BOB: Sucker Punching Dead Horses

Today's Box Office Blather is short, though hardly sweet. The weekend had only two wide openings which fought it out for two markets: the family and the fanboys. Though girls ruled and boys drooled on Friday when Sucker Punch triumphed, family-market films always grow over opening weekends rather than fade like normal movies.

Carla Gugino, Jena Malone, Abbie Cornish, Emily Browning, Jamie Chung and Vanessa Hudgens at the Sucker Punch premiere

So the weekend went to Wimpy Kids rather than Violent Girls.

01. Diary of a Wimpy Kid: Rodrick Rules $23.7 new
02. Sucker Punch $19 new
03. Limitless $15 (cumulative: $41.1)
04. The Lincoln Lawyer $10.7 (cumulative: $28.7)
05. Rango $9.7 million (cumulative: $106.3)

Limitless and Lincoln held well in week 2 indicating that people who saw them last week maybe didn't regret their ticket purchases. Rango is now the top grosser of 2011, a title it seems likely to hold until the end of May when Johnny Depp will overthrow himself by way of Pirates #4. (Sigh) Unless Thor gets deified by general audiences or Jane Eyre busts out of her bodice on a record breaking 6,321 screens... all of them sold out for the rest of the summer. (Sorry, fever dream on account of the feverishly Fassbending podcast. But wouldn't it be great if box office were THAT impossible to predict? Hypothetical question. The answer is yes.)

What did you see this weekend? Besides Mildred Pierce, I mean.

Finally, in Shamelessly Beating Dead Horses news: the PG-13 version of The King's Speech opens this Friday. Begone naughty fuck word, you have no power here! The King's Profanity has been redacted. Oscar campaigns don't pay for themselves, people. Although, the $15 million dollar budgeted film has already earned $361 million worldwide so now they're just being greedy fuckers.

"Grass Widow" in Mildred Pierce (2011)

It's time for the Monday Monologue. How many of you caught Mildred Pierce (2011) last night on HBO? Todd Hayne's adaptation of the novel, previously adapted in the 40s, is a five hour affair. We can't say much as to quality yet as we're only ⅓ through (or thereabouts). Let it suffice to say for now that the new version is much different which we're immediately grateful for; no one needs a replacement of the terrific 1945 Joan Crawford noir.

Kate Winslet's Mildred Pierce, broke and forlorn.

My two favorite things about the first hours were the supporting players: Mare Winningham was tart perfection as Ida the head waitress at the diner where Mildred finds work and Melissa Leo adding to her noteworthy run as Mildred's know-it-all neighbor Lucy. Both actressses were deliciously in period; you could shove them right into a 30s movie and gobble them up with delight alongside a slice of Pierce pie.

Early in the first hour, Lucy gets a showcase bit where she schools Mildred on the complexities of dating when your marriage has broken up. She tells Mildred, who is looking anything but red hot with floured hands and apron-covered, that men now view her differently.

continue on to the monologue.

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"Tangled" Giveaway

Quickie contest. THIS CONTEST IS NOW CLOSED FOR ENTRIES BUT YOU CAN STILL VOTE ON THE POLL BELOW. As you may already know the Tangled Blu-Ray DVD comes out tomorrow. I have one Blu-Ray copy to give away to a lucky reader in the US or Canada. Plus an undetermined bonus prize.

you entry should contain the following.

1. "Tangled DVD" in subject line.
2. Your name & mailing address (The winner's address goes to Disney so they can ship your prize but otherwise they're totes private.)
3. Name the movie character's hair you'd most like to braid and why. It's the girliest question ever but Rapunzel would approve! [Warning: I may quote a collection of these answers right here.]
4. Name anything at all that you learned from the "talent discovery" section of the widget above.

And just so everyone is a winner, please vote on the following poll. The winning films will be written up right here at the Film Experience in April. I've left out films I've extensively written about previously and a few others to make this manageable and randomly paired older with newer. I'll write about the winning pair (probably not together) next month.

poll by twiigs.com

First and Last, Oddity

the first and last images from motion pictures.

okay this one is cheating a bit. The last image is actually the two leads kissing which would give the game away. But this is the first image and then the second to last image, the one right before the kiss.

and the first and last lines of dialogue

first: [several children shouting, not translated into English]
last: "Just avoid me like usual. I'll just throw myself in traffic..."

Can you guess the movie?

