Gotham Awards 2023: "Huesera: The Bone Woman" Stands Tall in a Stacked Category

by Nick Taylor

If awards-giving bodies serve one purpose, it’s to point curious, nubile cinephiles towards films they might not have otherwise come across. Unexpected, eccentric nominations are almost inherently fun to observe, especially from organizations meant to honor smaller films. Sure, the Gotham Awards removing their budgetary caps is a disappointing move, but aside from Barbie, several of their choices reflect what a great year this is for smaller, genuinely independent titles. And if we’re talking about titles, how could I not jump at the opportunity to check out a film called Huesera: The Bone Woman? Michelle Garza Cervera was recognized in the Breakthrough Director category, and for me, this is the ideal way of rewarding the strengths of this potent film.

Click to read more ...

Pre-Code Diva Smackdown

by Cláudio Alves

Though postwar film noir is de rigueur for Noirvember, the Criterion Channel prepared a nifty bit of counterprogramming with a program dedicated to Pre-Code Divas. Going back before 1934, when the second coming of the Hays Code went into effect, one finds that time when sound was new and moral standards were, if not low, more libertine than they'd become. It was a time for sex comedies and sad stories about fallen women, moralist shockers and amoral delights, starring a cadre of starlets who became synonymous with the era. Some would go on to thrive within the Code, while others fell to obscurity when their vehicles dried up under new norms.

Since we all had so much fun with the last readers' poll, let's do another one. This time, you'll be voting on your favorite Pre-Code Diva. After the jump, discover our contenders and their Criterion-selected titles…

Click to read more ...

An AI Biopic? No, Thank You!

by Cláudio Alves

Warner has released a proof of concept image showing what the animation will look like.

With the SAG strike over and a new three-year contract in sight for actors, it felt like we could all breathe a sigh of relief over the current Hollywood AI takeover. Not forever, but a temporary reprieve nevertheless. Well, guess what? There's no rest for the cinephile, for a new nightmare is upon us. The Warner Music Group has partnered with the Edith Piaf estate to create an AI-based biopic, running for 90 minutes and mixing archival future with animation. Over it all, a feat of technological necromancy will have the legendary French singer narrate her own story or the corporate-approved facsimile of it.

The execs behind the travesty speak of authenticity, but I only see mercenary intent. It's anti-art, sickening in the worst way…

Click to read more ...

Scorsese at the Oscars: The Complete Tally

by Cláudio Alves

With Killers of the Flower Moon still in theaters, conversation on the film has drifted from first impressions to Oscar prognostication. Amid these talks, Martin Scorsese's golden record has been heavily debated. Some say he's been severely under-rewarded, while others regard such talking points with disdain usually reserved for teenaged pop stans. Wherever you fall in this spectrum, knowing the director's exact Oscar stats will be helpful, if not enlightening. None of his short or documentary work has ever been recognized by AMPAS, and out of 25 narrative features, 17 have received at least one nomination – or 68%. Seven of those won an Oscar – or roughly 41% of his nominated work.

For a more in-depth analysis, let's consider the complete tally, sorted by category…

Click to read more ...

Contemporary Costume Watch: "Pain Hustlers"

by Cláudio Alves

Where does one draw the line between period and contemporary costume design? It's hard to tell, and sometimes, it depends on the intentionality behind a given sartorial choice. Some filmmakers aim to capture the specificity of time and place, even when chronological proximity would excuse some adaptations to current sensibilities. Others forego that exactitude altogether. And then there's the way even the Costume Design Guild muddies the waters. How is the early 90s style of Rent considered period in 2005, but Precious' 1987-set narrative is still contemporary in 2009? All this to say that, for this article's purpose, let's interpret Pain Hustlers' wardrobe as a work of contemporary costume design. An outstanding one at that…

Click to read more ...