Doc Corner: 'Another Body'

By Glenn Charlie Dunks

Well, this is upsetting.

When college student Taylor Klein receives a chat message from a male friend with a PornHub link, she naturally assumes he’s been hacked. Turns out he is informing her that a sex tape of her has appeared online. Except that it’s no such thing. It is a fake. A deepfake; a video in which her likeness—taken from a social media sweep of images wherein she eats ice-cream, kisses her boyfriend and spends time with family—has been digitally imposed upon pornography. We’ve certainly come a long way from putting a celebrity’s head on a porn star’s body and saying it’s legit. Several sad yet logical steps down the ladder to the bottom of the barrel.

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Best Costume Design is all about Big Hats

by Cláudio Alves

It's always interesting to find links between otherwise disconnected pictures, whether in the context of a film festival or just the calendar year. Sometimes, the awards season can suggest interesting threads uniting films by virtue of competition-born comparison. Note that one need not be very intellectual about this, and it's always good to have some fun about the race. This year, for example, I couldn't help but notice how three of our likely nomination leaders are bedecked in exuberant millinery, with Killers of the Flower Moon taking the cake as 2023's best hat movie. Or, at the very least, 2023's most hats movie.

And, as we all know, when it comes to the Academy, "most" often trumps "best." Not that Jacqueline West is locked to win Best Costume Design for the Scorsese movie. After all, even in hat terms alone, there's stiff competition from Barbie and Oppenheimer…

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Colman Domingo could make Oscar history

by Cláudio Alves

Rustin is now in theaters, enjoying a limited qualifying release before it hits Netflix on November 17th. With this biopic on civil rights activist Bayard Rustin, Colman Domingo may earn his first Oscar nomination, in the Best Actor category. His hopes seem amply justified when you look over the production's premise and early reviews. It looks like a project calibrated to appeal to the Academy's taste, finely tuned for the campaign trail. After all, it's telling a real-life story full of inspirational details and a sense of great social importance, directed by George C. Wolfe from a screenplay coauthored by Dustin Lance Black.

That last name is especially interesting for it recalls Milk's triumph in 2008 and contextualizes Domingo's Oscar as a chance to make history…

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An Annette Bening Top Ten

by Cláudio Alves

Remember that week when Taylor Swift's concert film phenomenon and Martin Scorsese's elegiac latest dominated the conversation? It's hard to believe, but more pictures hit theaters along with those big titles. Indeed, some came full of Oscar hopes – look at NYAD. Directed by Elizabeth Chai Vasarhelyi and Jimmy Chain, the sports biopic enjoyed a qualifying theatrical run before hitting Netflix today, hoping to guarantee its entrance into the awards race. Above all other categories, Best Actress should be the primary objective, with Annette Bening vying for Hollywood's favorite golden trophy once more. Will she secure her fifth Academy Award nomination? Time will tell.

Let's recall some of her best work of yesteryear to celebrate a great actress's return to the race. Here are my top ten favorite Annette Bening performances…

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AFI Roundtable - All of Us Strangers, American Fiction, Freud's Last Session

By: Chris James, Eurocheese and Abe Friedtanzer

Reunions happen in the most unlikely of places. In this case, three The Film Experience writers ran into each other at the World Premiere of Matt Brown’s film Freud’s Last Session at the AFI Film Festival.

The fun of festivals is always to find out what are the similarities in everyone’s schedules and the differences. Since Chris, Abe and Eurocheese were all seeing Freud’s Last Session, All of Us Strangers and American Fiction during the festival, we thought it would be fun to have a round table to compare and contrast their opinions on the films. What did they love and what did they hate?

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