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Reader of the Day: Jamie

Today's Reader of the Day is Jamie who lives in LA.  I've never met her but she once volunteered as a magical Film Experience elf to give us a few articles direct from the Cannes Festival (this year's lineup is announced very soon, so stay tuned). So let's start there.

Nathaniel: How did your Cannes journey come out? What's your favorite memory from it?
JAMIE: I had the privilege of attending twice (2008, 2009) through my university. Unlike many college programs, our mandate was simply to see as many films as possible. Simply getting to worship at the altar of film that frequently over the course of two weeks is irreplaceable.

My favorite memory was not seeing one of the many award-winners or much-hyped titles, but rather attending the world premiere of the restored print of The Red Shoes. Martin Scorsese and Thelma Schoonmaker hosted the screening, and hearing Scorsese talk at length about the passion the film inspired within him, as well as Thelma's relationship with Powell, made me feel like I was part of some exclusive club of cinephiles. I ended up having to miss the premiere of Precious to attend, a decision that bewildered my fellow festival-goers, but it was so worth it. I had never before seen The Red Shoes and seeing it in that environment was almost a holy experience.

                           

A holy experience.

First movie? First movie obsession?
I do not remember my first movie (for shame), and I had a lot of strange obsessions when I was younger. Due to my father's job, we always had access to all of the premium cable and pay per view channels, so I would just re-watch the films I loved on some type of continuous loop until I could move on. That's why I still know all of the dialogue to Selena.

However, my first informed obsessions came toward the end of my high school career. I impulsively bought a Miramax Best Picture DVD set that included The English Patient and Shakespeare in Love. I fell madly in love with each of the films and became obsessed with the narratives that emerged around them and their unfairly maligned legacies. It's when I first became aware of the many intricacies and politics of Oscar season. The films fostered an obsession with Harvey Weinstein and Miramax that eventually led to my first film internship, my honors thesis, and my current not-allowed-to-talk-about job.

Which current director are you rooting for in a big way in the next few years?
Lone Scherfig earned my eternal devotion with An Education. I think she has the potential to become a vital, female commercial directing voice. I don't usually root for the directors I love to sell out, but I think we need more ladies working within the studios. And Armando Ianucci made me laugh harder than I feel comfortable admitting with In the Loop. I love that he doesn't treat politics as sacrosanct and doesn't allow the humor to get in the way of making a resonant point.

Tell us about the biopic of your life. Who will it star, etcetera?
I will have to anger the movie gods and instead opt for a television series. I want Paul Feig and Judd Apatow to create an updated version of Freaks and Geeks based on my high school experience, still starring the lovely Linda Cardellini. The one thing that always bothered me about that show was that Lindsey was forced to choose between being completely straight-laced with Millie and the mathletes or a burn-out with the freaks. I too went to a suburban public high school rife with the usual parties and drama, but it was also extremely competitive and the popular kids were amongst the highest achieving. I'd love to see someone meaningfully tackle the intricacies of being a seemingly "normal" but hyper-ambitious teen still negotiating the pain and angst of growing up.

Freaks and Geeks is so genius. It takes place in a Michigan High School and name-checks places we actually went while in high school in Michigan. The clothes, the language, the "types" ... everything brings back memories -- more than any other movie or high school set show ever has for me. The show reminds me of my sister (although we were far enough apart in age that we didn't actually go to high school together like the brother / sister in the show) and all my Michigan friends so I ♥ it so hard. I really do.

Oops BIG TANGENT! Ok. Let's wrap up. Your favorite movie in the following 5 genres: musical, drama, romance, Woody Allen, and last year (yes, "last year" is a genre). Go.
Due to some unknown childhood trauma, I've always been wary of traditional musicals but I absolutely love All That Jazz and Dancer in the Dark. Regarding the former, the recent news about Bryan Singer directing a Fosse biopic infuriated me. What can any biopic reveal that All that Jazz didn't already cover? 

Network is my all-time favorite film, so it easily takes the drama category. As much as I tired of Aaron Sorkin's tear through Oscar season, I couldn't help but smile at every Paddy Chayefsky reference. Romance: Before Sunset. Even though I think it's Woody Allen's least favorite, I adore Hannah and Her Sisters. The "not even the rain has such small hands" moves me every time I see it. Having said that, I was raised on Woody Allen films and would jump at the opportunity to watch any of them at the slightest notice.

Finally, despite my previous Sorkin slight, The Social Network was by far my favorite last year. It felt like one of those special movies made just for me.