NOW PLAYING

latest reviews  

Captain America: The Winter Soldier (2014) B+/A-
Nymphomaniac (2014) B-
Divergent (2014) C
Enemy (2014) B/B+

review index

HOT TOPICS


Welcome

The Film Experience™ was created by Nathaniel R. "Like it" on facebook!

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
FOXCATCHER & GONE GIRL teasers...

Foxcatcher: Carrell's fake schnoz and affected speaking voice could be VERY problematic over the course of a feature film, but this is a terrific teaser and Tatum in a singlet assuages many other concerns. This is a big yes too.❞ - Roark

 I love that the Gone Girl trailer purposely keeps Amy a mysterious figure throughout -- we just get glimpses. Casting someone like Rosamund was really genius because the character is supposed to feel unfamiliar.❞ -Bia

 


Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Twitter Feed
Subscribe
Wednesday
Apr162014

Drag Race: The Sounds of My Fury

Here, in picture form, is why I've been unable to function whenever I tried to write about RuPaul's Drag Race

somehow the blurry screenshot seemed appropriate so i didn't try again

Laganja Estranja's bottomless need for attention coupled with her lack of deserving any but mostly her limitless capacity for meaningless affectation completely broke me. As did the epic 3 hours of episode last week -- 3 hours in one single night. Turns out that's enough glitter, saturated color, and aural assault to even give Baz Luhrmann pause. But mostly it was Laganja. If I could describe in writing the clucking, mouth popping, meaningless "words" issuing from her frosted lips I would but judge Michelle Visage summed it up brilliantly in a weirdly accurate gibberish approximation of Laganja's unprocessed non-integrated robotic regurgitation of every drag vocal affectation that the show has ever produced. <-- Good lord that last sentence was a mouthful. I'm gagging on it.

Now that Laganja has sashayed away, the aural nightmare is over (the blazing fury I felt from the sounds a fictional "reality" tv character can make surprised me). And I am free to write about the show again. "Halleloo!" (er... speaking of meaningless vocal affectations!) So instead of trying to catch up we'll just proceed from the now for the sake of all of you who are watching. Cher's family members (mother Georgia Holt and son Chaz Bono) guest starred in order to be interviewed by the queens and Courtney Act basically summed of all of their reactions to the camera...

 Not that that excitement helped them focus because for the most part, they were terrible at being talk show hosts. Trinity K Bonet, who sashayed away, was the worst. She kept calling Chaz Bono "Chad" which might have been funny if it were shady but it was just basic incompetence.

Courtney, who didn't suck at TV gabbing at all, won the night with a stunning wing span (the runway theme was animals) and in addition to the feathers (Trinity) and fur (Bianca) and lion-like manes (Adore), Darienne killed it with Elephant tusks, and Ben de la Creme made a fab entrance in a fly costume... even if it tilted more Costume Shop than Cronenberg. "Help meeee"

Group Regret: Everyone at my viewing party wished they could have seen what Milk would have dressed as in this particular runway challenge. Rawr. She left too soon.

Belated Confession: I really like Joslyn Fox as a person in the workroom (if not as a competitor) so I feel bad for how roundly I was dissing her in the first couple of posts. She's not as dumb as she came off... or at least she's people smart.

You can watch the episode right here if you missed it

Are your favorites still your favorites? Or are your allegiances shifting as we rapidly approach the finale?

Wednesday
Apr162014

Eisner Award Nominees

The Eisner Awards, the "Oscars of Comics" have announced their nominations for the current season (they follow more of a Tony Awards timetable) and the results are heavy on Image comics with Marvel scoring in the top "continuing series" category with the current run of Hawkeye. Maybe there's hope for Jeremy Renner's unloved movie hero after all?  Or maybe not. It's up against last year's winner Saga

I want to share two categories that have particular appeal to us here at TFE. They have an adapted category (which sometimes pulls from movies) and a digital comics category and you know I keep trying to start one though admittedly I never fully commit.

Best Adaptation from Another Medium

  • The Castle, by Franz Kafka, adapted by David Zane Mairowitz and Jaromír 99 (SelfMadeHero)
  • The Complete Don Quixote, by Miguel de Cervantes, adapted by by Rob Davis (SelfMadeHero)
  • Django Unchained, adapted by Quentin Tarantino, Reginald Hudlin, R. M. Guéra et al. (DC/Vertigo)
  • Richard Stark’s Parker: Slayground, by Donald Westlake, adapted by Darwyn Cooke (IDW)
  • The Strange Tale of Panorama Island, by Edogawa Rampo, adapted by Suehiro Maruo  (Last Gasp)

Django Unchained, huh? I was hoping everyone was over that post 12 Years a Slave. Please tell me they drew Jamie Foxx's upside down penis in that torture sequence and did justice to the only brilliant part of that movie: Samuel L Jackson as Stephen

Best Digital/Webcomic

The only one of those I'm familiar with (and love) is The Oatmeal. It received another nomination for its wondrously funny and sad short story "when your house is burning down you should brush your teeth" which I've read like five times. But I'll be sure to check these others out. i09 has other days pointing out 51 webcomics that weren't mentioned. I wasn't aware of this but apparently webcomic creators don't think highly of the Eisner committees understanding of webcomics. Like most new media of any medium it takes a while to be understood by old media and the Eisner's have a long long history with print comics.


