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Tuesday
Dec122023

Review: "Your Fat Friend" Is a Sigh of Relief and a Necessary Reflection

by Cláudio Alves

Not to be indulging in self-pity, but I think it's fair to say that existing as a fat person in our world is a complicated affair. And I'm not talking about the physical realities of being fat. Instead, it's how people see and treat you that irks, how so much of our society is full of insidious anti-fat bias, from the doctor's office to pop culture, from total strangers to those who call themselves your friends. Social codes so often teach us to conflate fatness with moral rot, laziness, stupidity, the worst of humankind, and something worthy of disgust. Feeling unlovable, inward hate is the inevitable endpoint. What's worse is that when you try to call attention to it, you're often met with euphemistic justifications or treated as if what you're saying is nonsense.

Even those who putatively sympathize can be doing more harm than good, confusing what they feel for empathy when it's pity. Look no further than last year's The Whale, an odious work that proposed a humanizing view of fatness by reveling in its assumed tragedy. And yet, many people I respect loved it, expounding about its "merits" in ways that had me question what they must think when they gaze upon my person. Well, they were not alone, seeing as that trash won two Oscars. To them and others, I'd like to propose Jeanie Finlay's Your Fat Friend as a necessary watch. While not a perfect documentary, seeing it felt like releasing a breath I didn't know I was holding…

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Monday
Dec112023

33 Titles Will Compete for Animated Feature but how many of them really have a shot? 

by Nathaniel R

ELEMENTAL is a likely nominee

Long gone are the days when we had to wonder if we were getting only 3 nominees in the Animated Feature Category. This year 33 films are competing (provided a few of them make their one week qualifying runs in the next few weeks) so we'll easily have 5 nominees as we've come to expect. But which titles will it be? After the jump the contenders divvied up into six rough categories... 

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Monday
Dec112023

"Barbie" leads the Golden Globe Nominations

by Nathaniel R


After a tumultuous few years for the Golden Globes, will we back on track this year? Or, rather, what kind of track will it be? The Hollywood Foreign Press Association is no more, really, at least not in the previous sense. The organization has been restructured and bought up by Penske Media (which also owns the big trade journals like Variety and The Hollywood Reporter) and the voter pool significantly expanded. But the big question is will it matter for viewers and celebrities after the past few years – the Globes were once a habitual must-attend/must-watch tradition but once you stop a tradition cold turkey can it return? 

The nominations (the Barbenheimer phenomenon leads in the movie categories with 9 and 8 nods respectively) and more commentary are after the jump…

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Sunday
Dec102023

Boston loves "The Holdovers" but "American Fiction" takes Washington DC

by Cláudio Alves

Are we underestimating Dominic Sessa in Best Supporting Actor?

With some big wins right off the gate, Killers of the Flower Moon seemed to emerge as the consensus pick for Best Picture among critics. As much as I love Scorsese's latest, watching it sweep would have been boring beyond belief and a discredit to the tremendous cinematic year. Thankfully, an onslaught of awards this weekend changed the tide. No single title is rising above the rest as an absolute favorite, with multiple pictures nabbing top honors. Indeed, while the LAFCA voted for The Zone of Interest, other organizations announced their winners. The BSFC fell head over heels for The Holdovers, while WAFCA went for American Fiction. Apart from some categories, it seems "spreading the wealth" is the season's unofficial motto…

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Sunday
Dec102023

For the LAFCA, the Future is Female

by Cláudio Alves

The Los Angeles Critics LOVE actresses, and Sandra Hüller most of all.

Many bristled (and still do) when some awards bodies started changing their acting awards to genderless categories. One of the principal complaints was that this would mean fewer artists awarded and that men would dominate. Or, in the LAFCA's case, a new name on the same system since having two winners each for Lead and Supporting meant they could go on giving prizes equivalent to the gendered divide of yore. That happened last year when Blanchett and Nighy took the Lead, Quan and de Leon Supporting. This year, however, the Los Angeles Film Critics Association decided to forego tradition altogether. Their four acting prizes went to women, making this their first edition without a single male actor among the honorees. 

Come discover the complete set of winners and a lot of statistics, after the jump…

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