Doc Corner: The 2019 Oscar Nominees!

By Glenn Dunks (returning from a writing break, I hope y'all missed me)

Following last year’s surprising line-up for Best Documentary Feature that ignored multiple major box office hits and favoured critical and festival hits, I asked how much the Academy’s changing dynamics had affected the nominations in this category that was often considered a musty piece of furniture. It was undeniable that a significant shift had been made and I am thankful to say that it wasn’t a fluke. The 2019 nominations for documentary have yet again marked the branch as one on its own course through the greater Oscar season narrative. A narrative that is otherwise marked by predictability, a distinct lack of adventurousness, and even outright laziness.

This year’s nominees took us from the bombs and missiles of a warzone of Syria (two times! The Cave and For Sama) to the silent beekeeping traditions of North Macedonia (Honeyland), through the muddy democratic waters of Brazil (The Edge of Democracy) and the blue collar working yards of America's midwest (American Factory). They represent American and international filmmaking at their finest made by newcomers and veterans alike...

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Soundtracking: Cats

by Chris Feil

One month after its catastrophic arrival and its official: Cats has entered the cult pantheon. But unlike the midnight musical tradition set before it by The Rocky Horror Picture Show, this disaster isn’t simply finding an audience that appreciates its merits. If the ultimate schadenfreude response to the film felt pre-baked by the gleefully unhinged  reactions to its promotional material, we shouldn’t forget that much of its failed vision falls squarely in the lap of director Tom Hooper.

Cats as a musical is supposed to be earnest, its silly concept a vessel for unbridled imagination from the bombastic funhouse of Andrew Lloyd Webber. Of course, it has always had vocal detractors - it’s still a musical about cats. But for better or worse, it’s a more tuneful score than it’s often credited as, even if it grates...

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18 days till Oscar

by Nathaniel R

18 is today's magic number. Everyone knows that Oscar's acting branch sometimes takes a shine to little kids for acting nominations (almost always it requires a Best Picture nomination for the movie that houses them) but how often do they nominate kids who've just become adults? Not too often! There have only been three 18 year olds who've ever been nominated* and curiously none were in Best Picture nominees. Still, all of them gave unforgettable performances and the latter two could have easily be argued as "shoulda wons" in their year. They are...

•  Mariel Hemingway in Manhattan (1979), Best Supporting Actress
•  River Phoenix in Running on Empty (1988), Best "Supporting" Actor 
•  Juliette Lews in Cape Fear (1991), Best Supporting Actress

Fact: No 18 year-olds have ever been nominated in either lead acting category.

* It's possible we missed an 18 year old in Supporting Actress (though we could only think of 19 and 20 year olds like Angela Lansbury and Saoirse Ronan beyond the 16 and under famous inclusions) since it's the category that is most favourable to teenage nominees and most trivia and articles list don't go beyond age 15 or 16 in that category. If we did we trust you'll tell us who in the comments. 

Alternative Best Costume Design Ballots

by Cláudio Alves

The Best Costume Design category at the Oscars tends to be a place where one can find idiosyncratic choices. While it's true the Academy has a taste for the extravagant and period-looking, the Costume Branch is usually unafraid of celebrating films otherwise ignored. That's how we get such wonderful nods like those for Bright Star's Regency fashions, I Am Love's early aughts glamour, Jane Eyre 's Victorian severity, and Mirror Mirror's fairytale lunacy.

This year, for the first time in the category's history, all five nominees are Best Picture contenders. The arguable quality of the designs aside, this is a sad state of affairs that makes the usually cool Best Costume Design category look tediously similar to all the others. In an attempt to right the Academy's wrongs and offer a more varied look at 2019's achievements in film Costume Design, here's an alternative set of nominees, none of which were shortlisted by the Academy...

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"Bad Boys for Life" and audiences check out those BP nominees

The box office report comes real late this week since it takes a while for the coins to settle after holiday weekends. But here we go with the long weekend estimates (which probably aren't all in).

Will Smith and Martin Lawrence are both in their 50s but there's no aging out of action franchises (as we saw with Hamilton & Schwarzenegger last summer in Terminator Dark Fate). The first Bad Boys arrived in 1995 as an instant smash and its sequel waited until 2003 but audiences haven't fallen out of love in the long gaps. They came back in droves 17 years later for round three.

Since this was the first weekend after the Oscar nominations and most of the Best Picture nominees (re) expanded their screen counts, let's check in with EVERYTHING in wide release... and their counterparts in platforming.

Weekend Box Office January 17th-20th (ESTIMATES) 🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
1 🔺  BAD BOYS FOR LIFE  $73.4 *NEW*	1 🔺   WEATHERING WITH YOU $1.7 on 486 screens *NEW* REVIEW  ★

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