Satyajit Ray on Criterion

by Cláudio Alves

Better late than never, I suppose. This month - May 2nd, to be precise - was the centennial of Bengali director Satyajit Ray. While this piece was supposed to be ready then, many factors contributed to its delay. One of which was how intimidating the legacy of this master of cinema is. In any case, before June dawns on us, let's celebrate the great Satyajit Ray and the outstanding collection the Criterion Channel curated for the occasion. Right now, you can find 17 of the director's features plus a 1984 documentary about his work streaming on the platform. For any cinephile with access to the Criterion Channel, this is a treasure trove that shouldn't be missed or ignored…

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Interview: Nadia Stacey, Cruella's Hair and Makeup Designer

by Nathaniel R

Nadia Stacey talks "Cruella"

When I sat down with Cruella's Hair and Makeup designer Nadia Stacey over Zoom we just had a few minutes to talk. To break the ice quickly, a true story. When I first saw the image of Emma Stone as Cruella, my mind immediately lept to Olivia Colman as Queen Anne in The Favourite and her disgruntled "I look like a badger" quip. I had no idea why. Only when prepping for our Cruella interview did I realize the films had the same makeup designer. Stacey laughs, fondly remembering her BAFTA-winning film. "I feel like there’s a theme going on with me doing mask-kind of faces!"

And with The Favourite (a beloved favourite) duly cited, we jump right in to our conversation about her impressive filmography and her biggest assignment yet, designing Disney's live-action Cruella. [This interview is edited/condensed for clarity]

NATHANIEL: You've done a few movies with Olivia Colman and two with Emma Stone. Are you just going to keep The Favourite-ing from now on?  

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Emmy Watch: Best Supporting Actor in a Drama Series

Our team is breaking down the top contenders in all the major races and highlighting some of our favorites over the next few weeks. 

By Abe Friedtanzer

This category has, over the past few years, featured a wealth of contenders, including three nominees from a single show each of the past two years. Very few of those aired this past season, and in fact only two shows that have ever produced nominees in this category. Both The Handmaid’s Tale and This Is Us, which have fallen somewhat out of favor with Emmy voters compared to the warm welcome they both got at the beginnings of their runs, have a handful of contenders that could show up here, so let’s start with those and then examine the many new shows that could offer potential nominees…

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Tweetweeks

I've been spending less time on Twitter since it's often a toxic landscape of people righteously calling each other garbage and complaining about literally anything. BUT. It's still such a great platform for bite size takes on various showbiz things. Here are some tweets we enjoyed these past couple of weeks for your amusement...

Between “Watchmen,” “Hacks” and “Mare of Easttown” I think HBO needs a new slogan:

It’s not TV. It’s Jean fucking Smart.

— Matt Brennan (@thefilmgoer) May 28, 2021

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One and Done? Toni Collette

by Matt St Clair

Cate Blanchett, Nicole Kidman, Russell Crowe. Those are just a few of the grand talents from Australia to grace the big screen. Then there’s someone who doesn’t have the same kind of Oscar record as those A listers: the painfully unsung Toni Collette who, despite having an eclectic fascinating career with roles that range in size, genre, accent, etcetera, in many noteworthy films, somehow only has one Oscar nomination under her belt. 

The Nomination

Her sole bid (thus far) came in 1999 when she was nominated in Best Supporting Actress for her role as Lynn Sear, a working-class mother whose child can see ghosts in The Sixth Sense...

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