Curio: Anticipating The Hunger Games

Alexa here. I have skillfully avoided much of the hysteria surrounding The Hunger Games for quite a while. Like Nathaniel, I've been reluctant to jump on the over-marketed, YA-franchise bandwagon. But loving Jennifer Lawrence's performance in Winter's Bone, I took notice when she was cast as Katniss. And when the first full trailer emerged I felt a tingle down my spine. Yet for months I held steady in my resolve to avoid the marketing cacaphony. But something in me broke down this week: I started the book.  Well done, Lionsgate, you conquered me with your buzz-making machine.  In light of my change of heart, here are some pretty swell creations made in advance of the film.

Limited edition prints by Purple Cow Posters.

Poster prints by Entropy Trading Company.Click for more, including jewelry...

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Link Is My Signature Color

Wired an archery coach examines Hawkeye's form in The Avengers. Is Jeremy Renner the world's worst archer?
The Wrap Will Hunger Games make Lionsgate a major studio player finally?
Cinema Blend Bruce Willis plays the older version of Joseph Gordon Levitt in the time travel drama Looper. How to make JGL look more like Bruce since they look nothing alike?
Company Town Disney expects $200 million loss on John Carter. Ouch. 

Lawsuits R Us
Little White Lies a pub in Southhampton has apparently been going by the name of The Hobbit for two decades. Hollywood is suing for copyright infringement.
LA Times Finally have you been following this dramatic "wrongful termination" lawsuit from Desperate Housewives? I haven't because I keep wishing the show itself would be terminated. Apparently jurors were so deadlocked over Nicolette Sheridan's claims that a mistrial was called after four days of deliberations. Most of the juror's sided with Sheridan who claimed her suicide death on the show was retaliation from the creator. How long till they make a TV movie of the trial? The actresses should play themselves. At least it'll get Sheridan some work. I grew up watching her on Knot's Landing so I have a soft spot for her rather hard beauty.

Steel Magnolias Redux
And have you heard that Lifetime has announced casting for the Steel Magnolias remake for television? Remember when we tried casting that right here? The all black version will star Queen Latifah as M'Lynn, Phylicia Rashad as Clairee, Alfre Woodard as Ouiser, Jill Scott as Truvy, Condola Rashad as Shelby and Adepere Oduye (who we got so excited about in Pariah) as Annelle.

Which of those do-overs excites you most? Or is the very idea sacriligeous to you, replacing Sally, Olympia, Shirley, Dolly, Julia and Daryl? 

Review: 21 Jump Street (The Movie)

This review was originally published in my column at Towleroad

"High concept" was the hot showbiz term of the 1980s. The thinking went that if you couldn't describe your movie/tv show in one sentence, it wouldn't sell. That popular marketing wisdom stuck and High Concept itself shrank. First it devolved into This meets That, each new pitch being a mashup of preexisting hits. Today instead of one sentence pitches or previous hit fusions most new potential blockbusters are required to rely on a simple colon. It works like so… "Title of That Thing You Already Know: The Movie!"

The 1987 cast of "21 Jump Street"

This has led to all sorts of unfortunate movies based on books, games, plays and tv shows (and vice versa) many of them big hits. The danger is obvious. When you don't even have to try to make your entertainment memorable because the audience brings half the affection with them, creative laziness can often follow. But every once in awhile the audience gets lucky and Title of That Thing You Already Know: The Movie is surprisingly fun on its own terms.

Chan & Jonah in High School21 Jump Street began its life as a high concept television series...

Young-looking cops go back to high school… undercover!"

And now it's a 21 JUMP STREET: THE MOVIE (the last half of that title is silent/implied) The twist is that rather than the earnest though light-hearted procedural drama it was in its infancy when it introduced us to Johnny Depp, it's now a full fledged buddy comedy starring Channing Tatum and Jonah Hill. Continued after the jump...

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"Bomb Voyage"

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Two Box Office Lists, One "A Separation" Inspired

It was a big weekend for spoofing familiar concepts with 21 Jump Street filling movie houses and the only other top ten newbie Casa De Mi Padre, doing a parodic riff on Mexican movies starring Will Ferrell and everyone's favorite Mexican tag team: Gael García Bernal & Diego Luna. Would love to hear from anyone who saw the latter in the comments since this one slipped me by and GGB is an old favorite. (My review of 21 Jump Street will be up tomorrow evening.)

