Oscar History
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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Best Actress in Miniseries

"A big factor is "are the voters watching the entire season of these shows?" From my bubble everyone watched Big Little Lies and Feud in its entirety - and in real time." - Ellsworth

"I want Kidman to win and I think she probably will unless vote splitting costs her." -Matt

"What excites me most about this category is that the Emmys, unlike the Globes, don't necessarily care who the biggest name is" - Jakey

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Jerome Reybaud Director
(4 Days in France)
Emmanuelle Devos Actress
(Retrospective)
Nicholas Galitzine Actor
(Handsome Devil)
James Ivory Director
(Maurice Restoraton)
Betty Buckley Actress
(Split)

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Tuesday
Apr122016

Tuesday Top Ten: 1985 Favorites! 

Because we'll be seeing what various cinephiles around the web think of Peter Weir's Witness for "Best Shot" tonight here's an entirely rando top ten list of 1985, direct from my brain. Or, rather, from web archives or my brain. Which means it's an unholy amalgam of things I loved when I was young and things I love now after many watches over the years and things I possibly would only love ironically now because I loved them when I was young. 

1985 silliness after the jump...

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Tuesday
Apr122016

April Foolish Predictions. What will be up for Best Picture?

It's that time of year when we Sally Streep forth to venture into brand new Oscar charts. Before I get in TOO deep into the 20+ charts, I trust that you'll let me know which imminently forthcoming pictures you heartily believe in I have totally forgotten about.

some best picture possibilities

 

Currently I am feel cautiously bullish on the following traditional Oscar efforst (i.e. those that with big themes / pedigree / period trappings: Fences, Birth of a Nation and Silence (though I bet the latter is all in or nothing).  I'm far more riskily "let's do this!" optimistic about a non-traditional hopefull La La Land (contemporary musical). And under the banner of 'directors Oscar hasn't yet noticed but could at some point' let's put our eggs in the baskets of Jeff Nichols (Loving), Denis Vllieneuve (Story of Your Life), and Garth Davis (Lion). Davis has never made a feature but he did co-direct the TV mini Top of the Lake and that was a-ma-zing. 

Titles that confuse me for various reasons are Story of Your Life (i'm opting to guess well received) and Passengers (i'm opting to guess close but no cigar) because they're sci-fi dramas for adults. Sci-fi is such a tricky drama to pull off well and Oscar can be so "ewww" about it. On the other hand sometimes they sit up all "ooooooh" as with Gravity. I kept both World War II pictures (Five Seconds of Silence, and The Zookeeper's Wife) outside the predicted 10 primarily because I couldn't decide between them without any real footage yet.

THE CHART

Viggo Mortensen in Captain Fantastic

P.S. Titles I'm personally obsessed with seeing that I'm not really thinking about in terms of Best Picture because I don't want to make myself crazy from wishful thinking including Captain Fantastic (Viggo Mortensen forever... and he deserves a great comeback movie), Mike Mills 20th Century Women (The Bening), Beat-Up Little Seagull (the return of La Pfeiffer), and United Kingdom because I so want Rosamund Pike's to really capitalize on the Gone Girl breakthrough.

You?

 

Tuesday
Apr122016

Doc Corner: IMAX in the Age of VOD

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we take a look at IMAX and question why such a documentary-friendly medium hasn't taken advantage of the marketplace.

A funny thing happened in the arthouse cinemas across my home country of Australia this weekend: Aleksandr Sokurov’s Russian Ark was re-released into theatres. It had been a hit in 2002, but it’s still odd to see a 14-year-old Russian art film pop up around the nation for no other reason than, I suspect, to throw some (very elegant and aristocratic) shade at the recently-released Victoria.

I bring this up because I recently visited my local IMAX. The proper IMAX with screens that stands as tall as multi-storey buildings, and not whatever fauxMAX imitations have popped up across American multiplexes. [more...]

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Tuesday
Apr122016

Happy 100th: Why Doesn't Movita Have a Biopic? 

Today is the Centennial of the Mexican American actress Movita, who was born as Maria Luisa Castaneda but renamed Movita by MGM because the name sounded Polynesian to them. Well maybe it's her centennial. She claims the studio fudged with her age to make her older for legal reasons. She's surely best remembered today as "Tehani" one of two young island beauties (the other being "Maimiti" played by Mamo Clark) that got entangled in all that Mutinous Best Picture business on the Bounty back in 1935 (if you know what I mean).

Movita went on to international fame and married two famous masculine hunks, first the boxer Jack Doyle and then superstar Marlon Brando (quite atypically she was an "older woman" marrying a young superstar) so we're guessing she had a type...

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Tuesday
Apr122016

Ask Nathaniel 

Time for another Q&A. Ask away in the comments and I'll choose 10 to answer tomorrow evening. Let's have a loose animal theme this week. Between my ongoing sick cat drama at home and the movies (jungle book coming soon) we're feeling zoological.

Programming note: Requested Crimes and Misdemeanors (1989) revisit will happen April 20th. Sorry for delay.

Previously on: If you're like "what's this Q&A business?" catch up on recent Q&As 

Monday
Apr112016

April Showers: Antonio Banderas in "Law of Desire"

In April Showers, Team TFE looks at our favorite waterlogged moments in the movies. Here's Manuel on Law of Desire (1987).

 

Almodóvar is the air again due to Chus Lampreave's passing and his latest, Julieta getting solid reviews (his best since Volver). And since April is “Actor Month” here at TFE let's kill two birds with one stone by looking at a small scene featuring Antonio Banderas and Eusebio Poncela from the 1987 classic Law of Desire.

The film centers on Antonio (Banderas) and his obsessive fixation with a gay film director (Poncela). After stalking him and eventually roping his way into his life, Antonio settles on trying to shape Pablo after his own image. First, he fixes some things around Pablo’s messy apartment, including some tiles in his shower, and then, the next day he takes it upon himself to set some sort of routine for them.

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