NOW PLAYING

in theaters



new on DVD/BluRay


review index

HOT TOPICS



Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast

 

Can Shelley Duvall keep it together long enough to win THE SHINING poll ? Have you voted yet?

 

Comment Fun

COMMENT DU JOUR
Birdman's Secret Advantage
Oscar Loves Theater Stage Movies

 

"My favorite movie about the theater is ALL ABOUT EVE, but then again that movie is my favorite movie about everything about movies and love and lust and life itself." - Jay

"TOPSY-TURVY perfectly captures the feeling of imminent failure that you get when you're in rehearsals." - Peggy

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe
Sunday
Oct192014

Box Office: Fury Attacks with a Tank Full of Gas

Amir here, reporting to box office duty. America finally flocked to the theatres to quench its months-long thirst for knowledge: just what the hell is Brad Pitt’s hair cut about? Most of you have surely found out by now, but I have to wait until Tuesday to see Fury, because my favourite actor present or not, I’m just not willing to spend more than the $7 for ticket plus popcorn deal on a war movie in a tank.

What did you see this weekend? Let us know in the comments how you liked it.

TOP TEN WIDE
01 FURY $23.5 NEW
02 GONE GIRL $17.8  (cum. $107)  Jason's Review
03 THE BOOK OF LIFE $17 NEW Interview
04 ALEXANDER AND THE... $12 (cum. $36.8)
05 THE BEST OF ME $10.2  NEW
06 DRACULA UNTOLD $9.8 (cum. $40.7) 
07 THE JUDGE $7.9 (cum. $26.8)
08 ANNABELLE $7.9 (cum. $74.1)
09 THE EQUALIZER $5.4 (cum. $89.1)
10 THE MAZE RUNNER $4.5 (cum. $90.8) Nathaniel's Review

TOP TEN LIMITED
Excluding Wide Releases Losing Theaters

01 ST. VINCENT $.6 68 theaters (cum. $.8) Michael's Review
02 KILL THE MESSENGER $.4  427 theaters (cum. $1.8)
03 BIRDMAN $.4 4 theaters NEW composer interview | opening night party 
04 DEAR WHITE PEOPLE $.3 11 theaters NEW Michael's Review
05 MEN WOMEN & CHILDREN $.3  608 theaters (cum. $.4)

The weekend’s other wide openings, a Día de Muertos-themed film called The Book of Life and a Nicholas Sparks adaptation The Best of oh, who even cares?, both snuck in the top ten, though critical and public enthusiasm seems rather low. I’m happy for Reel FX bouncing back from the train wreck that was Free Birds, though. Meanwhile, the biggest news of the weekend was the per screen average gross of Birdman, where it ranks among the top 20 of all time.

This year’s best average gross still belongs to Wes Anderson’s Budapest Hotel, but Birdman is the bigger surprise. Anderson is one of a series of active filmmakers whose films always pull the same trick, opening on a few screens to massive numbers before expansion – his namesake P. T. Anderson and Woody Allen always do the same to great degrees of success. Yet, for Birdman to pull of similar numbers is genuinely surprising. My guess is that the film’s appeal remains limited outside of the major markets, but I reserve the right to retroactively edit this prediction out if the film does well.

Other films of note opening this weekend: Listen Up Philip, Dear White People, and The Tale of the Princess Kaguya, a film I have surprisingly thought about so often since TIFF that it has forced itself into my top 10 of the year. Go see it! It’s magical.  

Sunday
Oct192014

Podcast Leftover Pt. 2

Here's part two of our long delayed festival wrap in which we discuss favorites, celebrity run-ins and hilarious Q&A anecdotes. Enjoy the conversation with Nick Davis, Nathaniel R, and special guests Angelo Muredda and Amir Soltani and continue it in the comments

Discussion includes but is not limited to:

  • It Follows
  • Felicity Jones, Mike Leigh, and Viggo Mortensen
  • Documentary greats from Silvered Water to The Look of Silence
  • Iran's Oscar Submission
  • Directors: Mike Leigh, Peter Strickland, Lav Diaz, Jessica Hausner, and Damian Chazelle

