NOW PLAYING

new in theaters

new on DVD/BluRay

review index

HOT TOPICS



CLASSIC OF THE MOMENT

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
NEW HONORARY OSCARS
Maureen O'Hara & Harry Belafonte

"This complete's Harry Belafonte's EGOT! Sure it's an honorary Oscar, but to quote Whoopi on this topic (on 30 Rock): "It still counts! Girl's gotta eat!- Charles

"It's time for the AMPAS to look hard at the 70's and 80's for indelible contributions. No need to wait til some of these ladies are 94.- Hayden

 "What I wish they would do is an hour long special devoted to the four recipients. They could show clips and have edited interviews with the honorees. Then it could be shown on PBS or TCM or something." - Dave

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe
Sunday
Aug312014

Yes, No, Maybe So: Jon Stewart's Rosewater

Amir here, anxiously over-analyzing the trailer for Jon Stewart’s directorial debut. Rosewater tells the story of Maziar Bahari, an Iranian-Canadian journalist who was arrested following the Green Revolution riots, when Iranians protested against the controversial presidential elections of 2009. At the time, Daily Show host Jon Stewart followed the story in great detail. That publicity was instrumental in Bahari’s eventual release and Stewart's interest in the events has evidently not subsided since. Rosewater stars TFE favorite Gael García Bernal as Bahari.

The trailer and our usual YNMS treatment after the jump...

Click to read more ...

Saturday
Aug302014

Review: Robin Wright at "The Congress"

Amir is here with your second review of the weekend...

The Congress, Ari Folman’s follow-up to his brilliant debut feature, the animated documentary Waltz with Bashir, starts rather normally. The opening shot is a staggeringly beautiful close-up of a tearful Robin Wright (playing an imaginary version of herself) as her agent Al’s (Harvey Keitel) voiceover informs us that her career is in tatters. Robin has hit the film industry’s glass ceiling age of 45 and with an already troubled reputation as a difficult actress to work with, her options are quickly dwindling. Al is trying to convince her to sell her digital image rights to the Miramount studio headed by Jeff (a remarkably greasy Danny Houston). This would mean that the studio will use her scanned image to create characters in future films in exchange for a fat paycheque and her right to ever act again.

Everything about this opening setup is promising, signifying a film that is aware of the fears and tensions within the entertainment industry. The Congress is ripe with smart ideas and astute observations about the challenges that technology presents to the men and women active in cinema. [more...]

Click to read more ...

Saturday
Aug302014

UHF (1989) - Let's Get Weird

Hello all, Margaret here to ask: in our Year of the Month, 1989, did anyone guess what cultural endurance "Weird Al" Yankovic would have?
 
By all rights he should have faded into obscurity after his surprising burst of mainstream popularity in the late 80s. Yet somehow, not only has he enjoyed a steady career these past 25 years, Weird Al is actually almost hip right now, coming off of 8 ultra-viral music videos, a spot in this year's Emmy telecast, and a #1 album on the Billboard chart. Capitalizing on this moment in the sun, Weird Al recently announced plans to write (and possibly direct) a second film. His first, released in 1989 during that early burst in popularity, was the critically maligned cult classic UHF. [more...]
 

Click to read more ...

Saturday
Aug302014

Game of Links

Catching up on news & noteworthy we didn't cover the past couple of days...

Brangelina
Vanity Fair the details of the Brangelina marriage that we know. I'm really so happy for them as a longtime fan but...
Time knocks them for not keeping their promise to the gays. I knew this backlash would happen. But they did hold out a long time and they've done so much good for the world including for marriage equality that I think we should let it slide
Gawker asks the intriguing question: "Why is Angelina Jolia a movie star?"

Some of her movies have been well-received acting vehicles. Some of her movies have been gargantuan commercial products. There is no place where those circles overlap on the Venn diagram. 

It's worth pondering her atypical celebrity.

Absolute Must Read!
/bent has a fascinating long essay about HBO, Game of Thrones, and the distinct feeling that TV series are beginning to go for sex and violence just to have them rather than serve the story. It's a super interesting detailed piece that covers more than just Game of Thrones but past series as well and troubling gender politics and rape fantasies. 

