The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Wednesday, March 16, 2022 at 11:39PM 
• THR talks to Michelle Yeoh about her new film Everything Everywhere All At Once. Great 'meeting Tarantino' story and now I wish they'd have worked together
• AV Club our era of famous faces being paid lots of money for those faces to be buried / unrecognizable under prosthetics continues with Sean Penn in a Watergate thriller
Vanessa Bayer, Ewan McGregor, Anne Hathaway, and more after the jump...
Wednesday, March 16, 2022 at 8:43PM A new season of the Supporting Actress Smackdown is upon us. We'll begin with the current season, honoring the films of 2021.
So email your votes ranking each nominated Supporting Actress performance on a scale of 1 (poor) to 5 (perfection) by this Sunday March 20th. Your votes will count toward the final outcome. Now, let's meet your fellow voters who we'll be chatting with you on the podcast.
Smackdown, film critics Wednesday, March 16, 2022 at 10:30AM We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their careers.
Sometimes, a film is so great that it robs you of words, leaves you speechless, struck dumb with awe. It's been a bit over two years since I've started writing for The Film Experience and, in that time, it's been a privilege to write about some of the best works of cinema I've ever seen. Ingmar Bergman's Persona tops them all and, when facing its wonder, it's hard to articulate anything. Perhaps no other film has been as tirelessly examined in the history of criticism, making it impossible to bring anything new to the discussion. And yet, it remains mysterious, as beguilingly unknowable as when it premiered in 1966. To try and write about it is a maddening exercise.
Even so, a celebration of Liv Ullmann wouldn't be complete without mentioning the first work in the artistic collaboration that forged her legend, that's at the center of her legacy…
Honorary Oscars, Ingmar Bergman, Liv Ullmann, Persona Wednesday, March 16, 2022 at 8:36AM 
Just as Patton Oswalt was a draw for another SXSW film, I Love My Dad, actress Rose Byrne getting top billing in a movie about a Dolly Parton impersonator was also an appeal. Seeing a photo of Byrne as Elvis only made it more intriguing. But this is a classic example of a bait-and-switch, albeit a productive and satisfying one, since Byrne has almost no lines and barely even appears in the film. Instead, this is a story of an Australian woman yearning to find herself who does so through her undying love for the popular country star…
Tuesday, March 15, 2022 at 4:21PM Team Experience is discussing the various Oscar categories. Here's Cláudio Alves, Nick Davis, Ben Miller, and Eurocheese discussing the Best Cinematography race.
CLÁUDIO ALVES: From an aged future that looks like the ancient past to a black-and-white nightmare of Expressionistic Shakespeare, from digital polish to a rainbow of 35mm lens flares, the Best Cinematography Oscar race presents a cornucopia of varied visual strategies. However, to celebrate this category for variety feels somewhat disingenuous this year. For the first time since the color and black-and-white categories merged in 1967, the Cinematography ballot looks identical to the Production Design one. Even though voted on by separate branches, these lineups' sameness speaks to a broader problem – how the Academy feels increasingly resistant to expand its interest beyond a select group of pictures each season…
