Abe’s SXSW Jury of One

A shot from my front-row seat to the Q & A for THE FALL GUY.By Abe Friedtanzer

I had the pleasure of being back in Austin for the fourth time for the SXSW Film and TV Festival, which began on Friday, March 8^th and officially concluded Sunday, March 17^th. During my time there, I got to see 27 in-person films and screened 17 additional films, as well as the first two episodes of season three of Hacks, which premieres in May on Max (and is just as good as ever).

As usual, most of what I saw was really terrific. It was good to see major releases like Monkey Man and Civil War ahead of their theatrical releases with an enthusiastic crowd, though neither compared in quality to The Fall Guy, which was a lot of fun. Two streaming releases coming next month also make my top ten, and I’ll hope they’ll translate well to audiences watching at home...

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Sarah Greenwood: From Narnia to Barbieland

by Cláudio Alves

Gerwig and Greenwood discuss BARBIE in a behind-the-scenes video. | © Warner Bros.Last Sunday, Sarah Greenwood officially became the most nominated production designer without an Oscar, breaking her tie with Nathan Crowley for the "Diane Warren" distinction. This year, she was nominated for Barbie, another triumph among many in a career spanning 1980s BBC miniseries to 21st-century Hollywood blockbusters.

Though many of her best works rely on a sense of material realism, the Greta Gerwig feature aimed for a sort of "authentic artificiality" where denying reality is a sort of reality into itself. For Greenwood, midcentury Palm Springs was a source of real-world inspiration to combine with Mattel's history, adding a sense of internal logic to Barbieland. Moreover, the aesthetic was sustained by old-school techniques like hand-painted backdrops and a practical fake sea, visible wires holding everything together in the loopy transitions between worlds. She used scale as a tool for wonderment, took cues from Gene Kelly musicals, and delivered a screen dream in fifty shades of fuchsia. Indeed, her team used so much pink paint that they caused an international shortage…

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Oscar's Director Hierachy 2024 Edition

by Nathaniel

Spielberg & Scorsese just keep moving up Oscar's hall of fame

Since we did this with the Actresses and Actors, why not the Directors? Martin Scorsese added to his incredible record this season and Steven Spielberg did the same just last year, nudging Billy Wilder into fourth place. The Most Hallowed Directors Quartet is far more "current" than the Actor or Actress throne rooms as a result...

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SXSW Review: ‘It’s What’s Inside’

By Abe Friedtanzer

Games like Mafia or One Night Ultimate Werewolf are fun because they give people the chance to take on roles and to use critical thinking skills to deduce who’s lying and who’s telling the truth. But they also have the potential to create very awkward moments by bringing out real emotions betrayed under the guise of playing a part, and to create divisions in friendships based on harsh truths accidentally revealed. Sundance hit It’s What’s Inside, which was acquired by Netflix ahead of its SXSW premiere, dials that up a few levels in the best possible way…

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SXSW Review: ‘We Strangers’

By Abe Friedtanzer

It’s rarely comfortable to hear the kinds of things that people say to those they hire to work in their homes. Most grin and bear it, letting a reductive comment or offensive statement go for the sake of keeping a paycheck and not starting something. The protagonist of We Strangers does something different, utilizing the gullibility of one woman whose house she cleans to make some extra money and realizing that it will only make her more valuable. It’s only a half-calculated gamble, which defines most of what this vexing main character does…

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