Sundance: The relaxed dramedy of 'Am I OK?'

by Matt St Clair

Films like Am I Ok?, are something of a relief. The new joint directorial effort from Tig Notaro and Stephanie Allyne dispels the myth that we must have our entire life path figured out by the time 30 hits. Your chosen career, who you want to marry, etcetra. 30 may be a milestone, but you've still got plenty of time to find yourself. 

As 32-year old Lucy (Dakota Johnson) discovers, some people even figure out who they want to love later than expected...

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Sundance: Aubrey Plaza shines as 'Emily the Criminal'

By Ben Miller

Comedic actors turning to serious drama is nothing new, but the sardonic stylings of Aubrey Plaza are perfectly utilized in the grim Sundance offering Emily the Criminal, the feature fiilm debut from John Patrick Ford...

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Interview: Edu Grau on "Passing", queer cinema, and first time filmmakers

by Nathaniel R

Black and white photography has been the hot trend this past year. Despite that, the incredibly specific and resonant visuals of Passing have been underdiscussed.  Some of that we attribute to the quiet nature of the film itself; the watchful, perpetually anxious drama focuses on Irene (a splendid Tessa Thomson) a woman in 1920s Harlem who is shocked to discover that her childhood friend Clare (brilliant Ruth Negga) is living as a white woman, and not just "passing" but boastful about her subterfuge and marriage to a proud racist (Alexander Skarsgård).

We were thrilled to meet with the cinematographer Edu Grau to discuss his fascinating movie. We broke the ice talking about his changing name in film credits. With a self-deprecating laugh he explained that he went by Eduardo at the beginnign of his career because it sounded more serious but changed his mind. "Only the police use Eduardo," he says laughing "Everyone calls me Edu". There are a lot of Edwards and Eduardos in America, he adds, reasoning "Edu is more special!" The Film Experience agrees and suggests that people should commit the name to memory...

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Review: "The Afterparty" Could've Been More Lit

By: Christopher James

Is Apple TV+'s new comedy "The Afterparty" worth attending? Read on to find out.

High school reunions are nightmares, but they’re nightmares that you can’t miss. Where did your high school crushes end up? What scores do you need to settle with old rivals? Will you murder the famous pop star from your graduating class? Well, hopefully the latter is not on your bucket list.

The new Apple TV+ comedy, The Afterparty, is a fun whodunnit comedy that centers around the murder of a celebrity following his high school reunion...

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Oscar Volley: So many stars, too little shine in the Best Original Song race

Welcome to our Oscar Volley series at The Film Experience. Each day, members of Team Experience will have a conversation about the Oscar categories. Today, Baby Clyde and Josh Bierman tackle the always controversial Best Original Song.

Ariana Grande, Van Morrison, Billie Eilish, Beyoncé

Baby Clyde: Has there ever been such a starry array of contenders with so little to offer? You’d think at least one from a list including Beyonce, U2, Carol King, Van Morrison, Jay Z, Billie Eilish and Brian Wilson would know how to write a good pop song. They’ve previously written some of the greatest of all time! Unfortunately there is an unwritten rule that even the finest tunesmiths turn in absolute garbage when an Academy Award is up for grabs. It’s got to the point where I actually feel bad for Diane Warren...

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