Monday, May 14, 2012 at 5:00PM Amuse us in the comments by adding a caption or dialogue to the first image from Jonathan Glazer's (Birth, Sexy Beast) new film Under the Skin about an alien (Scarlett Johansson) in Scotland.
Jonathan Glazer, Say What?, ScarJo Monday, May 14, 2012 at 2:00PM With The Best Exotic Marigold Hotel (just reviewed) garnering big audiences in limited release, Dames Judi and Maggie have been on the mind. Last week, I remembered my favorite scene from Judi Dench's best performance in Notes on a Scandal (2006), so this week a look back at Maggie Smith's Oscar winning signature role The Prime of Miss Jean Brodie (1969) for a companion piece...
What follows from the 1969 film The Prime of Miss Jean Brodie is not technically a monologue. This progressive middle school teacher in a conservative girls school invites interjections into her speeches, if not actual participation or dialogue. I was tempted to publish this a day early and call it for a Sunday Soliloquy but it's not really that either. For Miss Brodie isn't speaking directly to herself.
Monday, May 14, 2012 at 11:11AM 
Craig here with this week’s Take Three. Today: Chris Cooper
Take One: Adaptation. (2002)
Cooper was up against a quartet of big names in the 2003 Best Supporting Actor Oscar race: Christopher Walken (Catch Me if You Can), Ed Harris (The Hours), John C. Reilly (Chicago) and Paul Newman (Road to Perdition). As the then least weighty name, his nomination didn’t necessarily guarantee success. But, conversely, his fifteen prior award wins and a further 5 nominations for the role spoke volumes. He emerged victorious, yet, inexplicably, Adaptation remains his only nod to date.
Spike Jonze’s very meta, self-referencing Adaptation was unique and playful in equal measure. It mulled over plenty of original ideas with its life-fiction overlap. Cooper, as orchid thief John Laroche, a real-life figure, stole the film away from actors as lively as Nicolas Cage, Meryl Streep and Tilda Swinton. He played the wry humour and the tragedy of Laroche with equal skill. The event that haunts him (the death of his wife in a car accident) has plot repercussions that Cooper almost invisibly folds into his performance. He uses Laroche’s dry, off-kilter amiability as a subtle yet defining trait. And in the driving scenes featuring with Streep he can be glimpsed looking cautiously for each road turn, knowing danger can arrive out of anywhere, any day. Such moments reveal how immersed Cooper is in the role. But, further than that, he navigates the increasingly bizarre and intentionally conventional plot swerve into thriller territory with ease. It’s a cranky, clever piece of acting both oddly knowing and incredibly moving.
Thanks to his Oscar win here, his career since has been a plethora of top-drawer performances, not least his largely under-appreciated role in Take Two’s film...
Adaptation, Breach, Chris Cooper, Muppets, Oscars (00s), Take Three Sunday, May 13, 2012 at 9:01PM In Mad Men @ The Movies we talk about the show's movie references. Mad Men happens to love the movies and we happen to love Mad Men.
Megan Draper: My father won't care if he finds out you read James Bond.
Don Draper: You know what? It's a good book. You should read it.
Eyebrows were raised recently when it was announced that Jessica Paré would be submitting herself in the lead actress category at the Emmys for this season of Mad Men. Over the show's interminably long hiatus she graduated from guest star to... well, the new Mrs. Don Draper fits the "Lead" description in every way. Not only does Megan gets key storylines in every episode but her energy, impulsiveness, and partial foreignness is something like a youthquake for the show, especially since all the other characters are aging quicker than they'd like to.
In "At the Codfish Ball" and "Lady Lazarus" Megan's decisions continue to cause aftershocks with Don, Peggy, Roger and more who all seem to interpret Megan's decisions through their own narcissistic lens. Her parents visit, she saves a major account (Heinz Baked Beans) proving her natural aptitude at advertising but instead of celebrating she announces her resignation. She secretly still wants to be an actress and has been attending auditions on the sly.
Sunday, May 13, 2012 at 5:00PM In its second weekend, Marvel's The Avengers broke yet more records (first film to gross over $100 million in its second weekend) and joined the long-legged Katniss of The Hunger Games in her treetop perch. Together they can gaze far far down at the rest of the year's films whilst casually planning their even bigger sequels. Toy Story 3 excepted, they're the two most massive hits since James Cameron's Avatar. Meanwhile in limited release that Exotic Marigold Hotel was at full occupancy. Dark Shadows had a disappointing bow given the expectations generally placed on the Burton/Depp camp in mainstream remake mode. Since they clearly ought to take a break to recharge their creative batteries, maybe this is for the best? Consider that the Dames Judi & Maggie, in far far fewer theaters (roughly 4% of Dark Shadow's screens) and in their second weekend, had double the per screen average.
Johnny Depp's bankability tied down by Avengers fever and Double Dame powers.
TOP TEN
01 THE AVENGERS $103.1 (cum $373.1) Review
02 DARK SHADOWS $28.8 new
03 THINK LIKE A MAN $6.3 (cum $81.9)
04 HUNGER GAMES $4.4 (cum $386.9) Review
05 THE LUCKY ONE $4 (cum $53.7)
06 THE PIRATES! $3.2 (cum $23.1)
07 FIVE YEAR ENGAGEMENT $3.1 (cum $24.3)
08 THE BEST EXOTIC MARIGOLD HOTEL $2.6 (cum $3.7) Review
09 CHIMPANZEE $1.6 (cum. $25.5)
10 GIRL IN PROGRESS $1.3 new
What did you see this weekend? How many times have you seen The Avengers already? I would've seen Dark Shadows (LaPfeiffer awaits) but for visitors from out of town. I shall gaze on my beloved this week. More to come.
