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Saturday
May212011

Steven Spielberg Cuts to the Chase

Editor's Note: Yonatan, a reader who we profiled a couple of months ago, wanted to sound off on an interesting aspect of Spielberg's career. Given the recent release of the The Adventures of TinTin teaser and it's international counterpart (included below) as well as the ongoing discussions of Oscars troubled relationship with motion capture animation, it's good timing.

So here is Yonatan...

Christmas is All Spielberg All The Time this year

Steven Spielberg has two movies coming out this year, a twin trick he's performed five other times: 1989, 1993, 1997, 2002 and 2005. Christmas break brings us The Adventures of TinTin: The Secret of the Unicorn and a week later on December 28th, War Horse opens.

The TinTin Teaser (International)

Yes No or Maybe So ? ;)

Aside from Spielberg's trusted collaborative team (composer John Williams, editor Michael Kahn, cinematographer Janusz Kaminski and the rest), his reliably huge box office results, his male protagonists, and child actors in lead or prominently featured roles, what other commonality do we often see in his work?

Here's one to consider...

If you want Spielberg to direct your script, have an element of chase in it. From his TV movie Duel, his megahits Jaws and E.T., the Indiana Jones franchise, through the two movies starring Tom Cruise and Catch Me If You Can (the title alone!), Spielberg's characters have been on the run. They've been out of breath for four decades. Where are they going? Who is chasing them? Why?

DUEL (1971 TV movie, released theatrically in Europe) A truck driver chases down a driver who had the nerve of passing him.

THE SUGARLAND EXPRESS (1974) Lou Jean and her husband Clovis (Goldie Hawn and William Atherton), an escaped convict, on the run from the law, chased by dozens of police cars.

JAWS (1975) After a shark and a police captain (Roy Shrieder) run people out of the water, three men (including the police captain) go after the killer shark.

RAIDERS OF THE LOST ARK (1981) The search for the lost coven of god. A big boulder chases Indiana Jones, our adventurous archeologist, right to the hands of his enemies, who chase him all the way to his awaiting seaplane, etc. Includes a chase in the crowded streets of Cairo.

E.T. (1982) The government is after the kids hiding the long-fingered alien who just wants to go home. Cue bicycle chase.

INDIANA JONES AND THE TEMPLE OF DOOM (1984) It's one chase after another kicking off with Indy's frenzy to find the antidote to his poisoning, then the leap from a plane - snowy slope - river rapids sequence and finally the Sankara Stones and a chase on mine car tracks.

INDIANA JONES AND THE LAST CRUSADE (1989) The search for the holy grail. Nazis once again. Chases on boats, biplanes and tanks.

HOOK (1991) The boy who never grows up grew up to be Robin Williams. Peter Pan returns to Neverland after Captain Hook kidnaps his children. And the crocodile still haunts Captain Hook with his ticking stomach.

JURASSIC PARK (1993) The dinosaurs cut loose and it's a two-way chase: Dinosaurs vs. Humans, Humans vs. Dinosaurs. As is the case in the horrible sequel THE LOST WORLD: JURASSIC PARK (1997).

SAVING PRIVATE RYAN (1998) Captain John Miller (Tom Hanks) and troupe race to find a single soldier (Matt Damon) behind enemy lines in WW2.

A.I. ARTIFICIAL INTELLIGENCE (2001) Android David (Haley Joel Osment) joins Gigolo Joe (Jude Law) who is running from the police on murder charges, and they seek the Blue Fairy.

CATCH ME IF YOU CAN (2002) FBI agent Carl Hanratty (Tom Hanks) chases conman Frank Abagnale Jr. (Leonardo DiCaprio).

MINORITY REPORT (2002) John Anderton (Tom Cruise) is continually on the run after being charged with a murder he has yet to commit.

MUNICH (2005) The hunt for the murderers of 11 Israeli athletes in the 1972 Olympic games in Munich.

WAR OF THE WORLDS (2005) Ray (Cruise again) and his kids run from murderous killing machines from outer space.

Spielberg loves a good chase

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL (2008) Harrison Ford, no stranger to marathon runs (see also The Fugitive) is continually on the run when he's playing the world's most famous fictional anthropologist. This is the only movie in the franchises that I've seen but once but I remember a chase involving jeeps in the jungle.

In Saving Stablemate Joey AKA WAR HORSE, a horse named Joey is sold to the cavalry and sent to France. Albert, too young to enlist, goes out to save his horse (Matt Damon?) behind enemy lines in WWI.

And TIN TIN? We'll see. Did I miss any chases in these other pictures? 1941, Close Encounters, The Color Purple, Empire of the Sun, Always, Schindler's List, The Terminal?

Though Spielberg is not at prolific as Clint Eastwood or Woody Allen, he is known as a speedy director. He likes to shoot in more than one setting a day and apart from possibly Jaws (?) he finishes his movies ahead of schedule. Take War of the Worlds for an example of his post-production speed. Filming wrapped in March and the movie was in theaters by June! despite being heavy on the visual effects. This sense of urgency comes through in his movies, which could be one reason he's such a strong action director (I'd argue he's better with action than drama).

Spielberg's cameo in The Blues Brothers

Even when Spielberg isn't directing, he's producing big budget tent poles -- many with chase elements, even non-human ones like Twister (storm-chasing!). Even his rare cameo in The Blues Brothers fits in: he ends the police chase after the brothers.

Always on the run, the search and chase continue.

