Oscar History
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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Let the Sunshine In, Deadpool 2, Tully, Ready Player 1, and ❤️ for Disobedience
 

 

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Soundtracking: Lion King

"I never thought of "Circle of Life" as being the most impactful song of the film until your post." - Jess

"This is my fav Disney movie of all time. The African theme, the Hamlet theme, the animals, the swahili and use of Afrikaans is magnificent!" - Manuel

 

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Thursday
Jun212018

Podcast: Disobedience and Tully

An intimate convo this week as Nathaniel R and Nick Davis discuss recent flicks. This was recorded right before Nathaniel's birthday but we are late uploading it. Here it is now for your enjoyment. Lots of Tully and Disobedience talk (among other films) all without spoilers if you haven't yet caught those early release gems!

Index (40 minutes)
00:01 Silliness about Nathaniel's Birthday
03:30 Favorites of 2018 thus far including Diablo Cody & Charlize Theron's brilliance in Tully
10:25 A long anedcote-filled conversation about Sebastian Lelio's Disobedience starring Rachel Weisz. It's quite discussable from a number of angles
25:00 On Chesil BeachDeadpool 2 and Ready Player One
30:15 Let the Sunshine In, and Grace Jones, Bloodlight and Bami
34:45 More randomness including Book Club and the exquisite beauty of Michelle Pfeiffer in Wolf

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Disobedience, Tully, Ready Player One

Thursday
Jun212018

Blueprints: "Rent"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “B”, he goes back to the film adaptation of one of the most seminal modern musicals, and dissects a number about our favorite bi heartbreaker.

It’s no surprise that it was astoundingly hard to find a movie to discuss that had an openly bisexual lead or prominently supporting character. Bisexuals have had the most lackluster representation in movies among the LGBT community. Usually bisexuality onscreen is only implied and never openly identified as such. To find a strong bi character, I had to go back to something that wasn’t initially a film, but a theater piece; the theater has always been ahead of films when it comes to LGBT representation.

Even though Jonathan Larson’s Rent has not aged particularly well, it did feature an incredibly diverse cast in race and sexuality; from a trans woman of color to a black lesbian, and from your token white guys to, of course, the bi lady to end all bi ladies: Maureen Johnson...

Click to read more ...

Thursday
Jun212018

Yes No Maybe So: Creed II

by Sean Donovan

The son of Apollo Creed returns in Creed II! Creed was one of the surprise gems of 2015, delivering blockbuster entertainment with genuine impact and grit. I was ready to write off this idea of a sequel as soon as I learned Ryan Coogler was not on board as a director, thinking that the resonance, intensity, and readiness to embrace topical political contexts of the first Creed all came from him.

But the first trailer, along with the film’s very elegant first poster, brawny and tough in the best way, has come along to soundly quell those concerns and suggest this is in no way a simple studio rush job. So let’s go over the evidence with a Yes No Maybe So™ Breakdown of the trailer and a full look at that perfect teaser poster...

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Thursday
Jun212018

Months of Meryl: Dancing at Lughnasa (1998)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#25 — Kate Mundy, the elder head of a matriarchal clan in Ireland’s County Donegal circa 1936.

MATTHEW: Dancing at Lughnasa continues the sporadic but prestigious practice, begun by Plenty and leading up to August: Osage County, of Meryl Streep headlining big-ticket Broadway plays in screen adaptations that tend to do a disservice to the often truncated works whose very suitability for such stage-to-cineplex transfers feels rather strained. (Angels in America, made for HBO, is obviously a highly distinguished exception.) These films are greenlit as glorified acting showcases in the hopes of magnetizing a similar haul of trophies as their acclaimed theatrical predecessors. They may feature some fine, forceful performances (from Streep and several others), but their claims as cinema remain dubious at best.

I’m always curious about why Streep seldom returns to her first love, the stage, especially when one considers that the actress’ greatest role in the last decade was not Susan Orlean, Clarissa Vaughan, or Miranda Priestley, but Bertolt Brecht’s Mother Courage, whose wagon of wares Streep took up for a 2006 Shakespeare in the Park production, four years after playing Irina in The Seagull for the same summer series...

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Wednesday
Jun202018

Three Questions for Nicole Kidman's Birthday

We went all out for Nicole Kidman's 50th birthday last year with 50 Appropriate Ways to Celebrate so this year on her 51st (happy birthday diva!) we'll keep it simpler.

Answer me these questions three in the comments:

 

  1. What's your favorite performance of hers that isn't from her legend-making 2001-2004 run (i.e. The Others-Moulin Rouge!-The Hours-Cold Mountain-Dogville-Birth what a genius run that was!) 
  2. What single scene -- minus the opera seen in Birth --pops into your head the most when her name is invoked?
  3. What's a performance of hers that you haven't seen (she works so much you're surely missing something!) that you're most curious about?

and if you're on twitter go really crazy and do the 10 question meme

 

Wednesday
Jun202018

Soundtracking: "The Lion King"

by Chris Feil

When The Lion King arrived in 1994, it felt like the first Disney film fully developed in its post-Little Mermaid resurrected era. Whereas the genius of Beauty and the Beast and Aladdin feel like passion projects born of new financial fluidity, this film rings like a triumphant self-actualization of its return to dominance. It’s right there in the in the rising sun and thunderous opening incantation of “Circle of Life” - Disney reclaiming with force what they had lost and owning the cyclical nature of creative power.

It’s arresting stuff on a meta level, but that’s still incomparable to the song’s visceral gut level impact. Paired with the imagery of a convening animal kingdom both too fantastical to be true and rendered with breathtaking reality, “Circle of Life” feels so monumental that even immersive IMAX screens and sound systems can’t do its scale justice...

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