One For Them, One For Me - Emma Thompson's 1994-95

A series by Christopher James

Emma Thompson's output between 1994 and 1995 couldn't be more different.

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.

— Martin Scorsese: A Journey

Emma Thompson was on a pretty incredible run in the early 90s. Following her Best Actress win in 1992 for Howard’s End, Thompson had a consistent streak of great films. In 1993, she received two acting nominations for her work in The Remains of the Day and In the Name of the Father. On top of that, she was delightful in the critically lauded Peter’s Friends and Much Ado About Nothing (the latter perhaps the hottest film of the 90s). By 1995, she would win her second Oscar for Sense and Sensibility in the Adapted Screenplay category. Every track record is bound to have a blemish. Sandwiched in between Merchant & Ivory and Ang Lee is Ivan Reitman’s infamous Junior, better known as the movie where Arnold Schwarzenegger gets pregnant.

Was starring in an Arnold Schwarzenegger comedy the means to the end of getting her passion project made?

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Judy Garland @ 100: "The Clock"

by Eurocheese

After the milestone of her smash hit Meet Me in St. Louis, having proved herself as a now adult leading lady, where would Judy head next? She decided to build up her acting cred with her first purely dramatic role in The Clock, a romance wherein Garland’s character Alice falls for a soldier on leave in New York City. It’s not surprising that audiences at the time were expecting her to sing (she always had before), especially since the music swells in several moments as if she's about to do so. Despite the lack of songs, critics at the time appreciated the film's sweet tone and it's hard not to get swept up in the couple’s earnest romance.

Garland had struggled with addiction for years, but as she fought to maintain her weight and supported co-star Robert Walker as he drank his way through his deteriorating marriage, her addiction grew...

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Hit Me With Your Best Shot: Yentl (1983) and Ex Machina (2014)

In Hit Me With Your Best Shot we choose a favourite images from selected films. Click on the images herein to be taken to the corresponding article from the participants.

Bronze - a star very much in control of her own image and its various crescendos into iconography

by Nathaniel R

Is there any generation that was so deprived of the movie musical as Generation X? The eighties and nineties were so bereft of live action musicals that whenever one did arrive it felt like both an anachronism and an event. Yentl (1983), as it turns out, still feels like both...

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Review: "Watcher"

by Matt St Clair

With her feature debut Watcher, director Chloe Okuno offers up a simple but discomfitting concept. What if you felt a stranger was watching your every move? The concept alone feels paralyzing thanks to its proximity to every day fears. If you’re so much as going on a simple park stroll, the sense that the person walking behind you is following your footsteps, whether or not they actually are, is terrifying.

For protagonist Julia (Maika Monroe), those kinds of anxieties are only amplified by her physical and mental solitude...

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Doc Corner: Karim Ainouz's 'Mariner of the Mountains'

By Glenn Dunks

The journey from Africa to Europe has been seen many times on screen in both documentary and fiction. Mariner of the Mountains, now available on streaming after screening at last year's Cannes Film Festival, begins with a journey in the opposite direction. Far less common and shown here being committed in relative luxury compared to the dangerous refugee boats often equated with cross-continental Mediterranean journeys.

Director Karim Aïnouz is familiar to some audiences for his films like Invisible Life and Futuro Beach that span continents and the way we often go looking for something somewhere else and don’t find it. Or struggle to. Or aren’t sure what it was they were looking for at all...

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