Michael C here. Wes Anderson’s films haven’t been ignored by awards season in the past, so much as they have been relegated to flitting around the edges. His films have received three total Oscar nods, two for Original Screenplay for Royal Tenenbaums and Moonrise Kingdom and one animated film nod for Mr. Fox. His most high profile wins have been a Gotham Award for Best Film for Moonrise and two Indie Spirit wins for Rushmore for Best Director and for Best Supporting Actor for Bill Murray who is in nearly all of his films.
Now that has all changed with Grand Budapest Hotel. No longer the strange side dish, Anderson’s nostalgic remembrance of a Europe that never quite existed has just finished a rampage through the precursors that culminated with Anderson’s first DGA nomination. Over the past few weeks buzz for Budapest grew steadily from “It might pick up a few nods” to “It looks like a lock for a Best Picture slot” to “Hey, it just might snatch the screenplay Oscar away from Birdman”. And today, incredibly, it LEADS the Oscar nominations with nine (tied with Birdman)
For those of us who have been on board with Anderson since the 90’s and have grown used to Anderson being underappreciated it’s hard not to wonder what exactly has changed. Why did Wes break through now when his films have been as good or better in the past?