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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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"Williams was the best thing about I Feel Pretty. So now we know she can do comedy well, too." - RDF

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Friday
Nov042016

Posterized: Jeff Nichols

With the romantic civil rights drama Loving opening in limited release today let's survey the short career (thus far) of writer/director Jeff Nichols. He turns 38 in a month but he's already made 5 pictures. With each subsequent effort pictures he seems to edge a wee bit closer to mainstream awareness and already has critics in his corner. The Oscar attention that will likely hit Loving, which focuses on Richard (Joel Edgerton) and Mildred Loving (Ruth Negga) and their battles with Virginia's anti-miscegenation laws, will be a major step in that direction. None of his films to date have received an Oscar nomination of any kind though they've been in the "best of year" conversations.

How many of his films have you seen?


Shotgun Stories (2007) - Spirit Award John Cassavettes Nominee
Take Shelter (2011) -5 Spirit Award nominations with 1 win, Gotham Nominations for Feature & Ensemble
Mud (2013) - Spirit Award Best Direction Nomination, Robert Altman Award Win
Midnight Special (2016) 
Loving (2016) - Gotham Nominations for Best Actor and Best Actress

Fun Trivia Note: Michael Shannon has appeared in every single one of the director's films. In Loving though he only has a bit role as a magazine photographer who takes famous photos of the couple at home which raises their profile nationally.

Friday
Nov042016

Tweetweek: ABBA in a White Room, Carrie Gifs, 1999 Supporting Actress

In today's tweetweek, the 1999 supporting actress race, mindy project A+ joke, ABBA, Lindsay Lohan's new accent, and the last few days of political anxiety (in this phase at least). It's all after the jump...

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Friday
Nov042016

Wake up unashamed!

The weekend is beginning so have fun. Since today is BUtterfield 8's 56th anniversary, let Liz's "Gloria Wandrous" be your spirit guide. Whatever you're planning for tonight, wake up unashamed tomorrow!

More On this Day in Showbiz History goodies after the jump

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Friday
Nov042016

"Wonder Woman" Gets More Promising

Chris here. Among the seemingly endless barrage of horrors, 2016 has also been the year that gave us two DC filmic trainwrecks. Next year however Warner Bros. will be able to turn that around in equal measure with Wonder Woman and Justice League (and, oh yeah, The LEGO Batman Movie). While we're less optimistic about Justice League, the goods on Wonder Woman keep getting better and better.

These new posters send clear strong messages to the fanboy hoardes ready to trash a female superhero picture. Maybe we'll even get more in this series with the captions YAAAS, QUEEN, and SLAY. For my money, we have enough "power" and "courage" at the movies, but Woman just might make good on that "wonder" promise. Check out the new trailer below...

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Thursday
Nov032016

Cecil B DeMille 4 Meryl Streep

by Nathaniel R

For those craving their dose of La Streep this awards season, rest easy: even if she isn't Oscar nominated for Florence Foster Jenkins in an already highly competitive Best Actress race, she'll at least grace the Golden Globes. She's a shoo-in for a Best Actress in a Comedy or Musical category for her off-key diva and she'll also be this year's Cecil B DeMille Honoree. Remember that every year at some point during the broadcast they stop handing out awards and celebrate a whole career with clips and speeches. On Sunday January 8th, 2017, that section of the night belongs to Meryl...

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Thursday
Nov032016

Review: "Hacksaw Ridge"

by Chris Feil

Caught between championing pacifism and luxuriating in brutality, Hacksaw Ridge struggles to have it both ways. Telling the story of WWII medic Desmond T. Doss (Andrew Garfield), America’s first conscientious objector (a soldier refusing to bear arms) who rescued over seventy soldiers in a single night. What plays out is part old-fashioned star vehicle for Garfield and part survival epic.

The film is as bloodthirsty as Mel Gibson’s other directorial efforts despite Doss’s message at the center. There is more fascination in the multitude of ways military bodies can be destroyed than Doss’s moral stance against that very violence - Gibson’s gaze is never more invigorated than when someone is brutalized. While the third act could simply be presented as the grim reality of war, it is instead an aimless fetishizing of bloodshed. This won’t come as a surprise to the dissenters of Gibson’s filmography, but the habit is perhaps more glaring given it is directly at odds with the material. The taste level is questionable and the subject gets lost.

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