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Wednesday
Jun152011

No hay banda. No hay linka. 

Twitch What's this? What's this? David Lynch may be prepping a "Club Silencio" to open in Paris. Mullholland Dr. lives on and on.
My New Plaid Pants defaces the Larry Crowne poster. I'd see this imaginary movie and I'm not even a horror fan.
Cineuropa Apichatpong Weerathesakul will head the Horizons Jury at this year's Venice Film Festival. More details at the link
Hollywood Wire Tap wait... now it might be David O. Russell directing Angelina Jolie for Maleficent? I can't keep up. This is why I ignore the rumormill. Better to concentrate on actual films.
MTV Madonna finally returning to the recording studio.
The Wrap Avi Arad talks about producer Laura Ziskin (RIP)

Two Videos
Filmdrunk explores "Woody Allen Surrogates" with this video.

A Retrospective of Woody Allen Surrogates from FilmDrunkDotCom on Vimeo.

 

And this Green Lantern news bit from The Onion made me giggle. Especially the movie posters "[pictured above]", the franchise sequel plans and this Ryan Reynolds quote.


'Green Lantern' To Fulfill America's Wish To See Lantern-Based Characters On Big Screen

I've been a Green Lantern fan every since I was told I would be the person starring in the Green Lantern movie so this is a thing come true for me.

LOL.

Finally... if you can't gather enough opinions about the Oscar Best Picture Shift to sate your lust for all things shiny, naked and gold here are more reactions on the Latest Oscar Rule Shift (already discussed right here)  from Peter Knegt (super con and then mixed), Kris Tapley (very pro), Sasha Stone (con -- she liked the ten) and Stu Van Airsdale (pro with a dose of 'so what? there are larger problems')

Wednesday
Jun152011

10 Best Picture Nominees... OR LESS

Just when we were getting acclimated to the new system of ten best picture nominees, Oscar is changing up their rules again. Deadline reports that after carefully studying their voting data, the Academy's governing board has decided that that Ten Best Picture Nominees thing was perhaps a little too generous. 'Shouldn't there be some threshhold of passion for a film to win that coveted "best picture" title' they asked themselves.

Their answer was "yes".

How much passion will be required exactly? The magic number is 5%. In short, a film will have to win at least 5% of #1 votes in the nomination balloting in order to join the Best Picture Lineup. There'll be no less than 5 Best Picture nominees in any given year and no more than 10. So one could say they're splitting the difference between the old system and the new.

Best Thing About This Change
It'll be quite unpredictable. We won't know until Oscar nomination morning how many "Best Pictures" we're getting. Otherwise I can't see an upside. We'll still get those pictures that we scratch our heads over "how did that get in there?! That doesn't belong!" -- don't think for a moment, for instance, that you can wipe out choices like The Blind Side. After all, we had those kind of decisions in the days of five nominees. Bad taste is indestructable!

The ZZZ Thing About This Change
I suspect other pundits will disagree but I don't see how this change means anything at all in terms of precursor madness. Not all precursor awards -- those would be tastemakers that proceed AMPAS's 'final say' -- are bound and determined to predict the Oscars but they'll stick with 10 nominees anyway as it gives them more wiggle room in the mirroring.

The Worst Thing About This Change
If you value visual and numerical symmetry as I do -- and boy do I -- you'll hate that you won't be able to line up various years in neat chart formats or say things like "2013's lineup is so interesting but nothing beats 2007. No, no, let us not speak of 1999!" There won't be any way to directly compare year-to-year anymore. (How will we even structure our prediction charts?) There's something quite beautiful about tradition in mythic institutions like Oscar. The chronologies will line up nevermore. Won't it also be more of a slap in the face for the snubs? "Sorry there were only 5 nominees this year but the rest of you who were 'in the hunt'. Turns out they only told you they loved you in the heat of the moment. They didn't."

Here's the part I found most intriguing* about the decision...

“In studying the data, what stood out was that Academy members had regularly shown a strong admiration for more than five movies,” said Davis. “A Best Picture nomination should be an indication of extraordinary merit. If there are only eight pictures that truly earn that honor in a given year, we shouldn’t feel an obligation to round out the number.”

