Hello, Gorgeous: Best Actress of 2023

A new series by Juan Carlos Ojano

Hello, dear readers! It’s been a while since the last time I posted an entry to this series. I was busy completing my theater class, resulting in a final showcase open to the public. Let me start with that because our current nominees for Best Actress have all done theater in different points of their respective careers, something we do not always get to say about most groups of acting nominees in a category. Truth is that’s the only connective tissue I could find with these nominees because their character introductions are vastly different from each other.

Are you ready? The year is 2023...

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Film Bitch Awards Awards Rush: Limited Roles, Ensemble Acting, and More!

by Nathaniel R

Kerry O'Malley in "The Killer" © Netflix

In the interest of wrapping up before Oscar night (or at least getting, say, 80% there) please note that there are multiple new categories posted at the 24th annual Film Bitch Awards. Tonight, let's talk the "extra" acting categories of which we have Limited Performances (for people with very short screen time --usually one or two scenes only), Breakthrough Performers, a special Body of Work award and much more.  I have such fun thinking about these categories all year as I watch movies that I fear I missed my calling to be a casting director. Maybe in the next life...

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Podcast Retro: Oscar Nomination Morning

I did a bad thing readers. I lost the audio file after meeting with the always opinonated and game Eric Blume and Chris James, who I am lucky to count as friends. We spoke on the evening of the Oscar nominations in late January. I figured better late than never since we had a good time chatting and I realized I sincerely missed podcasting. But I found it this morning buried deep in a unexpected place on my hard drive. How did it get there? Who knows! If you'd like a throwback to a more innocent time before we all knew who would win everything Sunday night listen in on iTunes or Spotify or download the attachment below. 

And given my scatterbrained challenges and the odd timing of the post, do tell in the comments:

What are you feeling / thinking NOW that you wouldn't have expected back in late January when these nominations were first announced? 

Oscar Nom Throwback Jan 24

Split Decision: "The Holdovers"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Abe Friedtanzer and Cláudio Alves on The Holdovers…

ABE: Cláudio, it is always my pleasure to talk about films with you even though I know our tastes rarely overlap. In fact, when I met you in-person at the Toronto International Film Festival last year, you noted that we were barely seeing any of the same films. I was only in Toronto for three and a half days and saw a whirlwind eighteen films in that time, the best of which was The Holdovers. My editor decided to hold my review for the theatrical release, which proved somewhat underwhelming, but fortunately there was plenty of awards acclaim for the film to keep my enthusiasm up about this gem.

I remember seeing Sideways twenty years ago and very much enjoying it as I was just starting to really get into film (and The Film Experience as a reader), and it's great to see Alexander Payne reunited with his star Paul Giamatti for a role that's perfect for him. He's one of the best parts of this film but there are so many, at least in my opinion. Cláudio, tell me about your experience of seeing the film and what did and didn't work for you...

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Almost There: Margot Robbie in "Barbie"

by Cláudio Alves

Everybody complains about comedic performances not getting their due on awards season. But of course, the instant such work becomes a serious contender, the knives come out. These achievements are generally dismissed, as if straight drama was inherently superior to broad comedy. I'm not accusing anyone in particular, but it is a phenomenon that can be felt across cinephilia, especially when it involves a movie like Barbie, which tapped into the zeitgeist and somehow became one of the year's defining movies. I thought about writing on the reaction to Ferrera's Best Supporting Actress nomination or how the tides have turned on Gosling as the season unfolded. Yet, Robbie was perfect for the Almost There Series, so here we are. 

With the 96th Academy Awards mere days away, the dust should have settled after the collective psychosis that followed the movie's "snubs" in Best Director and Best Actress. At least, I hope cool heads prevail as I dive into Margot Robbie's portrayal of Stereotypical Barbie…

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