You can listen at the bottom of the post or download on iTunes tomorrow

Festival Leftovers. Pt 2

Sunday
Oct192014

Podcast Leftover Chat Pt. 1

Better late than never. Our TIFF coverage, was meant to have this podcast attached shortly thereafter but then NYFF got in the way and before I knew it, NYFF was over. To get us back to your weekly in-the-moment podcasts (resuming next Sunday) here is that delayed convo presented unedited because I just gotta get it up and rejoin the now! Starring: Nick Davis, Nathaniel R, and special guests Angelo Muredda and Amir Soltani as we discuss some festival favorites and flops.

Films discussed include but are not limited to:

  • Two Days One Night
  • Foxcatcher
  • Whiplash
  • Miss Julie
  • Still Alice
  • Silvered Water, Syria Self-Portrait
  • Phoenix
  • Heaven Knows What
  • 99 Homes
  • The Princess of France

You can listen at the bottom of the post or download on iTunes tomorrow. Continue the conversation in the comments. 

TIFF Leftovers Pt. 1

Sunday
Oct192014

Thoughts I Had... The "Big Eyes" Poster

We finally have a poster for Tim Burton's Big Eyes. Herewith some thoughts as they came to me.

• "Visionary Director" would be so much more impressive as a description if it weren't so overused.
• "Big Eyes" could well describe lots of celebrities: Emma Stone, Amanda Seyfried, Marty Feldman*, Heather Graham, Jake Gyllenhaal, Susan Sarandon, Anne Hathaway, Sailor Moon.
• Christoph Waltz and Amy Adams have Normal-Sized Eyes but that will never be a film title. The only person in this cast with gargantuan eyeballs is Krysten Ritter
The tag line is basic but it does cleverly have a double meaning with the last bit "... and everyone bought it" 
• A lot of people seem to be sure that this one won't be a major Oscar player but apart from test screenings (a notoriously unreliable source of info) no one has seen it so it's one of our mystery movies when it comes to the competition this year.
• The Big Eyes team, cast and crew, has been nominated for 37 Oscars and won 7 (most of those for Waltz & Colleen Atwood). 
• Why do they always make ginger movie stars blondes when the movies take place in the 1950s? There were actually more gingers back then statistically. (And I don't want any "Amy Adams isn't a natural ginger!" backtalk in the comments -don't be literal!)
• It's fun that the screenwriters Scott Alexander and Larry Karaszewski get such prominent yellow billing at the bottom. We'll pretend it's a retroactive thank you for Ed Wood (1994) rather than a contractual negotiation! 

*Just wanted to see if you were paying attention

Saturday
Oct182014

Links: Monty, Misty, Michael, More...

Gurus of Gold The new charts. Yes, I need to update the Oscar charts. I'll get started tomorrow!
The Black Maria for his 94th birthday - "Montgomery Clift: The Lost Poet of Omaha"
Serpentine Magazine Pretty Boys & Pathos: The Men of Classic Hollywood
To Be Continued Keith Uhlich on the single takes in American Horror Story, Birdman and Gone Girl
Guardian Scarlett Johansson to star in a live action remake of animated classic Ghost in the Shell 
In Contention let's give Michael Keaton the Oscar

LAFCA will honor Gena Rowlands with their career achievement award this January
CHUD has very mixed feelings on The Book of Life but h-a-t-e-s the soundtrack
The Wrap Actress Misty Upham (Frozen River, August: Osage County) found dead. Initial reports suggest suicide but...
Juliette Lewis (and others who knew her) don't fully believe it and are demanding an investigation
Words & Film thinks St. Vincent is being misrepresented with that dismissive "weepie" brush. But what's wrong with a weepie? 
Deadline Black and White with Kevin Costner & Octavia Spencer to get an Oscar qualifying run
Zap 2 It has a cool feature on three of the freak in American Horror Story: Freakshow 
NPR on Dear White People 

Just 4 Fun
Pointer Pointer another perfect internet time waster
Vulture Anne Rice, Amazon Reviewer 

 

Saturday
Oct182014

Meet the Contenders: Emma Stone "Birdman"

Each weekend a profile on a just-opened Oscar contender. Here's abstew on this weekend's new release, BIRDMAN which is marvelous as previously noted.