TOP TEN (Estimates)
01 21 JUMP STREET  $35 new in wide release
02 THE LORAX  $22.8 (cum. $158.4)
03 JOHN CARTER  $13.5  (cum. $53.1) [Review and Taylor Kitsch Beefcake]
04 PROJECT X  $4 (cum. $48.1)
05 A THOUSAND WORDS $3.7   (cum. $12.1)
06 ACT OF VALOR   $3.6 (cum. $62.3)
07 SAFE HOUSE  $2.8 (cum. $120.2)
08 JOURNEY 2 THE MYSTERIOUS ISLAND $2.4 (cum. $95)
09 CASA DE MI PADRE  $2.2 new in limited release
10 THIS MEANS WAR $2.1  (cum. $50.5)

Another Milestone for A Separation
Asgar Farhadi's Oscar winner A Separation (our favorite of 2011) continues its incredible theatrical run passing the 5 million mark. Five million for an Iranian family drama at the US box office? Unheard of. Every once in a blue moon the nation's box office gives us good news for quality cinema. While we're here why not a look back at the biggest foreign hits from the past year?

TOP TWENTY SUBTITLED HITS RELEASED IN THE US IN 2011
Disclaimer: I didn't count The Artist. Though it's foreign, it's silent so we're excluding it but you'll understand that if we did it'd be number one with an incredible $42 million. Don't believe those naysayers that call it a box office disappointment. Black and white + no stars + silent + foreign = $42 million is big big numbers.

Kristin Scott Thomas continues to be a draw ... at least when subtitled.

The ones that got a lot of people talking...
01 SARAH'S KEY [France] $7.6
02 A SEPARATION [Iran] $5.6 and still playing
The Oscar winner this year which we like writing about.
03 BIUTIFUL [Mexico] $5.1   Technically a 2010 picture since it had a one week qualifying run before being pulled until the nominations were announced. But we'll count it for comparison's sake.
04 OF GODS AND MEN [France] $3.9  It was held back to 2011 to capitalize on a presumed Oscar, but the nomination didn't even come. Did very well for itself in 2011 anyway which is not the usual case for that sort of "wait for the Oscar" trick.

other successes
05 DON 2 [India] $3.6 
06 THE SKIN I LIVE IN [Spain] $3.1
"Success" being relative. This didn't do Pedro Almodóvar's usual numbers though I'm unsure as to why.
07 ZINDAGI NA MILEGI DOBARA [India] $3.1
08 PINA [Germany] $3.0 and still playing The Oscar nominated dance documentary... in 3D.
09 RA ONE [India]  $2.5
10 INCENDIES [Canada] $2.0   Another Oscar nominee from last year

POTICHE was such fun. Arthouse audiences (mostly) agreed.

minor hits... but still hits
11 BODYGUARD [India]  $1.8
12 POTICHE [France] $1.6
13 DELHI BELLY [India]  $1.5
14 THE DOUBLE HOUR [Italy] $1.5 
15 SAVING PRIVATE PEREZ [Mexico]  $1.4
16 CERTIFIED COPY [France| Italy | Belgium ] $1.3
17 NO ERES TU, SO YO [Mexico] $1.3 
18 DESI BOYZ [India] $1.0
19 IN A BETTER WORLD [Denmark]  $1.0 The Foreign Film Oscar winner last year
20 READY [India]  $.9

ol' faithfuls French cinema and Bollywood continue to have the most reliable ticket buyers in the US arthouses. Bollywood movies don't need any press attention at all to find audiences. Even if you follow the movies religiously chances are you haven't heard of their annual hits if you're not out there looking for them. France is a different story in that way, getting and needing the media push.

Hrithik Roshan & Shah Rukh Khan are superstars of Bollywood. So is the male physique.

And also: What is it with Bollywood and über muscley male superstars? Bollywood men are way more objectified than their Hollywood counterparts.

Jeon Do Yeon, our favorite Korean actressjust outside the list Japan's ultra violent epic 13 Assassins got some attention and press but didn't quite cross the million mark.

sad observation Though South Korea is where it's at right now for regional cinema heat (as opposed to heat tied to specific filmmakers) the country's cinema has yet to catch on with arthouse moviegoers here in the States. Despite huge acclaim Mother, Thirst and Poetry, three of the most interesting films of the past few years, didn't totally catch on. None of them crossed the magic million dollar mark and only one of them passed ½ a million. The Housemaid and Secret Sunshine were also not true breakthroughs despite the exciting lead actressing of Jeon Do-Yeon.

Answer me these questions three

• Which of the top 20 foreign hits did you see?
• What did you see this weekend?
• Any theories as to why The Skin I Live In wasn't up to Pedro's usual numbers or why Bollywood worships male flesh?