I'm with you, obviously. I actually did much of my writing with that soundtrack playing in the background in the year or two after The Hours, because I'm just that kind of impressionable. But beyond being beautiful and haunting music in its own right, it also immediately sets the mood of the urgently mundane which pervades the whole movie. Laura trying and failing and trying again to bake a cake. Virginia scrawling out a first sentence. Clarissa getting the flowers. The score is repetitive and plain but increasingly frantic. I could roll around in it, crumbs in the frosting and all. 

So not to get too common about it, but rather than risk ignoring the elephant in the room, let's get to evaluating and ranking those leading ladies, am I right? You mentioned some ambivalence about Julianne Moore's performance, and I think I read somewhere that you value Streep's work here quite highly? Feel like making some friends/enemies among the blog-reading populace?

Nick's answer and more provocative questions after the jump

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Sundance Chaos Begins: Crystal Fairy, Two Mothers, Etc...

It'll be tough this year to follow the happenings from afar at Sundance without accidentally reading anything about Richard Linklater's Before Midnight, which reunites Jesse (Ethan Hawke) and Celine (Julie Delpy) for a third go round, but I shall try! In truth though Sundance, like TIFF and other A list festivals is nearly impossible to follow in general -- even if you're there!  The "Opening Night" Film badge is kind of an annual myth -- this year that was May in the Summer from Amreeka director Cherien Dabis which drew mixed reviews -- as there are always multiple films playing at any big festival.

Celebrity Tweet:

Allison Janney wut wut! #touchyfeely @joshpais twitter.com/EllenPage/stat…

— Ellen Page (@EllenPage) January 19, 2013

I couldn't not share from the cuteness. That's Ellen Page and Juno mamma Alison Janney reunited for Lynn Shelton's Touchy Feely (Josh Pais, pictured is alo in the cast). Shelton's follow up to Your Sister's Sister also stars Rosemarie DeWitt in the lead role of a massage therapist.

While we're on the subject of Juno, here's a strange trivia note about Sundance '13: Michael Cera has made not one but TWO unrelated pictures with the Chilean director Sebastián Silva (most famous for the wonderful dark comedy The Maid) and they're both showing at Sundance. The first is  Crystal Fairy which is about a boorish American (Michael Cera) travelling in Chile and 'creating chaos at every turn' as he and his friends seek a shamanistic hallucinogen called the San Pedro Cactus.  More after the jump...

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