Emma Stone as Sam Thomson in Birdman (or The Unexpected Virtue of Ignorance) Best Supporting Actress

Born: Emily Jean Stone was born November 6, 1988 in Scottsdale, Arizona

The Role: Known for his sprawling (and epically depressing) Oscar-nominated films (21 Grams, Babel, Biutiful), writer/director Alejandro González Iñárritu tries his hand at a more comedic film with Birdman. Don't worry, it may have laugh-out-loud humor, but it's still as satirical, dark, and complex as we would expect from the filmmaker. The film centers on a movie star, Riggan Thomson, most famous for playing a costumed superhero (played by Best Actor contender Michael Keaton) that attempts to revive his career by mounting a play on Broadway. Stone plays his resentful daughter, who was recently released from rehab and now works as her father's personal assistant. She also forms an unlikely bond with the play's egotistical leading man (Best Supporting Actor contender Edward Norton).

Previous Brushes with Oscar and more after the jump...

Click to read more ...

Saturday
Oct182014

Foreign Oscar Watch: White God

With London and Chicago Fests ongoing, a few reports from each to cover more Oscar Submissions for Best Foreign Language Film. Here's our London friend David on Hungary's Oscar submission.

Let me start off, if you'll forgive me, by citing that oldest and meanest of acting adages: the one about never working with children or animals. That seems to be in the heads of every adult we see on-screen in White God, for every single one of them, without exception, treats an animal or a child badly in one way or another. Fortunately for the audience, the film is on their side. Violently so; be mean to a dog in White God and you'll be lucky if you don't get your bloody throat ripped out.

After a prelude in which Lili (Zsófia Psotta) is pursued through a deserted city by a hoard of dogs in what can only be described as a scene from the dogocalypse, we flashback to see what brought the poor girl to this point. Her mother's off abroad for three months, so Lili is being unloaded on her father, Daniel (Sandor Zsoter), a much older man whom neither woman seems to have a particularly sparkling relationship with. He certainly doesn't have much time for Lili, and even less for her beloved dog, Hagen; after a visit from the authorities demanding he pay the requisite fees for a mixed-breed dog, Dad abandons Hagen on the side of a road.

Cue the swelling orchestral score as the devoted mutt bounds hopelessly after Lili's weeping face, and we're left wondering if this is a Hungarian remake of Homeward Bound. Before long, an adorably bedraggled canine sidekick latches onto Hagen, and their escapades eluding the dog catchers could have come straight from the annals of Disney animation. The Hungarian streets of White Godare a shade harsher, and just as Daniel's financial restraints have depleted his compassion, so Hagen finds himself in even more degraded climbs, sold to a man looking for a return to the dog fighting ring; 'this one's still got a heart' the man says, before proceeding to grind that puppyish love out of Hagen - now, obviously, named Max - in a brutal training montage that recalls the brilliant confrontational realism of Amores perros.

As Hagen progresses towards realising the eventual canine collective, Lili is making her own journey, a more generic coming of age story where her own engagement with society's dangerous trappings is tested. Tellingly, the film heavily features her role in a school orchestra, and the resulting orchestral score provides the film with some fittingly grandiose accompaniment for the astonishing dog choreography in the film's bravura final act. It's in these last stretches that White God really makes its mark, a genuinely tense, delectably absurd climax that leaves the Hungarian streets cowering. Narrative notes collide with daring exuberance, but writer-director Kornél Mundruczó is careful to include sobering notes of the reality lingering behind the theatrics.

White God screened as part of the 58th BFI London Film Festival.


21 of 83 Oscar Foreign Submissions Reviewed: AfghanistanArgentina, Australia, Belgium, Brazil, Canada, Cuba, France, Germany, HungaryIceland, Israel, ItalyLatvia, Mauritania, Norway, PolandPortugalSweden, Switzerland and Venezuela and The Foreign Oscar Charts

Page 1 ... 3 4 5 6 7 ... 782 Next 7 Entries »