Doc Corner: 'Tiger King' is a Disturbing Mess

By Glenn Dunks

Tiger King: Murder, Mayhem and Madness is the undisputed king of the internet right now. A zeitgeist that has steamrolled over a society that has been stuck inside, isolated with little else to do but binge and over-indulge on anything that distracts the mind and the body. Scratch beneath the veneer of its sneering Christopher-Guest-goes-to-the-trailer-park milieu and Tiger King proves to be lazy at best, morally corrupt at worst. Expanded out to an over-confident seven episodes, directors Eric Goode and Rebecca Chaiklin dig their series deeper into grimy, ethically dubious territory with little of that digging towards something substantial.

The story of Tiger King, though, is certainly interesting. How could it not be considering the ever-escalating crime saga of Joe Exotic, a private big cat zoo owner and operator whose life gravitates towards weird and weirder. He’s a true drama queen...

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Have you caught up with "Cats" on streaming yet?

by Eric Blume

While many Americans are talking about their life in terms of Before and After the Pandemic, I'm now talking about my life in terms of Before and After watching Cats the movie.  The much-maligned Tom Hooper musical opus is currently available on iTunes and Amazon, so I felt I should give it a shot after all the chatter, here, and elsewhere.  But beware, kind viewer:  once you've seen this movie, there is no coming back.

Preface that I am not a "Cats" hater (or even a cats hater...they're not dogs, but that's not their fault).  I saw the almost-original Broadway production back when it was all the rage, so I have a tender spot for it in my heart...

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Acting "Fight Club"

by Cláudio Alves

Fight Club is an exhausting film. Years of heated discourse and malicious fandom have made it so, its miscalculations laid bare by the legacy it has earned. Inheriting the pulp narrative of Chuck Palahniuk's source novel, the movie is a failed satire, critique made incoherent by cinematic idioms where the visceral appeal of style is at odds with necessary intellectual remove. The love many feel for it is still easy to understand, whether it's masked by irony or proudly defended. David Fincher's bravura filmmaking makes toxicity seem cool, kinetic and self-aware. Though, Fight Club seduces too well and, in the end, is unable to bat away its lovers with some feeble pretension of dissected masculinity.

If 4chan had a cinematic embodiment, here it is, as gloriously enraged as it is putrid and entitled, shallowness dressed in a costume of depth. Quite frankly, it's even exhausting to write about the thing. Maybe because so much has been written already. After so much discussion of its theme, intent and Mephistophelean stylings, I propose we discuss an element of the picture that's rarely examined – the art of acting Fight Club…

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Beauty Break: Toshiro Mifune Centennial

by Nathaniel R

100 years ago on this very day Japan's most famous movie star Toshiro Mifune was born (in Qingdao, China, then Japanese occupied). He was "discovered" by accident, when friends entered him into a 'New Faces' competition. Word travelled all the way to Akira Kurosawa, that there was a young actor he had to see. Kurosawa was, in his own words, "transfixed" and the rest -- 16 films of a classic collaboration -- is history. For our Mifune Centennial celebration thus far we've covered Stray Dog, The Hidden Fortress, and Yojimbo but herewith a beauty break to bask in the photographic glory of this iconic masculine star...

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March. It's a Wrap

March was approximately a decade long but it has finally ended its interminable reign. Will April be as endless? Only the novel coronavirus knows. Here are a dozen blog highlights from the month that was...

March Highlights
• What if Sondheim's "Company" were a movie - Lynn ponders casting possibilites
• Top 100 Documentaries of the Decade - Glenn sees (and ranks) everything.
• The moment I fell for Kristen Stewart - Claudio looks at The Runaways (2010) for its 10th
• Lady in a Cage (1964) -Nathaniel gets in the elevator with Olivia de Havilland
• Never Rarely Sometimes Always -Murtada talks to director Eliza Hittman
• RIP Max Von Sydow -Nathaniel says farewell to a great
• Cate as Blue Jasmine - Murtada dives deep with special guests
• Deneuve in Repulsion - Jason minds the crack
• Emma and Cactus Flower - the podcast has returned
• Toshiro Mifune - a centennial celebration (the actual 100th is tomorrow - two more pieces coming)

Most Discussed
• Oscar Category Fraud Eric looks at the (screen percentage) numbers
• Not the Iron Lady - Claudio asks what should have been Meryl's Third?
• Daniel Day Lewis - the best three-time winner?