If this system had been in effect from 2001 to 2008 (before the expansion to a slate of 10), there would have been years that yielded 5, 6, 7, 8 and 9 nominees.

*And by intriguing I mean CRAZY-MAKING. Does this mean none of those years would have seen 10 nominees? Will ten films be a once a decade thing? [Tangent: This DOES mean that they keep all the voting data. How is it that this never leaks? Price Waterhouse must be guarded by Heimdall or suspended in a heavily guarded plastic prison like Magneto.]

You know what else this means: LISTS, Lots of lists! We'll look at 2001 through 2008 soon but we have to save some chi for a later post, can't blow it all at once on this announcement.  For now, let's just discuss this change and wonder which films would've been axed from the top ten by way of not getting enough #1 placements.

Here's my guesswork...

2010 - 8 nominees


I realize I'm stubborn about The Kids Are All Right... I enjoy being stubborn. But there was a time, if we're being honest with yourselves, that people thought it would be one of the five even if there were only five. My guess is that 127 Hours just barely slipped in and that Winter's Bone, despite being very well regarded was lacking in #1 votes. Who knows... But there did seem to be a broad range of support for many features last year so perhaps only The Boy And His Rock would've been eliminated.

2009 - 7 nominees

Though I was personally horrified at The Blind Side's inclusion in 2009 I do not think it was in 10th place. Oscar is so much more mainstream than the media likes to pretend and given the massive embrace of that movie from the general populace, there are few sound reasons to think AMPAS voters weren't also squeezing it, with formulaic tears streaming down their faces. District 9... well, I'm still surprised it got in given Oscar's history of shunning sci-fi. Perhaps most controversially, I'm guessing Pixar would've had to wait until Toy Story 3 to get the "only the second animated picture nominated for Best Picture" honor.

What'cha think of the rule change?

P.S. In other rule changes, the number of Animated Features nominated will be more flexible too. Previously it was 3 or 5. Now it'll be 2 to 5 depending on the number of films released that are eligible and number of votes those films received. The documentary category's eligibility will now be in sync with the calendar year like most categories.

Tuesday
Jun142011

Red Carpet: Serious Actresses, Voices of Reason, Flamboyant Firemen.

For this week's red carpet convo, Your Movie Buddy Kurt is back to chat with Nathaniel and we're joined by special guest Guy Lodge from In Contention! We're discussing a couple handfuls of usually cross-platform celebrities who hit the Tony Awards.

Kurt: ‬ ‪i should say first that i did not watch the show‬
Guy: ‬ ‪That makes two of us!‬
Kurt:
 ‬ ‪but i did see NPH's opening number. killer.‬
Nathaniel: Here we go... soak it in.

TAMMY BLANCHARD, PACINO, FRANCES & WHOOPI


Guy: WOW where to even begin?
Nathaniel: Let's start at the obvious place. Make up a show in your head that allows for all of these looks to happen. A schizo show it might be...

[long pause]

Guy: ‬ ‪I'm imagining a revisionist take on the Wizard of Oz where a washed-up tennis star, a washed-up Lilith Fair singer-songwriter and a washed-up Julianna Margulies body double all join forces to seek guidance from an all-knowing, black-clad sorceress -- except instead of lacking heart-brain-courage, they simply all lack style. And a mirror.‬
Kurt: ‬ way to make Whoopi the magical negro.
Nathaniel: ‬ ‪I love you, Guy. You've even brought us full circle to TAMMY BLANCHARD's original calling card: that Judy Garland miniseries aeons ago! Tammy is in a sparkly blue number here. I don't think we can top Tom & Lorenzo's comment "serving drag queen realness." But Tammy is a biological woman.
Kurt: She's really out of place here. Has my taste level plummeted or does she look pretty ok?‬

[silence]

wow. ouch.‬
Guy: ‬ ‪That she's also the best dressed person here doesn't bode well.‬
Nathaniel‪: ‬ ‪Well, I've started with dessert - this is as crazy as it gets.‬
Kurt: ‬ ‪fo realz‬. I really want to talk about Frances but we should probably move left to right.
Nathaniel: ‬ ‪We can hop around. Something is telling me that FRANCES MCDORMAND wouldn't mind that breach of etiquette as she showed up to an awards show in a jean jacket!

