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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Beauty vs. Beast

Nancy, what would the coven do to a reader who doesn't vote on Beauty vs. Beast?

they would kill her"

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COMMENT DU JOUR
Cannes Red Carpet 
Out of (literal) competition. Still competing

"The Best-Julianne (If for nothing else making that crimson work with her hair but her whole look is striking)" Joel6

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Monday
May182015

That Laundry Room Scene in "Little Children"

For The Lusty Month of May, we're looking at a sex scene each night. Here's Manuel

Why is it that a drenched body is so lust-inducing on screen and yet so horribly oppressive in real life? This question came to me as I began fearing the humid sweat-filled summer we’re bound to have very soon in New York, while pondering one of my favorite on-screen sex scenes...

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Monday
May182015

Cannes Review: Irrational Man

Diana Drumm sends us another review from Cannes... 

A promising premise and captivating performances fall flat as a philosophy professor leaps after a misguided notion of the philosophical imperative, tumbling after one of his own theoreticals to disastrous results. Like much of Allen’s lesser filmography, Irrational Man dabbles in some of the auteur’s favorite subjects (philosophy, middle-aged male crisis, May-December or in this case June-November romances) and takes on more than it can chew, choking up in the third act.

The film’s tone shifts with the stumbled abandon of a dizzied drunk trying to make up his mind whether to stand or stay seated, from murky to light to dark, sprawling discussions to tensed farce...

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Monday
May182015

Beauty vs Beast: Wicca Wicca What

By the power of three, Jason from MNPP here today to make you see, make you see. If you can believe it Andrew Fleming's 1996 teen witch classic The Craft turned 19 years old two weeks ago, and it celebrated the last year of its teens with the news that greets so many other movies of a certain age -- it's remake time! Leigh Janiak, the female director behind last year's sufficiently creepy film Honeymoon, is gonna find four new girls to make light as a feather, stiff as a board, for a whole new generation. For a subset of 90s kids, this is like blaspheming the great Manon himself - inconceivable! Star Fairuza Balk (who's celebrating her birthday later this week - happy birthday, Fairuza!) weighed in with wise words on it; we have yet to hear from "natural witch" Robin Tunney. But what do you guys think? (Also: WHO WOULD YOU CAST?) And most importantly...

Whose team are you on?
Team Sarah0%
Team Nancy0%

PREVIOUSLY Last week's Kramer vs Kramer poll stayed incredibly close the entire seven days, and in the end it was only seven votes that handed Joanna (Meryl Streep) the win. Obviously y'all were as torn up over choosing as was that little boy's home life. Said Mike:

"I can't even say enough about these two marvelous performances. Both Oscars were well deserved. Still one of my ultimate favorite performances given by Meryl."

Monday
May182015

Review: Bessie 

TFE's newest contributor Angelica Jade Bastién on HBO's latest biopic

For over two decades Queen Latifah has been trying to bring the life of Bessie Smith, the legendary "Empress of the Blues" who found success in the 1920s and 1930s, to the screen. Despite Bessie's life being a perfect mix of glamour and tragedy that seems tailor made for a biopic I'm not surprised it has taken Latifah this long to bring her story to life. Bessie Smith (Queen Latifah) is a rough hewn, country, bisexual, and passionate broad. The film doesn't sand off her edges or shy away from her contradictions instead it embraces them. Bessie tracks the legend from her early days as a singer with her older brother/manager, Clarence (Tory Kittles) always in her corner to the Great Depression when all her personal and professional success falters. 

Anyone familiar with women's pictures knows the emotional terrain Bessie is covering. But what makes this women's picture downright transgressive is its sympathetic,multi-layered portrayal of black queer desire...

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Monday
May182015

Bad Blood: How many film references did you catch?

Manuel, PhD here (it's official as of yesterday people!) and while I should bring you some high brow news to commemorate the occasion - maybe about Cannes or the feminist box office weekend we had - I want to chat about Taylor Swift's Bad Blood video instead. I mean, the credits read "A Joseph Kahn film" so we should obviously pencil it in for Best Animated Live Action Short Film, yes? After plenty of Sin City-style posters, we finally got to see the full video last night at the Billboard Music Awards (which also featured a bunch of dancing Umas!):

It's a smorgasbord of filmic references: Tron bikes! Hunger Games-ey costumes! Leeloo-lookalikes! Academy Award nominee Hailee Stanfield! Minority Report-esque art direction! Sucker Punch-ean lineup! Mad Max: Fury Road color palette finish! Aeon Flux and Ultraviolet echoes! 

I'm sure I missed plenty, but I'm also curious to see if I was the only one who kept thinking of that amazing Battlestar Galactica episode ("Unfinished Business") during those boxing scenes? And more importantly, do you agree that bandaids don't fix bullet holes?

(the video is after the jump because it likes to just start playing randomly)

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Monday
May182015

Review: Mad Max: Fury Road

Michael C here to review my most anticipated film of the summer. Isn't it wonderful when anticipation and quality go together?

With each passing Summer the concept of the Event Movie gets a little more cheapened, a little more downgraded. Like eyes adjusting to darkness, we see weightless CG blurs collide with other weightless CG blurs and deem it good enough. That is until a film like George Miller’s Mad Max: Fury Road comes along to rip the curtains down and the light flood in. No, that image is not strong enough. Fury Road tears through the multiplex like a great cleansing fire, leaving the great herd of lesser, timid blockbusters scattering to escape its path. 

It may seem an odd declaration to make about a franchise reboot, itself the third sequel in a series dormant since 1985’s Beyond Thunderdome. But Miller proves that any project can attain greatness with the right spirit of reckless ambition. The prevailing mentality is that an established brand is an excuse to play it safe, to scrub a rehash of the original story down to a neutered PG-13 so as not to risk alienating a single ticket buyer on Earth. George Miller goes full tilt in the opposite direction, embracing the franchise’ twisted id...

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