Foreign Film Finalists: "A Separation" Sheds Many of Its Chief Rivals

With just six days until Oscar nominations, the Academy has released the finalist list for Best Foreign Language Film. Iran's wondrous A Separation (see my top ten list) might just go all the way. While it's true that most pundits are already predicting just that, I've been more cautious. Masterpieces are often tripped up in this category by more heartwarming or traditonally baity mass-appeal films in the final heat. The biggest surprise here might be the omission of Lebanon's 'can't we all get along' musical Where Do We Go Now? which some pundits, including myself, had suspected might be a real threat given its populist pull. It won the People's Choice at Toronto which generally bodes well for Oscar traction. Not this time.

Poland's "In Darkness" is "A Separation"'s chief rival now; it's a Holocaust drama.

The Finalist List

• Belgium (5 noms) "Bullhead" Michael R. Roskam
• Canada (5 noms | 1 win) "Monsieur Lazhar" Philippe Falardeau
• Denmark (8 noms | 3 wins) "Superclásico" Ole Christian Madsen (I'm a fan)
• Germany (16 noms | 3 wins)  "Pina," Wim Wenders
• Iran (1 nomination)  "A Separation" Asghar Farhadi (#1 of the Year)
• Israel (9 nominations) "Footnote" Joseph Cedar
• Morocco (never nominated) "Omar Killed Me" Roschdy Zem
• Poland (8 nominations) "In Darkness" Agnieszka Holland
• Taiwan (3 noms | 1 win) "Warriors of the Rainbow: Seediq Bale" Wei Te-sheng

Omissions
Lebanon's entry is not the only high profile entry to be shown the door. France's amazing Declaration of War -- which obliterates 50/50 on the cancer dramedy battleground -- was probably too contemporary and eccentric for Oscar's foreign volunteer committees. Mexico's lauded Miss Bala about a would be beauty queen struggling to survive a drug war is probably the snub that will prompt the most anger from film buffs. I do wonder if Miss Bala had stuck to its original release plans (it was supposed to open in 2011) if it might have built up enough of a reputation to avoid being set aside here. Finally, there's at least three auteurist cinephile darlings on this cutting room floor: Finland's Le Havre, Turkey's Once Upon a Time in Anatolia, and Hungary's The Turin Horse. 

Records To Be Broken
The dance documentary Pina is still gunning for a fascinating record. It might become the first film to ever be nominated in both the documentary and foreign language film categories... and though I'd have to triple check I believe it would be the first documentary every nominated for Best Foreign Film even if it loses out on the documentary shortlist.

Morocco is the only country that might be looking at a first time nomination.

Our favorite Israeli actor (not that we're that familiar with a plethora of them) Lior Ashkenazi (Late Marriage, Walk on Water) in "Footnote"

Israel has been on a roll with Oscar. If Footnote is nominated it will be the fourth Israeli film in five years to score a nomination. Their previous best run was from 1971 through 1977 when they scored four nominations. Despite frequent nominations they've never won the gold making them the Deborah Kerr or Peter O'Toole of the foreign film Oscars.

If Taiwan is nominated a fourth time this year for their battle epic it will be the first time they've ever been nominated outside of the Ang Lee filmography.

CURRENT PREDICTIONS

10 Word Reviews: The Ides of Miss Pina Bala's March of Shame

I think you'll agree that we've had our best festival coverage ever with our NYFF write-ups (thanks to Kurt & Michael for their continued input) but even with the speedy pace of full reviews that we've been hitting, it's all too easy to fall behind. So here are super short notes on films seen recently during the festival and outside of it since we can't get to full reviews yet (or ever probably in some cases). After the ten word reviews I'm adding Oscar Thoughts since all four of these films have golden dreams.

Shame (Steve McQueen)
Fucked up siblings Michael Fassbender & Carey Mulligan self-destruct in New York through sex & despair.
10 WR: Brilliant sense of ghostly city, personal demons. But too obvious. B+ (B?)
Oscar?: Frighteningly committed acting but will voters see it? It'll surely be NC-17

Miss Bala (Gerardo Naranjo)
A beauty pageant contestant falls prey to drug cartel in escalating war.
10 WR: Easy indulgent nihilism elevated by smart construction and thematic visualizations. B-
Oscar?: The things it does very well are easy to see/love (or overpraise depending on how you see it). Will almost certainly make the pre-nomination finals in Best Foreign Language Film.
P.S. Michael reviewed this one and liked it much more than I did it. 

Pina (Wim Wenders)
A performed documentary on Pina Bausch, the late legendary German choreographer.
10 WR: 3D amplifies choreography's spatial genius. Bit noncommittal: Performance? Doc? Decide! B
Oscar?: Unless you count Waltz With Bashir, Oscar's foreign committee has never nominated a documentary. But this one is very very easy to enjoy (the dancing is like heaven) and could be a novelty exception to "rule". 

