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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Oct302019

Doc Corner: To Syria in 'The Cave' and 'For Sama'

By Glenn Dunks

The sheer audacity of making a documentary in Syria is something that astounds me. But part of what makes Syria such a fascinating subject for continued exploration is that theirs is a story we have seen unfold in real time. From its initial uprising to its deafening destruction and their continued traumas, the last decade have granted audiences a unique interior look into many facets of the Syrian Civil War from the side of rebels and side of the radicals, humanitarians and civilians.

So when I say that Feras Fayyad’s The Cave is easily among the very top of the docket, I don’t do so lightly. Fayyad is already an Oscar nominee for Last Men in Aleppo about the men known as The White Helmets. Here he has shifted gears to focus on the women doctors of what’s known as The Cave, an underground hospital network underneath the city of Ghouta. Mostly medical students who stayed behind to help those in need, the spotlight lands firmly on 30-year-old aspiring paediatrician Dr. Armani Ballour whose calming presence amid the storm of shells and fire around them is as compelling a non-fiction subject I have seen in a very long time...

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Wednesday
Oct302019

Soundtracking: Hocus Pocus

by Chris Feil

As derided as Hocus Pocus was at the time of its release it was ultimately wholeheartedly embraced by a generation well-accustomed to watching Disney villains sing splashy musical numbers. In just a few numbers, Hocus Pocus somewhat accidentally honors a tradition that the audience instinctively recognizes. It may not be a complete musical, but Hocus Pocus falls right in step to Ursula’s “Poor Unfortunate Souls” or Scar’s “Be Prepared”. It’s no wonder that fans constantly demand it be given the Broadway treatment -- they already think of it as belonging to the genre.

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Wednesday
Oct302019

Link is a cabaret... 

Marisa Berenson, Joel Grey and Liza Minnelli at the premiere of Cabaret (1972)Vanity Fair smart piece by Mark Harris on what four Oscar campaign's (or rather the potential success thereof) might tell us about the "new" Academy including Lupita Nyong'o in Us

The Guardian
talks to Marisa Berenson (Cabaret) on why she walked away from the spotlight so many years ago.

After the jump animated short Oscar hopefuls, Taylor Swift Cats news, Jeff Goldblum, a new film from The Lighthouse's Robert Eggers and more...

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Tuesday
Oct292019

Monthly Calendar of the Oscar Fanatic

by Eurocheese

April – The musings that mean absolutely nothing except for those couple of Sundance films that may go the distance.

May – Maybe the Cannes Palme d’Or winner will win BP? Also, let’s talk in depth about the tech nods so we can discuss that one early blockbuster and make wild guesses about what could beat it.

June – Which summer blockbuster could WIN Best Picture? (Spoiler alert: None.)

July – We have early frontunners...

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Tuesday
Oct292019

Honorary Oscars 2019 - The Speeches

by Nathaniel R

Our dream is to one day attend that invite only Honorary Oscars / Governor's Awards. The ceremonies aren't televised but for clips for YouTube and such but everyone who is anyone in Hollywood is there with an emphasis on Hollywood's golden history which we here at The Film Experience have always appreciated. Sites that only cover new releases -- what are you doing with your lives?!?

Here are the speeches and some notes from the special night.  First up Geena Davis, Jean Hersholt Humanitarian Award winner who shares that it was really Thelma & Louise (1991) that changed her life (you and me both, diva!) and set her on the path that she's now being honored for. Her face when Tom Hanks says her name... ❤

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