More Linkage For Infotainment
Variety has intriguing film/stage news: Vincent Kartheiser of Mad Men fame will be playing the legendary filmmaker Billy Wilder on stage in a play about the making of Double Indemnity. Good luck finding someone who can pull off Barbara Stanwyck!
The Film Stage a new trailer for Stephen Daldry's Trash. You guys no matter what I do, I cannot remember to watch this. I didn't see the first one either. I still know nothing about this movie
Deadline the first Oscar FYC screener to go out is actually Snowpiercer. That's a fun surprise. They're pushing Tilda Swinton for Best Supporting Actress. I can't find a large enough photo of the screener online to tell who else they're pushing though. 

/Film The Maze Runner is being shown in "Panoramic Projection" which is a new thing that's apparently descended from CinemaScope.  
In Contention Kate Winslet and a bunch of acclaimed actors are starring in John Hillcoat's (Lawless) next feature in 2015 called Triple Nine
Out profiles Belgian superstar Matthias Schoenaerts
Empire Charlie Hunnam to play King Arthur for Guy Ritchie
The Wire explains the messy chain of events of that Bryan Singer sexual abuse lawsuit, which has now been dismissed 
Variety The Art Directors Guild has expanded their annual awards categories. Lots of interesting things will be honored now like storyboard artists and such 
Gizmodo wonders how NYC would respond to an actual Stay Puft Marshmallow Man attack. 
/Film Actor Bill Hader shares a list of his 200 favorites  (I was super happy to see Trouble in Paradise, Nashville, and L'Atalante... let's just say he has really good taste)
Vulture talks to Jessica Chastain about yet another season of multiple movies and her love of movies, even the bad silly ones.

But tonight I'm going to the movies and I really go to the movies any chance I can... I love 'em all."

Small Screen
Decider looks back at a very special episode of "The Facts of Life". Weren't they all? 
Variety on why the Emmy rules are so hard to fix
Variety talks to Allison Janney about her career and double Emmy night
TV Line great news: Enver Gjokaj, so brilliant on Dollhouse and not as well employed as he should be is joining the Marvel Universe via that Agent Peggy Carter show 
Pajiba David Fincher's Gap commercials  

DISCUSSION TOPIC
Do you ever find yourself reading a blog post or essay or watching a conversation and one casual remark will totally throws you out of the piece until it's all you can think of? That's what happened to me with that Hilary Swank comment the other day. It happened twice more last night. I was watching an interview with the star of Obvious Child, Jenny Slate, where she was all "I miss romantic comedies where women are complex". Me too! But then her example of non-complex is shade thrown Kristen Wiig & Bridesmaids way? HUH? That's one of the only great romantic comedies of the past decade with complex female characterizations. Then I'm over at Film School Rejects reading a take on the Honorary Oscars and they're complaining about no "career tribute" style Oscar nomination for Maureen O'Hara in that John Candy movie Only the Lonely (1991). And then Christopher Campbell writes:

Did they really need to honor Juliette Lewis instead?

What-the-what-now? Juliette was the best one in her category that year! Plus, sucking Robert DeNiro's thumb is really going above and beyond for art on account of gross.

Has this happened to you recently where you just can't with one sentence? 

 

Friday
Aug292014

Review: The Zero Theorem

Michael Cusumano here with the latest dispatch from the bizarre world of Terry Gilliam.

Terry Gilliam is an artist one can’t help but root for. The image of Gilliam that comes most readily to mind is one from the great behind-the-scenes disaster documentary Lost in La Mancha. It’s early, before his production has imploded, and the director reviews one of the few shots he managed to get on film for his doomed Don Quixote project. The image of the three men cast as giants lumbering toward the camera delights Gilliam to no end. His childlike glee at the sight of their rolls of fat jiggling in grotesque slow-mo is an image of an artist in touch with the pure, silly thrill of filmmaking. A man who lives for the experience of seeing his cracked visions transferred to the big screen. 

On the other hand, the subtler, less flattering image of Gilliam I took from that documentary is that of a filmmaker capable of being swept up in the joy of the process to the point of being blithely indifferent to the needs of the audience. I remember leaving La Mancha with the guilty suspicion that maybe it was for the best that The Man Who Killed Don Quixote crashed and burned on take off. Better to live with the unrealized ideal than to see one’s dream project fail to live up to expectations. What little footage we see in the film suggests it would have been of a piece with his 21st Century output, which is to say fanciful bordering on incoherent, fascinating to look at but too messy to inspire emotionally investment.

More...

Click to read more ...