Ides of March (George Clooney)
Clooney adapts the stage play about dirty politics and betrayals of spirit, body, and ideals
10 WR: Involving and handsome but few great scenes. Weird "scene-change" pacing. B
Oscar?: Seems very likely on several fronts but particularly Supporting Actor (Clooney, Giamatti or Hoffman, though?) and score (Desplat's work gets a lot of "air time" if you will.) Though Evan Rachel Wood (major role) and Marisa Tomei (minor role) are both marvelous, Supporting Actress seems less likely for a wide variety of reasons.

Quick takes. Finis! In short it's been a good run of super enjoyable or at least interesting movies lately. Other than that Abduction fluke. Your turn in the comments.

"Link, I Am Your Father"

This doesn't need an entire post to itself but if you haven't heard you should know that SHAME, the eagerly awaited Hunger follow up from visionary Steve McQueen will open on December 2nd. That's the one that stars the naked raw talents known as Michael Fassbender and Carey Mulligan. Yay! I'd tell you that I'm seeing it this week but the press screenings at NYFF this year have been more difficult than in past years... so I plan to see it this week.

LINKS
Rope of Silicon has first pic of Russell Crowe as Superman's father in Man of Steel. I get why the capes are that muted color but it's still weird to think of SuperPeople with muted color palette costumes.
Movie|Line Awesome inimitable director/personality Werner Herzog will play the villain in the Tom Cruise vehicle One Shot. As TFE's unsung hero Michael put so well on twitter "The only thing that would make that Werner Herzog news cooler is if he's playing Werner Herzog."
Hollywood and Fine  on the shifts of star generations and how that plays into The Ides of March with Ryan Gosling vs. George Clooney. It's a smart piece though some of the claims are suspect (like DeNiro and Pacino still having great work in them...uhhhh)  
MNPP Luke Evans Seven Times 

The House Next Door Jaime N Christley is a dissenting voice on Mexico's critic's darling Miss Bala 
Frankly My Dear.... War Horse newbie Jeremy Irvine already has his follow up picture. He'll be in the umpteenth Great Expectations adaptation. This one for director Mike Newell.

Vanity Fair Johnny Depp is the new cover boy and apparently he hates being photographed (uhhhh) and he says yes to all the stupid money for his kids (Uhhhh... what kids need $300 million dollars? Isn't becoming  a hack really for your kid's kid's grandchildren at this point? $300 million for the Pirates franchise alone.) Unsolicited advice: Take a challenging role soon, maybe by a new visionary writer/director who nobody would think to bankroll without you, do it for scale and rediscover your gift. Just sayin'. 
Antagony and Ecstasy Mr Brayton, one of the best critics on the net and a twentysomething cancer survivor, reviews the twentysomething cancer comedy 50/50.

Today's Recommended Watch
The making of that infamous nippley The Girl With the Dragon Tattoo poster set to the film's score. 

NYFF: "Miss Bala" Blood, Guns, and Tiaras

Serious Film's Michael C pleased to report he's viewed his first, but hopefully not last, knockout, must-see movie of the New York Film Festival.

According to director Gerardo Naranjo, some critics have accused his drug war thriller Miss Bala of glamorizing the life of cartel gang members. I didn’t get a chance to ask a question at the Q & A, but if I had it might have been, “What planet are these critics on, and how do they get movies way out there?” Miss Bala is the answer for every person wearing a Scarface t-shirt. It glamorizes the business of drugs about as much as Requiem for a Dream glamorizes the use of them. 

Miss Bala is a thriller that manages to generate incredible suspense despite upending genre conventions at every turn. It is the tale of Laura, an aspiring beauty queen, who through incredibly bad luck finds herself sucked into the Hell that is Mexico’s drug wars. Naranjo sticks to the point of view of his naïve, overwhelmed protagonist throughout. It’s a reversal of the Hitchcock method of suspense through letting the audience know as much as possible since at any moment Laura has little idea what the motives of her captors are and what role she is plays in their schemes. Unlike 99% of thrillers the audience isn't trying along with Laura to outwit her tormentors, but rather to scrape enough information together to survive.

Utilizing riveting, hold-your-breath long takes that recall fellow countryman Alfonso Cuaron, Naranjo work behind the camera is a breakthrough to make film lovers sit up and take notice. Bala deserves comparison with 4 Months, 3 Weeks, 2 Days for its depiction of societal ills through straightforward gut punch realism without political sermonizing or a trace of movie-movie bullshit. It’s a harrowing experience, but also a compulsively watchable one. 