Guy: ‬ ‪On reflection, I think Whoopi's actually the best-dressed here -- because she looks more like herself than any of the others. You know she only dresses to amuse herself.‬
Kurt: She's amusing me, too.
Nathaniel: ‬ ‪Is that how you explain WHOOPI GOLDBERG's Queen Elizabeth Oscar look?‬
Guy: ‬ ‪Totally. And remember that purple dress with green leggings she wore to the Oscars one year? Frankly, if she pitched up dressed in a sleek Prada number, I'd be worried about her.‬
Kurt: ‬ ‪very true‬

 

Nathaniel: ‬ ‪Perhaps one can say the same for Frances, who clearly cannot be bothered to project FAMOUS MOVIE STAR and instead opts for THEATER COMPANY EARTH MOTHER‬
Kurt: 
‬ ‪this look is absolutely nuts.
Guy:
 ‬ ‪She clearly wants to show how serious she is about her craft that she can't be bothered with all this glam-up business... but come on.‬
Kurt: ‬
‪it's a little tooo defiant‬.
Nathaniel:
 ‬ ‪I was talking to Joe Reid earlier today and he said that he wanted to go on record.‬ 'Make sure someone defends Frances McD' he says. I'm like "ON WHAT GROUNDS?!" and he says "That she's Frances McDormand and can do as she pleases"
Guy: ‬
‪Well, she's Frances McDormand and we love her, but that's as far as the defence goes.‬ Remember the navy dress she wore when she won the Oscar? It was simple and sensible and got the same message across without being fugly.‬
Nathaniel‪: ‬ ‪True Story: I once had a jean jacket and painted Annie Lennox on the back of it (circa SAVAGE cd) and wore it everywhere and everyday. But i don't know that I would have pulled it out for awards night.‬
Kurt: ‬Should Frances turn around then?
Guy: ‬‪Yes, in fairness, we can't see what's on the back of Frances's leather jacket.‬
Nathaniel: ‬ ‪Ha. I think she mentioned some hippie rock band being on that stage last time she was in this very theater.‬. I forget who. Maybe I'm mischaracterizing.
Kurt: from the waist up, she's on her way to see a hippie rock band.
Nathaniel: also she's in Transformers: Dark of the Moon so maybe SHE HAD TO DO THIS to reestablish her Serious Thespian cred.
Guy: ‬ ‪If it has "SUCK IT, VANESSA REDGRAVE" on the back or her jacket in iron-on letters, she's totally forgiven.‬
Kurt: ‬ ‪HAHA
Nathaniel: ‬ Frances nears the triple crown -- just the Emmy remains -- but ‪Vanessa is a triple crowner already
Guy: ‬ ‪As she should be‬

Nathaniel:
As is AL PACINO. Do you think anyone would notice if Whoopi and Pacino traded headgear?‬
Kurt: ‬ ‪i really like guy's washed up tennis star notion; however, i can never look at Al anymore without thinking of Roy Cohn, and here, Roy just got back from a tryst and still has the dude's underwear on his head‬
Nathaniel: ‪That is so wrong Kurt... so so wrong.‬
Guy: ‬ ‪Whoopi's hat would help Al's look -- if only because it could fall over his face and he'd be spared the embarrassment of being recognised.‬
Nathaniel: Was there a hairplug incident? He had to mprovise last minute and Whoopi would just not trade!‬
Guy: ‬ ‪Maybe the hair is ATTACHED to the hairband.‬
Nathaniel: ‬ ‪...serving drag queen fierceness‬.
Kurt: ‬ ‪is that the evening's theme?‬
Nathaniel: ‬ ‪no, sadly.‬
Kurt: ‬ ‪because frances would be lip-synching for her mother effin life‬

