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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Mar042022

Doc Corner: Keith Maitland's 'Dear Mr. Brody'

By Glenn Dunks

Sometimes it is those brief moments in history that can offer the greatest glimpse at the changing state of a nation. Keith Maitland does just that with the story of Michael Brody Jr., a blip on the radar of pop culture by today’s standards, but who in 1970 at the age of 21—a self-proclaimed hippie millionaire, the heir to a large margarine fortune—caused pandemonium when he declared his intentions to give away his entire wealth to anybody who asked for it...

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Thursday
Mar032022

Hit Me With Your Best Shot: 'The Conversation'

by Nathaniel R

a wonderful 'establishing shot' not of a building but of a man (Gene Hackman), his targets (in photographs), and the tools of his trade.

Francis Ford Coppola's The Conversation (1974)  is nothing if not elusive. So many of the images in this paranoid mystery are obstructed. Coppola and the cinematographer Bill Butler are continually adjusting focus and searching for the subject and his targets. The protagonist, an 'unreliable narrator' type albeit without the narration, is Harry Caul (Gene Hackman, brilliant) and he's often hiding in the corner of frames, or with his back turned to us. The film begins with a full circle, as Harry is spying on a man and a woman as they walk around a city park. For what reason we do not yet know and might never know. Though we see his targets frequently, there are constant visual interruptions from trees and people and their own movements. We understand this to be Harry's view, figuratively if not literally, since people can't move like a crane shot or zoom in for a closeup...

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Thursday
Mar032022

Review: Sebastian Stan devours horror-romance 'Fresh'

by Matt St Clair

The new horror/romance hybrid Fresh chiefly functions as a viable kidnapping thriller that still  gets one thing right about our modern dating scene. It can be a literal terror show. It’s especially horrifying in our era of dating apps. The constant hoping for a companion as you keep sending messages saying “Hello” that get no response can make you wonder if people read the actual profile. It’s easy to judge a book by its cover and message someone based on how they look in their photo. But do people bother to read our bios for a better idea on what we might be like? 

As Noa (Daisy Edgar-Jones) finds out the hard way, meeting people in real life can be just as rough...

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Wednesday
Mar022022

Linkers Dozen

three must reads
Blood Knife "Everyone is beautiful and no one is horny." Excellent article about the weird symmetry of the perfection of the body and the desexualization of cinema
Thrillist Chris Feil suggests Oscars clips for this year's acting nominees
The Ringer "Robert Pattinson has been lying to you for years" investigating the actors self-mythologizing interviews

Sam Elliott mouths off, the cast of Oppenheimer, a restoration of Alligator, Stephen King's next book, and more after the jump...

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Wednesday
Mar022022

Who's That Girl ...who will be playing Madonna?

by Nathaniel R

Garner, Ferreira, Sweeney, Leon, and Pugh

As we've known for some time Madonna is writing and directing her own biopic. It's inching closer to production with casting and audition rumors. Word has it that Euphoria's Sydney Sweeney and Sky Ferreira have auditioned for the leading role as well. Earlier rumors suggested the role was going to either Oscar nominee Florence Pugh or Emmy winner Julia Garner. Some online gossip suggested Lourdes Léon, Madonna's eldest, might even be in the mix though we think that's just the internet internetting...

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