Which shows will be Tony Award nominated next week?

by Patrick Ball

Daniel Craig and Ruth Negga in a modern "Macbeth"

It’s only been 8 months since last year’s long delayed Tony Awards, but it’s time to celebrate the best of The Great White Way once more. This year’s crop represents the first full season since 18 months back when Covid chaos  closed the industry that depends on gathering patrons en masse in close quarters. Though at times it was a bumpy road back to anything approaching normal for Broadway, come Tony season we actually have a pretty robust roster of new shows ready for their turn in the awards season sun.

Nominations will be announced by Tina: The Tina Turner Musical’s Tony Winning Adrienne Warren and Joshua Henry on Monday May 9th. The Tonys will be broadcast live June 12th on CBS and Paramount+ and will be hosted by our newly minted Oscar winner and former Tony nominee Ariana Debose. 

Unlike the Oscars, the Tonys are in a bit of a world unto themselves in the landscape of theater awards...

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Doc Corner: 'Navalny' is the first Oscar contender of '22

By Glenn Dunks

What luck it is to be a filmmaker in the room at such moments of historic opportunity. Canadian director Daniel Roher has made one previous feature, a music bio-doc about The Band, which probably isn’t the sort of bellwether for somebody who is about to capture evidence of the plot to assassinate the political rival of Vladimir Putin. But here we are.

Because of that luck and whatever directorial smarts got him there, Roher and his film Navalny are surely very real contenders for the documentary Oscar, the first such major title of the year.

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Review: 'Doctor Strange in the Multiverse of Madness'

by Nathaniel R

In the recent What If? series on Disney+, which is based on the comic book series of the same name, Marvel's writers could fashion any kind of variation on traditional heroes (and villains) and storylines without any actual consequences for the large familiar canon. Zombie avengers? Sure! Peggy Carter as Captain America? Why not! The What If? series of the 1970s was not quite the beginning of the Multiverse in comics but it was close enough. These thought experiments were always pitched as alternate realities (as opposed to pure fiction) though it took awhile before the effects were felt. The multiverse essentially became a shortcut to any type of retconning any storyteller wanted to do; Contrary to all that dialogue in Loki, Marvel has no "sacred" timeline given all the reversals, resurrections, reboots, and switcheroos. The multiverse virus was even more of an epidemic in DC comics, Marvel's top competitor.

Unfortunately if What If is essentially fan-fiction without the fans, then Doctor Strange in the Multiverse of Madness is arguably stingers without a movie. The latest MCU movie is positively awash in cameos and teases for future installments, resulting in a film that feels very much like an incoherent feature-length mid-credits scene... 

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Cláudio's Best Shot Pick: Spider-Man 2 (2004)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives tomorrow. It's focused on Spider-Man 2. Here's Cláudio's entry.

Before the plague times we're living in, it was my annual tradition to celebrate my birthday by going to the movies. Indeed, way back in 2004, Sam Raimi's Spider-Man 2 was the picture that marked the occasion of my 10th birthday. It was love at first sight. While the first Spidey flick was good, this sequel seemed perfect to my young eyes, and, as the years went by, it soon became something of a platonic ideal for what superhero movies should be but seldom were. And yet, despite all this love, I think I started to take the picture for granted.

Revisiting Spider-Man 2 for the first time since my teen years was a revelation. I also had a blast…

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Review: Season 1 of 'Pachinko'

by Lynn Lee

from 'Pachinko's opening credits. © Apple TV+

Can a country truly be your home if it never fully accepts you?  Can a country still be your homeland if you left behind your life there and have never gone back?  

These questions haunt the lush, sweeping AppleTV+ period drama series Pachinko, which recently concluded its first season.  So far, so universal: the yearning for roots, for a sense of belonging, should resonate with anyone who’s ever been displaced or separated from their family or place of origin.  At the same time, the show – based on the best-selling novel by Min Jin Lee – focuses on a very specific chapter of history that isn’t well known outside of Korea and Japan, yet in many ways echoes the frictions, tensions, and injustices underpinning the history of race and immigration in other countries...

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