Guy: ‬ ‪Aside from the headband, though, what's up with the ill-fitting suit? He looks like a teenager wearing his older brother's tux to the prom.‬
Kurt: ‬ I was gonna say. Sadly, the vest is actually the outfit's worst feature. it's blinding me‬ and it's enormous.
Nathaniel: ‬ ‪Incidentally since you guys missed the show. Frances's acceptance speech was kinda awesome if a little braggy. She said she's played both Stella and Blanche‬ AND ALL THREE OF CHEKHOV'S SISTERS.
Guy: ‬
‪Rub it in, Frances.‬
Kurt: 
‬ That's not easy to boast while wearing that. Rock star.
Nathaniel: ‬ ‪and then implied she thinks this role she won for in "Good People" would one day join the canon of "great parts"‬
Guy: ‬ ‪Yeah, bet she said that about "Handler" in Aeon Flux.‬

BOBBY CANNAVALE & SON, NPH & JACKMAN: DUELING HOSTS, DAVID BURTKA

IT'S NOT OVER! keep reading for...  Catherine Zeta-Jones inner fire (plus super gay firemen!), and Viola Davis as "the Voice of Reason."

Click to read more ...

Tuesday
Jun142011

Curio: Do you save your stubs?

Alexa here. I've been thinking about the movie theater experience a lot lately, about what it used to be, and how much it has changed. Certainly there are things to complain about. As the Alamo Drafthouse was helpful to point out, texting is seen as totally reasonable by many patrons.  And as Ebert discussed recently, the movies themselves are dimmer.  But one of the many things I still value about the experience is the ticket stub.  I've been collecting mine since 1989. I love opening my old tin; each stub serves as a marker of an experience.  ("Wow, I really did see Boxing Helena in the theater!")  Turns out I'm not alone; here are some images of stub collections, including my own.  Do you save your stubs?  Ever found one that surprised you?

 

A selection from my collection.


A self portrait by Joey Yee, featuring 6-7 years worth of stubs.


Radiostaticstar's stubs from the 80s and 90s, with writing over the faded ink.

Tuesday
Jun142011

Some Day A Real Rain Will Come...

JA from MNPP here, taking a quick glance at the forward momentum Darren Aronofsky’s next project seems to be gathering – the Black Swan director’s wanted to make a movie about the Biblical story of Noah and his animal-clogged ark since the start of his career and he’s finally got a whole half of the 130 million dollars he seeks.

The other half is expected to sweep in if/when he can get a star attached, and word is that he’s looking for recently Oscar-crowned Christian Bale to fill out Noah’s flowing robes.  The part’s obviously a good fit for Bale, who could play this sort of crazed role in his sleep (and probably does). And it’s probably the Aronofsky connection but I can’t help but picture Rachel Weisz as Noah’s wife Naamah; there’s also the matter of their three sons and those son’s wives to be cast. Plus a two-by-two animal chorus of thousands!

Aronofsky’s on the record as saying he sees the story in terms of its environmental aspects:

“It’s the end of the world and it’s the second most famous ship after the Titanic. So I’m not sure why any studio won’t want to make it. I think it’s really timely because it’s about environmental apocalypse which is the biggest theme, for me, right now for what’s going on on this planet. So I think it’s got these big, big themes that connect with us.”

Ha ha smart boy, summoning up the ghost of Cameron's iceberg billions. It is curious to wonder what angle he'll take on the religious aspects of the story - while he's certainly dealt with spirituality before it seems difficult to imagine him making something that would kowtow to fundamentalist Christians that take the Bible literally. There even seems to be an active component of people, where religion and politics meet, that abhor an environmental reading of the Ark story altogether and I cna imagine that they're already sharpening their knives at the thought of it.

Indeed Aronofsky’s such a modern filmmaker in my mind, so focused on the rhythms of the here and the now, that I’m having a hard time wrapping my brain around what it’ll be like to have him plunked down in the leather sandals of ancient allegory. It brings to mind the conquistidor section of The Fountain of course, another passion project for Aronofsky that he got made through much adversity. His will is strong and he’s wanted to make this for so long I have no doubt we’ll see it in some form from the filmmaker.