The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Nicole Kidman on Stage

"Any chance this transfers to broadway I wonder?" - Joseph

"As a long term Kidmaniac, this is just the type of comeback I was hoping for." - allaboutmymovies


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boy, you should know what you're linking for ♫

AV Club Sad Keanu Doll 
Empire JJ Abrams on the secrecy of his Star Wars sequels
Empire 25 different covers celebrating X-Men: Days of Future Past. I hate the cinematic interpretation of Quicksilver already... but they never do right by my favorite characters (see also Storm). And I didn't realize Sunspot was in this but they cast a Mexican actor to play an African-Brazilian? 
Playbill Brokeback Mountain: The Opera debuts today in Madrid

US Magazine Charlize Theron & Sean Penn holding hands. The rumors are true. So that's a good excuse to relisten to...
That Film Experience Podcast in which we fantasized about same-year Oscar couples
Variety The Great Gatsby sweeps the technical prizes at the first half of the Australian Oscars. They announce the headline categories Thursday
Guardian Johnny Depp receiving an award from the Make-Up Artists and Hair Stylists Guild 

Post Script Sundance Sales
Ah, Sundance. My wrap up index post is coming late tonight but I enjoyed reading Vulture's takeaways and loved talking up the Sundance favorites with Guy Lodge on the podcast. I was also reading this piece about the non-spectular but steady sales at Sundance and a list of titles from the festival which now have distributors via Sound on Sight and I found both frustrating. I don't know if the latter list is 100% accurate (it's tough to keep track and did they ignore pre-sold films? If you know of a 100% complete list let me know) but it's frustrating. Only 20 deals were made? So naturally the great majority of films didn't sell. Some of them have easily saleable elements -- like oh, Anne Hathaway! --and in some cases are much stronger than some on the films that sold. I'm aware that in this day and age of DIY  distribution, VOD, and [insert latest trend here] not selling to a major distributor is not a death knell, just as being picked up is not always a godsend (some films that have distribution curiously never make it to screens or arrive years later when the buzz has gone ice cold). The three films I most wish had been picked up are:

  • Blind -Norwegian films rarely make a dent at the arthouse but it's so good
  • A Girl Walks Home Alone at Night -Glenn loved it and it sounds like a must-see curio
  • Appropriate Behavior -in the comic subgenre of sexually impulsive twentysomething New York lady in a tailspin it's superior to Obvious Child which did sell.

Exit Music
Here's Vin Diesel dancing to Katy Perry (!) and grabbing his crotch a lot. Two things that are worth doing when one tops
                the dvd charts.

He would be in big trouble if he was asked to "lipsynch for your life"... but wouldn't he be an awesome guest on RuPaul's Drag Race? Make it happen, Ru. 


We Can't Wait #8: Nymphomaniac

In the We Can't Wait series we're looking at our top 14 most exciting film prospects for 2014. Previously we've covered BoyhoodBig EyesThe Last 5 Years, Gone Girl , Can a Song Save Your Life and Veronica Mars plus movies that just missed the cutHere's Dave on Lars von Trier's latest which had a successful "surprise" screening (half of it at least) at Sundance this year. -Editor

Agent provocateur Lars Von Trier takes us on an epic journey through the sexual history of Joe, a middle-aged, self-diagnosed nymphomaniac.

Click to read more ...


Sundance: Horror Comedies Shine with 'Cooties' and 'In the Shadows'

Our Sundance Film Festival coverage continues with Glenn Dunks on two of the festival's midnight movies.

Horror comedies can be so tricky sometimes. Is the film a horror movie with comedy or a comedy with horror elements? It might sound like semantics, but I feel it’s the difference, for instance, between Scream and Shaun of the Dead, both of which are excellent examples of the tight rope act that is the horror comedy genre mash-up. They knew exactly what they were doing and ultimately work as both a horror and a comedy without forgoing one half or the other. Cabin in the Woods, on the other hand, by all rights should have been a smart and scary horror movie, but instead lacked the tension that its jokes should have been buffering. It’s a tricky minefield to manoeuvre, but when it goes right the results can be fantastic. 

ravenous pre-teens and vampires after the jump...

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Interview: Joanna Scanlan on 'The Invisible Woman' and Working with Icons

Photo via Beige PlusThere's a wonderful little moment in Notes on a Scandal (2006) in which a well meaning but unwelcome teacher by the name of Sue Hodge advises her fellow schoolteachers (played by Dami Judi Dench and Cate Blanchett), who are struggling with their students to "concern yourself with the gems". I'm shamelessly borrowing that line right now to talk about the British actress who utters it, because she is one.

Joanna Scanlan co-wrote and starred in the BBC series Getting On (now enjoying an American remake) and has played witches, nurses, schoolteachers, and more yet she's largely unknown to American audiences. She's got her best cinematic showcase yet in The Invisible Woman as Catherine Dickens, the neglected depressed wife of the famous writer Charles Dickens (Ralph Fiennes). Her husband may neglect her and the Oscar conversation did, too (despite its ostensible purpose being to, well, concern itself with the gems) so we're picking up their slack.

She's remarkable in the movie and though the title does not literally refer to her character, we like to think it has a double meaning. The movie business is not a meritocracy but it there's any justice Joanna Scanlan won't be an 'invisible woman' much longer but will be popping up in more roles worthy of her. I eagerly telephoned her to discuss her role in this Oscar nominated picture (Best Costume Design) and her nifty habit of acting opposite true icons like Dench, Fiennes, Pfeiffer, and Blanchett. 

Our conversation is after the jump...

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Podcast: Sundance Debrief and DGA Reactions

On this week's special cross-country podcast recorded live from Utah, Nathaniel welcomes back Katey Rich in New York, Nick Davis in Chicago, and special guest Guy Lodge, also in Chicago en route to London. Guy and Nathaniel share their Sundance favorites, the chief crossover being Richard Linklater's Boyhood

Other Topics include: The Producers Guild of America and Directors Guild winners and what that might mean for 12 Years a Slave and Gravity come Oscar night, categories where we'd enjoy ties on Oscar night, and favorite "overheard" bits in movie theater lines regarding Dallas Buyers Club and Philomena

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments! 

Which tie would you love to see this year?

Sundance Debrief and Oscar Ties


Sundance: 'Calvary' is a Powerful Showcase for Brendan Gleeson

Our Sundance Film Festival coverage continues with Michael Cusumano on "Calvary".  

John Michael McDonagh’s Calvary gives the audience ample time to consider the screen presence of Brendan Gleeson. He is an invaluable actor; able to convey complete integrity side-by-side with a world-weariness that suggests nothing anyone says could possibly shock him. It’s a quality Calvary puts to good use. In its opening scene, Gleeson, playing small town Irish priest Father James, is taking confession when the man on the other side of the screen informs him that he spent years being abused by a Catholic priest and that he intends to murder Gleeson as symbolic punishment for the crimes of the Church. [more...]

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Happy Birthday Amadeus!

Today is the 258th birthday of Wolfgang Amadeus Mozart. Of course he didn't live to see 258 (unless there's a vampire Mozart creeping around), dying an ignoble pauper's burial death at 35 despite a lifetime's worth of legendary brilliant compositions already behind him. Remember how great Amadeus (1984) was back when the biopic genre still produced huge quality epics? Remember when The Academy understood that movies could have two leads of the same gender? [More...]

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