Review: Don't miss "And Then We Danced"

by Cláudio Alves

A man is a monument of strength, hard and unbending. A woman is a vision of purity, soft and willowy. For those who teach Georgian traditional dance, this binary is tantamount to a universal truth whose cosmic certainty must be supported by the choreographed bodies. But binaries are conventions fated to be broken by the messiness of being human. Merab, the protagonist of Levan Akin's And Then We Danced, is the element of humanity that breaks the convention and exposes its brittle frailty.

Merab's too soft to be a monument. He's too willowy to be the man of folkloric tradition. He's still a man, though, and a dancer too, one that trains to be part of the National Georgian Ensemble...

Click to read more ...

2019 Film Coverage is a Wrap.

And the 2019 film year has officially entered the vaults (which is good since 2020 is well underway). It only took us 13 days post-Oscar to wrap up this time. For us that's speedy. Here's a big index of the year (that was) in case you missed any of the festive wrap-ups...

nathaniel's top 10	20th film bitch awards	the 92nd oscars

Click to read more ...

Best Performances by Actors in Limited Roles

Andrew Scott gives incredible cynical cameo in "1917"

And now a semi-tangential train of thought. Over the 20 years of doing the Film Bitch Awards we've noticed that our cameo categories have gone from being a fun place to shine the spotlight on unknown actors who we're curious about to an annual war between not-quite household names or "it" girls and guys who are appearing in everything. The problem for lesser known actors trying to catch a break these days is that we're long past the years when mid-level stars, or even major stars, had egos about the size of their roles. More and more stars will happily become day-players as if everyone wants to be working 24/7 and has never heard of the concept of over-exposure...

Click to read more ...

The Emmas of Yore: "Clueless"

To celebrate the release of Emma, let's revisit the novel's previous iterations in film history. First up, the case of Amy Heckerling's Clueless (1995)

by Cláudio Alves

From 1940 to 1995, no motion picture was made with a screenplay based on any Jane Austen novel. There were some negligible low-budget miniseries along the way, but nothing major. Then came the 90s and everything changed. In 1995 alone, the world got to enjoy the pleasures of Roger Michell's Persuasion and the lavish TV adaptation of Pride & Prejudice with Jennifer Ehle and Colin Firth. Most importantly, Clueless happened, effectively showing that Jane Austen was cool and igniting the Hollywood trend of filming great tomes of classic literature reimagined as modern teen movies…

Click to read more ...

Great Scenes Galore

The Film Bitch Awards are nearly wrapped with the "Best Scenes" page finished (only cameo/limited performances remain). Check the new page out for the choices for Best Kiss, Best Sex Scene, Best Credit Sequence, Best Openings, Best Endings and more. Do you share the love of these particular moments from Gloria Bell, Little Women, MidSommar, Knives Out, Pain and Glory, Parasite, Us and more? The medals will be announced soon.