Buladó and Dutch Films at the Oscars

by Nathaniel R

The Netherlands have submitted the magical realist drama Buladó for the upcoming Oscars. It's the third feature-length film from 42 year-old biracial director Eché Janga. It's a rarity for a Dutch submission in that it doesn't take place in The Netherlands but in one of the former Dutch colonies. It's set in the Caribbean Island of Curaçao (Janga's father is Curaçaoan) and is largely in the language of Papiamento rather than Dutch. 

The Netherlands have an interesting Oscar history because they've won nearly half the time when nominated but the nominations are not super common. They're currently in their longest Oscar drought ever as they haven't been nominated since 2003 (despite three finalists since then)...

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1987: The Living Daylights and “Strong Female Characters”

1987 is our year of the month. Here's Deborah Lipp...

One of the unusual things about 1987 is that three of the ten top-grossing films of the year are female-centric. Perhaps two of those films—Moonstruck (about which I’ve written here ) and The Witches of Eastwick—are more correctly called “Cher-centric.” Perhaps the force of nature that is Cher is what made the difference here? (More on her later in a different article). Regardless, 1986 and 1988 are both more typically Hollywood, which is to say, more male.

And speaking of male-centric movies, let’s talk about James Bond. 1987 is the year of The Living Daylights, the first Timothy Dalton Bond movie, and the mid-point of a nadir for Bond box office. (At some point, a Bond box office article will be forthcoming.) Specifically, though, let’s talk about the “Bond girl” of The Living Daylights, Kara Milovy, played by Maryam d’Abo...

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Joan Crawford on Criterion

Please welcome guest contributor David Rush...

Our Dancing Daughters

If an actress is to remain a star for six decades, she must expect some fluctuations in her career trajectory. This was most certainly the case for Joan Crawford, whose cinematic legacy – rather overshadowed in the years after her death for reasons we are all more than aware of – is currently showcased on The Criterion Channel.

The first two decades of Crawford’s stardom saw her go from strength to strength: her breakthrough role opposite Lon Chaney in The Unknown (1927); a series of flapper delights in Our Dancing Daughters (1928), Our Modern Maidens (1929) and Our Blushing Brides (1930); a key supporting role in Best Picture winner Grand Hotel (1932); her numerous popular collaborations with Clark Gable; and most importantly, the rags-to-riches vehicles that held particular appeal for aspirant young women during the Great Depression...

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Streaming Roulette, Nov: Paranorman, Thunderball, Time and "Psychiatry On-Screen"

After the jump you'll find a listing of everything that's new to streaming this month (November 2020). But first we pick two handfuls of titles and randomly freeze them with the scroll bar. Whatever comes up is what we share. Do these images make you want to see (or rewatch) the movie? 

[on the radio]  It's christmas time in the city. Ring a ling. Hear them ring ♫ ♬

Carol (2015) on Netflix
Always forget this is a Christmas movie! But, really, 'tis always the season for the best movie of the decade. 

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Best Supporting Actress 1987: Getting to know the nominees

by Cláudio Alves

The Supporting Actress Smackdown of 1987, the last episode of this season, is approaching. As we did with the '38 Oscar lineup, we invite you to peruse the biographies and careers of these stupendous actresses. The 60th Academy Awards may be one of the few times all of the contenders were single-nomination actresses, but that doesn't mean their legacies and stories aren't fascinating. These women make up an impressive lot that includes Argentinean acting royalty, a Presidential candidate's cousin, and one of Old Hollywood's queens of comedy…

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