Saturday
May212011

Pirates the Fourth

Blockbuster franchises are not unlike waves in the ocean. That's true even for the ones that don't take place on the high seas. The marketing rhythmically churns them up and up until they break oh-so-formidably on opening weekend and then they're just foam. Which is to say that Pirates of the Caribbean: On Stranger Tides evaporates instantly after you watch it, leaving you with precious little to remember it by that you didn't already remember from The Curse of the Black Pearl back in 2003.

Ian McShane as Blackbeard

I saw Pirates 4 only a week ago. The only things I remember are as follows...

Read the full review at Towleroad

(I'd say it's better than the other sequels but that doesn't mean I can help out its dismal rotten tomatoes score and call it "fresh". And it's quite possible that I have blocked out all memories of the 2nd and 3rd movies for self preservation purposes. Oh Johnny...)

Saturday
May212011

Mimi Rogers Would Like To Remind You... 


... that The Rapture isn't all its cracked up to be. It's kind of a letdown, actually.

* This obscure joke is brought to you by 1991, twenty years prior to the "end of the world". Yes, Yes, 1991 was a ridiculously strong Best Actress year but Mimi Rogers still rocked that part, people. She really did.

Friday
May202011

Links: Danish Girls & Norsk Men, Melancholia & Muppets

News
The Playlist
Looks like more development hell for Nicole Kidman transgendered drama The Danish Girl
New York Magazine Can AMC survive its own success. Growing pains for the network (They've just rejected all six of the pilots they were considering.)

Randomness
Stale Popcorn Glenn continues to the best of the posterologists online
Just Jared interviews Kristin Chenoweth. She's tremendously busy but I sure hope this Tammy Faye musical works out. Wouldn't she be perfect?
Ultra Culture thinks Lars Von Trier's Melancholia is major.
Cineuropa loves the new Norwegian film at Cannes from Reprise's director and star (pictured left) and writer (not pictured) called Oslo August 31st. You may recall that I was absolutely nuts for Reprise -- and met and interviewed Joachim Trier (who was a doll) -- so I'm looking forward to this one.

And in other Cannes news, Hitler has already reacted to the Cannes Festival / Lars Von Trier kerfuffle...

It's a little long for a concept joke but there are some great lines.

List Fever
Pajiba The Five Coolest Muppets
La Daily Musto
the two biggest lies actors always tell. I wholeheartedly co-sign. I've never seen an actor talented enough to sell either of these but they always try, bless.
Telegraph's 10 Best HairDressing moments in film
Movie|Line 13 Facts about Woody Allen and the Box Office

Friday
May202011

Reader Spotlight: Sergio

Oopsie. We missed a week of our series of mini reader profiles. We're getting to know other members of The Film Experience community.

Today we're talking to Sergio from Guatemala who has been a very welcome consistent contributor to our HMWYBS party on his tumblr "Awww, The Movies ♥". Check that out.

Nathaniel:  Do you remember your first movie or first movie obsession?
SERGIO: The first time I went to the movies, it was with my father and sister. It was a strange/random act from my father, because we were going somewhere else, I was 10 years old and I had never been to the movies! The movie? Nothing relevant, but I was captivated by the experience. Two years later I started to skip events at school to go to the movies by myself.

Uh-oh. Okay, when did you start reading the film experience?

It was around 2004/2005. I even have an e-mail that I sent to myself (lame, I know!) in which I copied the site's address, like a prehistoric bookmark, although in those years I just read the Oscar Predictions. Later, I discovered the blog and I blame Nicole Kidman and my Moulin Rouge's obsession, they were the reason why I came back and found myself immersed.

First question Part 2: Yes, Moulin Rouge! was my first movie obsession.

Nicole & Baz are Moulin Rouge! WinnersWhat is your favorite film genre and why?

I know technically it’s not a genre, but my favorite movies are from Auteur, some people consider the Auteurism like the anti-genre, but that is irrelevant in this question. I just want to say I love to watch a true original director making magic, knowing what he is doing, trusting more in his instincts than in a studio or external influences. The artists, the pioneers, the virtuosos, they are the ones who make me buy the ticket.

Your 3 favorite actresses. Go.
To make my answer easy and shorter, I'm limiting it to modern actresses. This is going to sound like a complete cliché, but I can answer the question with two words: The Hours. The cast is so amazing, a total turn-on for me. If only these three could be in the same scene. La Streep + Nicole Kidman + Julianne Moore = Heaven! They are my trinity, if they demand, I obey.

Take away one oscar and give it to someone else. Who when why?
Can I do this every year? I could easily take Forest Whitaker’s Oscar and give it to Ryan Gosling for Half Nelson; take Jim Broadbent’s for Iris and then give it to him back again for Moulin Rouge! Brokeback Mountain over Crash, duh! That was a no brainer. In my perfect dreamy world Julianne Moore would have won for “Far from Heaven” and I would agree with Nicole’s loss, because Nicole Kidman would have won the year before for MR! Meryl would have won her third Oscar for ‘Doubt’, but Kate Winslet would have won for ‘Eternal Sunshine…’ and my re-history also has a happy ending, no second Oscar to Hillary Swank.

Umm, I can't believe Glenn Close doesn’t have an Oscar yet, so I would take Jodie Foster's first Oscar and I would give it to her for Dangerous Liaisons (1988).

One does not applaud the tenor for clearing his throat.

Close wasn't only clearing her throat, she was singing opera.

Previous Reader Spotlights
the lovely ladies:
Ester, Leehee, Jamie and Dominique  and the gents  Borja, John, Chris, Peter, Ziyad, Andrew, Yonatan, Keir, Kyle, Vinci, Victor, Bill, Hayden, Murtada, Cory, Walter, Paolo, and BBats