Naranjo is aided by Stephanie Sigman, who delivers a performance of beautiful vulnerability and well-modulated desperation as Laura. Often the director does well to simply rest the camera on her face and watch as her expressive doe eyes absorb the seemingly endless string of horrors.

Miss Bala is Mexico’s submission for the foreign language Oscar... which is gutsy on their part since I've seen movies about the Vietnam War that depict a safer, more stable country. Oscar's foreign language branch, like its doc branch, is prone to wild, inexplicable omissions, so I won’t make any predictions, but I will say this: I would be shocked if five better, more powerful films are in contention this year.

Mighty Submissions? Mexico's Got "Miss Bala" and China's Got Christian Bale

In the most mainstream-ready news yet for this year's Best Foreign Language Film competition, China has submitted Zhang Yimou's The Flowers of War. The movie has changed titles at least three times now (literally) but yes, that's the very expensive Christian Bale film based on Geling Yan's historical novel The 13 Flowers of Nanjing which is about the Nanjing massacre when Japanese soldiers slaughtered Chinese civilians in 1937. Bale will play a priest who is helping to save Chinese citizens. I believe previous titles included The 13 Women of Nanjing and Nanjing Heroes. After a very long production the movie will supposedly be opening this December.

Zhang Yimou and Christian Bale on the set

Christian Bale in a still from the film that just can't pick a title!

Zhang Yimou is a superstar as auteurs go, having previously directed international hits and awards magnets like Ju Dou (Oscar nominee Foreign Film ), Raise the Red Lantern (Oscar nominee Foreign Film), To Live (Golden Globe Nominee Foreign Film), Shanghai Triad (Oscar nominee -cinematography),  Hero (Oscar nominee -China), The House of Flying Daggers (Oscar nominee -cinematography) and Curse of the Golden Flower (Oscar nominee in costume design). 

But with Bale in the lead (or prominent ensemble) role, one wonders how much of his new film is in English and whether that might not be a problem when the Oscar committee starts ruling about eligibility? Early reports suggested that 40% of the film would be in English though there's also dialogue in Mandarin, Japanese, and Chinese. Academy rules don't allow the majority of your dialogue to be in English in this category so we shall see. You know how finicky the Oscar committee can get about eligibility rulings. But one things for sure: this film won't have trouble winning attention with Yimou behind the camera and Bale in front of it. 

IN OTHER NEWS...

Runar Runnarson's debut feature VOLCANO will represent Iceland for the Oscars. It's the story of a retiree rediscovering his life. The film already has achieved a small degree of fame for an old age sex scene. Reviews are strong and it's said to be quite moving.

Last year's winning country Denmark has gone with SuperClasico

Then we have two countries that share the distinction of several nominations without a win yet.

Israel will present FOOTNOTE, the story of combative father and son Talmud professors which won the screenplay prize at Cannes. Israel is the most nominated losing country ever having been up to bat for 9 Oscars thus far.

Mexico (tied with Poland, just behind Israel, at 8 nominations without a win) will go with MISS BALA as most cinephiles suspected. I will be seeing the acclaimed beauty-queen in distress drama Tuesday for the New York Film Festival. Can't wait after all the good things I've heard. 

Here's the US trailer which I'm not watching so as to be surprised next week. The film opens in limited release next month after this final festival bow. 

Imagine that. At least TWO of the contenders are actually opening in the States before the following calendar year! It's so rare these days. And lately when that's happened it's been on December 31st. Boo! So give Mexico's Miss Bala and China's The Flowers of War points for braving a real release and not banking on the lottery ticket of a future Oscar nomination before hitting the big screen.

Useful Useless Statistics!
Countries that submit regularly that still wait on virgin nominations:
Bulgaria, Chile, Colombia, Croatia, Luxembourg, Mongolia, Portugal, The Philippines, Serbia, Slovenia, Thailand, Turkey, Venezuela ...and current cinematic hotspots Romania and South Korea.

Oscar's favored countries *these past 10 years* (they tend to go in waves):

1. Germany (6 nominations, 2 wins these past ten years)
2. France (5 nominations or 50% of the lineups)
3. Canada (3 nominations, 1 win these past ten years)

Most favored country (in history) that has had a rough run with Oscar lately: Spain is the third most honored country in the Academy's entire history (19 nominations and 4 wins) but they've only been nominated once in the past ten years. Of course they won that year (The Sea Inside) and two of Spain's biggest stars also won acting Oscars recently (marrieds Javier Bardem and Penélope Cruz ... so, uh, never mind. I take it back. Not a rough run! It's ITALY that's smarting. Just one nomination for the country with the most competitive wins and second most nominations ever these past ten years. What's going on Italy?)

CHART UPDATES (ONGOING) HERE including new films from Ireland, Albania, and Vietnam.