Wednesday
Apr162014

A Year with Kate: The Philadelphia Story (1940)

Episode 16 of 52 as Anne Marie screens all of Katharine Hepburn's films in chronological order.

In which Katharine Hepburn wins it all back and then some.

For Classic Hollywood stars whose images so often transcended or eclipsed the films they appeared in, there often emerges one film that becomes image-defining. This film has the power to stretch forward and back in time, coloring biographical details and even other performances by that actor. It’s the film that will show up in retrospectives and Turner Classic Movies montages, be quoted by fans and impersonators. For Bette Davis, it’s All About Eve. For Gloria Swanson, it’s Sunset Boulevard. For Katharine Hepburn, it’s The Philadelphia Story.

What sets Kate and The Philadelphia Story apart is how deliberately this star-defining was done. Davis was a last-minute replacement for Claudette Colbert, and Swanson was on a list of Pre-Code potentials that included Mae West. But from the beginning, nobody but Kate was Tracy Lord. The part was written for her by Philip Barry, purchased for her by Howard Hughes, and performed by her first on Broadway, then on tour, then finally back on the silver screen again, less than two years after she’d departed. Tracy Lord is Katharine Hepburn, and Katharine Hepburn would spend much of her career playing variations on Tracy Lord.

So who exactly is Tracy Lord?

Click to read more ...

Wednesday
Apr162014

Yes No Maybe So: "Maps to the Stars"

Yesterday two new trailers appeared for David Cronenberg's Maps to the StarsI'm not embedding them specifically because I can't find sharp images (the main one floating around seems like a bad stolen print of a trailer - very underlit) and the international one (NSFW) has too many auto-play ads and works less well as a coherent snapshot of the movie.

I'm hoping Maps skirts the usual trends of public reaction to Cronenberg films. It often follows this pattern:

1. Healthy amount of media coverage and excitement before their films premiere (remember all the A Dangerous Method hoopla?)
2. A curiously muted release (sometimes only limited) with a tiny bit of coverage focused on whichever big star is doing whichever genuinely weird thing they're asked to do in the movie. Think Robert Pattinson getting an enema in the limo in Cosmopolis
3. Almost no follow up conversation online or lines at the box office despite the movies always being genuinely strong conversation pieces...

Click to read more ...

Wednesday
Apr162014

DiCaprio + Iñárritu = ???

I am not, in any way according to the Internet, a Leonardo DiCaprio fan. Never mind that I saw him first and was proselytizing about his gift for at least ten years after seeing the double whammy of This Boy's Life and What's Eating Gilbert Grape in 1993. Alas, I have no proof of this fact as I was not writing for the internet at the time. But, it is true that I began to sour on him starting with Gangs of New York (2002) the first obvious sign that he was quite fallible indeed and that maybe he needed to be, you know, directed, rather than coddled by the auteurs he blesses with his unusually foolproof bankability. I may be the only person alive who thinks his relationship with Martin Scorsese, The Departed aside, has not been good for developing his once prodigious talent. But at the risk of angering his devout legion again, I feel confident in proposing that he is now in the exact place that his Titanic partner Kate Winslet was in the mid to late Aughts wherein she simply refused to do anything other than try to win statues; prestige piece after prestige piece after prestige piece. Movie stars need more variety than that in their filmography to stay sharp, if you ask me. She won, as many stars of her magnitude did, and so will Leo. And yet, as surely as Kate's fanbase turned on her for "wanting it too badly" and winning for a "lesser" performance, so will they turn on Leo whenever he wins which will undoubtedly be for a lesser performance because that's how 'overdue' Oscars work.

In the meantime he'll just keep trying to win one.

I've been saying for a long time that a light and breezy comedy (something like Catch Me If You Can) would go a long way towards relaxing him on the screen again and revitalizing his heavy and repetitive acting. And maybe it's churlish of me to assume that The Wolf of Wall Street which wasn't quite his best but was certainly his loosest performance since Catch Me... won't be the trigger for the same kind of rejuvenation. But a newly announced project is killing the dream that it might.

Honest question that isn't meant as snark: Is there any director currently working with a heavier hand than Alejandro González Iñárritu? His best film is Powder Keg (2001) and that's precisely because it's so freaking short at 8 minutes that it only has enough time to be sobering and impressive and exciting without overstaying its welcome and smothering the viewer dead in misery as Amores Perros, Babel, Biutiful and 21 Grams did. Otherwise his films are the epitome of the kind of portentously thematic "prestige" mediocrities that are jerry-rigged to be wildly overpraised by virtue of their importance. His next film, which Leo will lead, is The Revenant and it'sbased on Michael Punke's "The Revenant: A Novel of Revenge" which is about a fur-trapping frontiersman left for dead after a bear attack in 19th century Northern America. It's not the bear he wants revenge on but the party that abandoned him.

Maybe DiCaprio's natural tendency toward furrowed brow depression and Iñarritu's natural tendency towards furrowing our brows with depression will cancel each other out and they'll surprise us with a range of feeling in this grisly period drama? One can dream.

Page 1 ... 3 4 5 6 7 ... 934 Next 5 Entries »