Interview Extra: Dagmara on a Hot Tin Roof

When you're writing up pieces for publication from interviews, whether for magazines or blog posts or whatnot you can rarely use everything. So why not treat them like DVD extras and toss them out a little later on? With Patrick Wilson's new TV series A Gifted Man premiering tonight, I thought what better time to revisit The Film Experience interview with his wife Dagmara Dominczyk . She was a warm and funny presence on the Higher Ground promotional trail just as she is in the movie in a key supporting role.  Hopefully more of you have had the chance to see Vera Farmiga's directorial debut since that piece went up.

I told Dagmara that I had seen her in Broadway's shortlived The Violet Hour several years ago and the conversation turned to her stage work which seguewayed to a fun Patrick moment. 

Nathaniel: Dagmara, I know you were the original understudy in Broadway's Closer in the role of "Alice". I don't know if you ever went on...

Dagmara: [Emphatically] 13 times I went on and I know every single time!

Her name is "Alice"Nathaniel: So did you see the movie later and think I could do that.

Dagmara: YEAH [Vera Farmiga laughs suddenly. Dagmara is deliciously open with her answers.]

But I didn't think "damnit why didn't I?" You know what I mean? There's a difference. Patrick and I... our dream that we talk about as a side fantasy is to do a revival of Cat on a Hot Tin Roof. 

Vera: That would be awesome.

Nathaniel: [Momentarily stunned] God, you'd be great for those parts. That's so weird. I instantly pictured it.

Dagmara: Right?!? Hello! So he's got a few more years left to make that happen.

MORE DAGMARA FUN AFTER THE JUMP...

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Gotham Tributes: Charlize & Gary Aiming For Oscar

Another day, another "tribute" announcement as legions of luminaries ready themselves at the starting line waiting for that Oscar gun to sound. We've talked about this twice before (focusing on Streep & Spielberg) but "tributes" and "lifetime achievements" are as common during Oscar season as superheroes are during the summer. Even moreso! The Gotham Awards, which happen here in NYC in November, will be honoring four recipients: Director David Cronenberg, Actor Gary Oldman, CEO Tom Rothman and Actress Charlize Theron. 

Obviously Gary (never nominated) and Charlize (2 nominations, 1 win) are aiming for Lead Acting nominations for the spy thriller Tinker Tailor Soldier Spy and the comedy Young Adult respectively. Rothman, announced previously, is an industry power and you have to bow down to those men/women once in awhile. Meanwhile Cronenberg has A Dangerous Method to push. Though awards traction will be hard to come by for such a subtle and talky film, it's still worth campaigning for because here's the thing: If you're still fighting for your first nomination (insanity given that filmography!) you've got to lay plentiful groundwork and build momentum so that eventually they (awards groups) catch up. I don't mean to be morbid as I hope this is a long time away but can the 68 year old Cronenberg at least get an Honorary Oscar before he dies? I mean... The Fly, Dead Ringers, A History of Violence, etcetera...

The Gotham Awards, which celebrated their 20th anniversary last season, have definitely been picking up steam as a valuable Oscar stop, regularly giving boosts to smaller films like Winter's Bone, The Hurt Locker and Frozen River.

The "career tribute" portion of their ceremony has included at least one future Oscar nominee every year since 2004. With so little information (i.e. clips or photos) on Charlize's work in Young Adult, we have to assume that Gary Oldman is in the best position currently to continue that trend. But it would be awfully sweet to see Charlize Theron work a role worthy of her gifts again... and work it all the way to the shortlist.  She's one Oscar winner whose career, filmography, and popularity have never properly reflected her talent. I mean she even made the most of that way too standard role in North Country for which she received one of those disposable "after glow" nominations. 

For now, we have to just enjoy Charlize in her glamour spokesmodel roles and hope she finds a signature screen role while she's still in the age range in which that happens. Yes, yes, I hear your screams of "Monster (2003)!" But however strong that work was... it doesn't properly reflect Charliziciousness (Charlizionomy?) now does it. THIS does...

COMMENT ASSIGNMENT: (What? I'm bossy!)
If you were paying tribute to Cronenberg, Charlize, and Oldman and could only thank them for one thing, what would it be? Get as specific as such tributes should be!

Yes, No, Maybe So: "...Dragon Tattoo"

I've waffled on whether or not to give the trailer to David Fincher's adaptation of The Girl With the Dragon Tattoo the yes, no, maybe so treatment. The teaser was an explosive example of what film advertising can be when it escapes its rigid little box. That rush of images and punk spirit promising the 'Feel. Bad. Movie. Of. Christmas.' just Felt.Good. in an A+ way. But did you ever see it in a theater? I did a couple of times and felt nothing from the audience (you know how you can sometimes absorb the collective excitement levels when a teaser/trailer is playing or at least the second it ends?) so maybe Moviegoers and Hollywood need the rigid little box of 2 and ½ minute plot and character intros as security blanket and insurance policy respectively. 

So now they give us the normal kind of trailer introducing us to the plot and characters that 75 million are intimately familiar with already. Meet anti-social, abused, violent, brilliant Lisbeth Salander, now played by Rooney Mara with sick earrings, mad multiple hairstylings and a wondrous lack of comforting eyebrows.

the breakdown plus the new trailer after the jump.

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Never Compromise, The Iron Linky

Feast your eyes on the first poster for The Iron Lady... [via]

I admire the concept of this poster but I think more of her face should have been showing for aesthetic reasons before it began to bled into the Parliament.  As it is it's weirdly torn up.  But perhaps you'll feel differently. You'll tell me, won't you?

Links
Antagony & Ecstasy Nick started a real trend with those 'year so far' awards
My New Plaid Pants "Thursdays Ways Not To Die" takes on Disney's Finding Nemo and you can't argue with that pie chart.
Mr Hipp Strikes! Remember when I said that Drive is one of those movies that will eventually inspire cult devotion. It's already obviously begun.
GQ Natasha VC (whose tumblr i just lurve) on Terminator 2: Judgment Day (one of my favs). Though... apparently she's pissing off some cinephiles with this.

TV Break
Gold Derby Remember how weird it was when Mad Men lost everything but Best Drama at the Emmys on Sunday. Turns out it's not so weird. 
The Critical Condition loves the new drama Revenge which features the return of the wonderful Madeleine Stowe. So do I and I only watched it to see Stowe again. Interesting that he brings up Ringer in his review because the whole time I was thinking: how come Sarah Michelle Gellar couldn't get a decent expensive show like this to headline? Ringer is just a mess and she's a much bigger star than Emily VanCamp. 

Finally...
You can head on over to Towleroad to read my interview with writer/director Andrew Haigh. His debut (scripted) feature Weekend, is a real wow, beautifully observed, well acted, consistently engaging and expressively shot... all the things that no-budget gay cinema usually lacks. There's more to this interview since our conversation spilled over past our alloted time so I might share a few more nuggets later on if I see cause. I'm hoping the film does well on the coasts and prompts further expansion. It's very good.  

"Say, you need a ride?"

Listen you outta ditch the two geeks you're in the car with now and get in with us but that's all right, we'll worry about that later. I will see you there."